Consecration

The movie has been terribly misrepresented and misquoted as a horror while, in reality, it tends to lean more towards the genre of murder/mystery thrillers rather than a gloomy, atmospheric fear flick, contrary to what the trailers may have earlier suggested.

The creators should have been more sincere in their promotional strategies because if you are not honest about your work, the audience has a harder time deciding what to expect and what not to and that could backfire and In this case, I believe it is about to turn sour as well.

The film itself isn't half bad, and neither are the concepts it attempts to explore, but I'm worried that subverting viewers' expectations won't go down well with most of them, it didn't with me that's for certain.

Greetings again from the darkness. Horror films and religion are a match made in heaven ... so to speak. The linking of demonic possession and religious artifacts pre-dates cinema, and yet has long been a key element on the big screen. The effect of the cross on Dracula is one example, and of course, the priest visiting young Regan in THE EXORCIST is one for the ages. So many other examples exist that entire books have been written on the topic. It's because of this history that we quickly accept the setting and groundwork of this latest from writer-director Christopher Smith (TRIANGLE, 2009) and co-writer Laurie Cook.

Optometrist Grace (Jena Malone) lives alone with her cat when she is notified that her brother (Steffan Cennydd), a priest, is dead. Supposedly he killed a senior priest before committing suicide. Grace is immediately suspicious of the story and decides to conduct her own investigation. She travels to the convent, located on the edge of an oceanside cliff in a remote area of Scotland, where she discusses the case with Detective Harris (Thoren Ferguson). They both have serious doubts that Mother Superior's (Janet Suzman) chronicle of events is accurate.

Father Romero (Danny Huston) arrives on assignment from the Vatican in order to re-consecrate the convent, and to do so, he must ensure that the truth in the case is disclosed. Adding an element is Grace's admission to being "indifferent" towards God, which of course, makes her a target of the nuns, including a creepy "peek-a-boo" nun played by Elidih Fisher.

The initial set up with Grace and her arrival are extremely well done, and Ms. Malone proves yet again why she has long been a favorite. The good vs evil stage is set, and then filmmaker Smith begins the twists and misdirection. Flashbacks to Grace's childhood are a bit heavy-handed and used to spell out a bit too much, and some of these are simply too obvious and generate a few too many eye-rolls. Mr. Huston is always solid in whatever supporting role he plays, but fans of Jena Malone will likely be somewhat disappointed in a movie that doesn't take full advantage of her presence. Regardless of that, the Scotland countryside is shown in its full glory and that's quite a sight. Just don't expect as much from a horror movie that's just trying too hard.

In theaters beginning February 10, 2023.

No spoilers mentioned.

This film was a nice surprise. The camera work and cinematography was excellent. I appreciated the beautiful scenery of Scotland and the gorgeous atmospheric church.

The acting was above reproach.

The screenplay/story wasn't anything really new but the setting made it feel fresh.

There were flashbacks of 2 different time-frames, along side the Main time line that I wish would of tied into the story a lot tighter. That's a lot of history to glue together so keeping it as simple as they did was probably the best route to take. But I did notice how it diluted the story as a whole.

Overall...I enjoyed this film and would recommend it.

Consecration was a very pleasant surprise: a fine production and cast, on top some story in the line of movies a la The Exorcist or The Medusa Touch (Richard Burton, 1978) and the like. Mostly I watched this one because of Jena Malone and I was not disappointed - her fine performance gives Grace, our by mysteries and death surrounded hero, gestalt, depth. Consecration is for sure no movie for the pure gorehound or for those who want the simple pleasures of a slasher movie served, but rather for those who can enjoy a slowly unfolding plot sugared by some dark atmosphere and fine settings. No doubt, this one is no masterpiece but an entertaining snack for the connoisseurs of previously mentioned movies.

This is marketed as a horror movie, but I think it's more of a lean, tightly written mystery with horrific elements. The clues are so densely packed I couldn't leave to get a soda refill, for fear of missing some key point in the story.

Jena Malone is great as always, though her accent is a bit shaky in places. Janet Suzman is a standout as Mother Superior, as is Ian Pirie, who is genuinely frightening as Jena's dad.

Scenes jump back and forth in time and from dreams to reality in a disorienting fashion, but the final resolution ties up all...and I do mean ALL the loose ends in a way I found very satisfying.

Other reviews have commented that too much of the mystery is given away early. I disagree. I could see the general direction it was going but was still surprised at the reveal.

Smarter than the typical jump-scare movie that gets released every week, it will keep your interest and make you think. Just don't expect it to make you jump out of your seat.

Recommended.