A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
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- 11 wins & 38 nominations total
Amelie Mendoza
- Christou's Assistant
- (as Amelie Mendosa)
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Where to start with this movie, the acting from David dalmastchian is top drawer and for me he makes the movie, it has a uniqueness about it. The way the movie is very much just like watching a chat show on television and how it goes for the interval and we see backstage is freaking cool. I think the ending was very strange and as I said earlier unique to say the least. Dalmastchian does a grand job and hope this gets him some more unusual horror flicks. I always liked the way on the big screen it was just like an old 70's TV screen. I would like to rate the movie higher but the movie for me was too short.
Late Night with the Devil is a new and unique horror flick. Even having seen 500+ horror films, I can't compare this to anything else. It's not groundbreaking or mind-blowing, but it's different and original.
It's also really good, well-made in most aspects. It hooks you early on, even before any of the horror starts. For a while you're just enjoying a fabricated late night TV talk show. And then when the horror kicks in, oh does it kick. There are a few memorable and jaw-dropping scenes.
My headline is referring to something that drives me crazy. People, including close friends, complain that Hollywood has run out of ideas and only makes sequels, remakes and superhero movies. I respond by showing them all of the original movies released in a year, and how they did not watch any of them. They only go to the theaters a few times a year, and only for the blockbusters. What they're complaining about is their own fault.
If you're a fan of horror and are looking for something far from traditional, Late Night with the Devil is for you. And if you're sick of the perceived lack of original ideas, this is the kind of movie you should be supporting.
(1 viewing, 3/31/2024)
It's also really good, well-made in most aspects. It hooks you early on, even before any of the horror starts. For a while you're just enjoying a fabricated late night TV talk show. And then when the horror kicks in, oh does it kick. There are a few memorable and jaw-dropping scenes.
My headline is referring to something that drives me crazy. People, including close friends, complain that Hollywood has run out of ideas and only makes sequels, remakes and superhero movies. I respond by showing them all of the original movies released in a year, and how they did not watch any of them. They only go to the theaters a few times a year, and only for the blockbusters. What they're complaining about is their own fault.
If you're a fan of horror and are looking for something far from traditional, Late Night with the Devil is for you. And if you're sick of the perceived lack of original ideas, this is the kind of movie you should be supporting.
(1 viewing, 3/31/2024)
"Late Night with the Devil" takes us back to 1977, where it envisions a fictional fourth commercial broadcast network competing against the reigning king of late-night talk shows, Johnny Carson. The rival host, Jack Delroy (played by David Dastmalchian), is a local Chicago talk show host who gets bumped up to the national level. The film opens with a five-minute prologue that sets up Jack's backstory, including a key biographical fact that hints at the movie's eventual outcome.
During sweeps week-a quarterly event when networks try to boost ratings by airing their most outrageous content-Jack and his producer, Leo (Josh Quong Tart), decide to take their Halloween broadcast up a notch. They invite a psychic named Christou (Fayssal Bazzi) and Carmichael the Conjurer (Ian Bliss) to the show. Things take a dark turn when bestselling parapsychologist Dr. June Ross-Mitchell (Laura Gordon) interviews Lilly (Ingrid Torelli), the sole survivor of a satanic cult's mass suicide.
The film expertly balances absurd dark humor with eerie horror elements, with a perfect mix of 70's tone and atmosphere. Dastmalchian's performance as Jack Delroy is fantastic, and the practical effects add to the overall creepiness.
However, the movie stumbles in its execution. The insistence on being a "found footage" film built around a buried broadcast creates unrealistic expectations for everything that follows. While the gooey practical effects are impressive, the movie doesn't always feel beholden to the visual conventions of circa-1977 American late-night talk shows. Perhaps this departure from realism is intentional, but it can be jarring for viewers expecting a more consistent tone.
And then there's the ending. Unfortunately, it's a complete shift that destroys the atmosphere the rest of the movie worked hard to establish. The terrible CGI undermines the tension, leaving viewers disappointed. It's a shame because "Late Night with the Devil" had the potential to be a really good movie, but that awful ending prevents me from wholeheartedly recommending it.
This might have been a 8-9 but that ending drops it to 6-7.
