Exclusive: New Yorker Studios will release the Eddie Alcazar and Darren Aronofsky short film The Vandal on Dec. 13 across The New Yorker’s digital platforms as part of its “Screening Room” series.
For The Vandal—set in a world not unlike mid-20th century America—Alcazar dives into the mind of a man named Harold (Bill Duke) who undergoes a lobotomy and is suffering from traumatic memory loss as a result. As his memories continue to fade and his search for peace is interrupted, the character becomes desperate.
Baadja-Lyne Odums, Harry Goaz, Maurice Compte, Thomas Hildreth, and Abbey Lee costarred.
“Very happy to finally show the world what we have created with The Vandal and our state-of-the-art Metascope technique,” Alcazar told Deadline exclusively in a statement. “Working with The New Yorker will give the film a strong platform so that many people across the world will be able to experience its universal feelings and themes.
For The Vandal—set in a world not unlike mid-20th century America—Alcazar dives into the mind of a man named Harold (Bill Duke) who undergoes a lobotomy and is suffering from traumatic memory loss as a result. As his memories continue to fade and his search for peace is interrupted, the character becomes desperate.
Baadja-Lyne Odums, Harry Goaz, Maurice Compte, Thomas Hildreth, and Abbey Lee costarred.
“Very happy to finally show the world what we have created with The Vandal and our state-of-the-art Metascope technique,” Alcazar told Deadline exclusively in a statement. “Working with The New Yorker will give the film a strong platform so that many people across the world will be able to experience its universal feelings and themes.
- 12/8/2021
- by Rosy Cordero
- Deadline Film + TV
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