During sweeps week-a quarterly event when networks try to boost ratings by airing their most outrageous content-Jack and his producer, Leo (Josh Quong Tart), decide to take their Halloween broadcast up a notch. They invite a psychic named Christou (Fayssal Bazzi) and Carmichael the Conjurer (Ian Bliss) to the show. Things take a dark turn when bestselling parapsychologist Dr. June Ross-Mitchell (Laura Gordon) interviews Lilly (Ingrid Torelli), the sole survivor of a satanic cult's mass suicide.
The film expertly balances absurd dark humor with eerie horror elements, with a perfect mix of 70's tone and atmosphere. Dastmalchian's performance as Jack Delroy is fantastic, and the practical effects add to the overall creepiness.
However, the movie stumbles in its execution. The insistence on being a "found footage" film built around a buried broadcast creates unrealistic expectations for everything that follows. While the gooey practical effects are impressive, the movie doesn't always feel beholden to the visual conventions of circa-1977 American late-night talk shows. Perhaps this departure from realism is intentional, but it can be jarring for viewers expecting a more consistent tone.
And then there's the ending. Unfortunately, it's a complete shift that destroys the atmosphere the rest of the movie worked hard to establish. The terrible CGI undermines the tension, leaving viewers disappointed. It's a shame because "Late Night with the Devil" had the potential to be a really good movie, but that awful ending prevents me from wholeheartedly recommending it.
This might have been a 8-9 but that ending drops it to 6-7.
I really enjoyed this.
Sort of found footage, sort of faux documentary, I really loved how this movie was presented.
David Dastmalchian is really very good. And the supporting cast are enjoyable, particularly Ingrid Torelli.
This movie is pretty creepy, and there are tones of exorcist and of VHS 85. There's a kind of Faustian deal at the stories core that I really liked and I found myself smiling quite a lot during the third act.
This movie may not be for everybody. It's obviously not big budget and the effects may not land with everyone but I thought it was a whole lot of creepy, campy fun.
Sort of found footage, sort of faux documentary, I really loved how this movie was presented.
David Dastmalchian is really very good. And the supporting cast are enjoyable, particularly Ingrid Torelli.
This movie is pretty creepy, and there are tones of exorcist and of VHS 85. There's a kind of Faustian deal at the stories core that I really liked and I found myself smiling quite a lot during the third act.
This movie may not be for everybody. It's obviously not big budget and the effects may not land with everyone but I thought it was a whole lot of creepy, campy fun.
One of the most unique and entertaining horrors I've seen in a LONG time - I really didn't want it to end!
Far from the tired Blumhouse cookie cutter approach to the genre, LNWTD is vibrant, entertaining, gripping and above all - creepy as hell.
I particularly loved the old-school style practical effects and filmmaking. Apart from a few electrical sparks, there wasn't really any CGI - a huge relief, as I feel it's a real detriment to creepy, organic horror films.
The cast were fantastic and had great chemistry, with David Dastmalchian once again proving he's a charming and compelling leading man.
Far from the tired Blumhouse cookie cutter approach to the genre, LNWTD is vibrant, entertaining, gripping and above all - creepy as hell.
I particularly loved the old-school style practical effects and filmmaking. Apart from a few electrical sparks, there wasn't really any CGI - a huge relief, as I feel it's a real detriment to creepy, organic horror films.
The cast were fantastic and had great chemistry, with David Dastmalchian once again proving he's a charming and compelling leading man.
Did you know
- TriviaThe Carmichael character is very clearly based (including physically) on the real-life James Randi. Randi was a talented magician who became a famous psychic debunker and he started an institute that offered a large reward to anyone that could reproduce their supposed paranormal powers in controlled conditions. Over decades, nobody was able to win the money.
- GoofsRichie Brockelman, Private Eye (1978) is mentioned on the TV ratings list for the 1976-77 season. However, the series did not premiere until March 17, 1978.
- Quotes
Jack Delroy: Ladies and gentlemen, please stay tuned for a live television first... as we attempt to commune with the devil. But not before a word from our sponsors.
- SoundtracksForever My Queen
Written by Bobby Liebling (as Robert J. Liebling)
Performed by Pentagram
Published by Relapse Music
Licensed by The Orchard
Licensed courtesy of Relapse Records/Gaga Music Pty Ltd
- How long is Late Night with the Devil?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- De noche con el diablo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $10,001,000
- Opening weekend US & Canada
- $2,834,867
- Mar 24, 2024
- Gross worldwide
- $15,469,415
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.78 : 1
- 2.39 : 1
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