In 1963 Michigan, business rivals Kellogg's and Post compete to create a cake that could change breakfast forever.In 1963 Michigan, business rivals Kellogg's and Post compete to create a cake that could change breakfast forever.In 1963 Michigan, business rivals Kellogg's and Post compete to create a cake that could change breakfast forever.
- Nominated for 1 Primetime Emmy
- 3 wins & 6 nominations total
Featured reviews
Unfrosted mixes a bunch of comedians together in a silly story and the result is about as good as eating Pop-Tarts. It's not great, but it's enjoyable enough if you're in the right mood. If this were a short comedy sketch on Saturday Night Live it would probably be pretty popular. The humor is very on-the-nose. It's not trying to be subtle at all. You can tell that the cast probably had a great time hanging out while making the movie, and most likely made up some of the jokes on the spot. I laughed a few times but, much like eating a Pop-Tart, I felt a little let down by the experience afterwards.
Maybe I built up "Unfrosted" too much, in my mind. When I heard about this movie, I got excited. And when I saw the cast, I nearly hyperventilated. But, when I finally watched it, I fell asleep.
This movie had so much potential and it had some really funny moments. But it lacked so many elements that make a great comedy movie. It needed frosting.
The look and feel of the movie was retro and bright and cool. It had a "The Marvelous Mrs. Maisel" vibe with a quick and witty script, snappy interactions, and a very intentional pacing. What it was missing is heart and moments that make you care about the characters. It was as if they made a script out of one of Seinfeld's bits (which they sort of did). It was like one long joke that never paused to let jokes land or slowed to build a connection with the audience. It was as if it was written by a first time director and screen writer (which is also true). This movie needs to go back to the creators and be re-written.
There are comedy and acting icons in this movie. I wish someone had stopped to ask them for their input on the scenes they were in. Or, watch season one and two of "The Marvelous Mrs. Maisel" and follow that blueprint.
"Unfrosted" felt rushed, like they had to get the plot and all of the jokes in by a certain time, but character development, chemistry, and connection with the audience wasn't a concern. There is beauty in silence and pauses between delivered lines. The audience needs time to marinate about what they have watched, from time to time.
I was also disappointed that none of the cast from "Seinfeld" had cameos. This is a movie where Jason Alexander would have shined and Julia Louis-Dreyfus makes everything better simply with her presence.
"Unfrosted" was underwhelming. Tons of potential with moments of laughter and times where it hits the target. It should be re-made, but this time add some frosting.
This movie had so much potential and it had some really funny moments. But it lacked so many elements that make a great comedy movie. It needed frosting.
The look and feel of the movie was retro and bright and cool. It had a "The Marvelous Mrs. Maisel" vibe with a quick and witty script, snappy interactions, and a very intentional pacing. What it was missing is heart and moments that make you care about the characters. It was as if they made a script out of one of Seinfeld's bits (which they sort of did). It was like one long joke that never paused to let jokes land or slowed to build a connection with the audience. It was as if it was written by a first time director and screen writer (which is also true). This movie needs to go back to the creators and be re-written.
There are comedy and acting icons in this movie. I wish someone had stopped to ask them for their input on the scenes they were in. Or, watch season one and two of "The Marvelous Mrs. Maisel" and follow that blueprint.
"Unfrosted" felt rushed, like they had to get the plot and all of the jokes in by a certain time, but character development, chemistry, and connection with the audience wasn't a concern. There is beauty in silence and pauses between delivered lines. The audience needs time to marinate about what they have watched, from time to time.
I was also disappointed that none of the cast from "Seinfeld" had cameos. This is a movie where Jason Alexander would have shined and Julia Louis-Dreyfus makes everything better simply with her presence.
"Unfrosted" was underwhelming. Tons of potential with moments of laughter and times where it hits the target. It should be re-made, but this time add some frosting.
I thought "Seinfeld" was incredibly funny and so it probably isn't surprising that I thought this was funny as well.
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
If you think of this as an extended SNL skit,and keep that in mind while you're watching it, I think you'll really appreciate it.
It's silly but very funny in places because of it.
If you know Jerry Seinfeld's comedy you can see this is very much from his mind.
The story is simply fun but the performances of the cast, many of whom are stand-up comedians like Seinfeld, make it really watchable. I actually found it fun wondering which famous face might pop up next. When they do appear they often come with numerous historical or pop culture references. So, along with the basic silliness of what you're being told and shown it all adds up to a bowl full of happy. (No more cereal puns I promise). I originally put this film on while I was working just to have some background noise but found myself drawn to watching it properly because I was so amused but also really impressed with the visual style of the film. Apart from the beautiful aesthetics of the 60s, they managed to add to the visual appeal with the art / direction style. They convey a somewhat dreamlike or fantasy-esque appearance about what you're shown without it being too "Willy wonka". If you remember that what you're seeing is a story being told by an adult to a child, it completely works and simply looks grrrrreat. (Sorry).
Really good fun, deserves better reviews, hence why I felt compelled to write this one.
Nice one Jerry.
It's silly but very funny in places because of it.
If you know Jerry Seinfeld's comedy you can see this is very much from his mind.
The story is simply fun but the performances of the cast, many of whom are stand-up comedians like Seinfeld, make it really watchable. I actually found it fun wondering which famous face might pop up next. When they do appear they often come with numerous historical or pop culture references. So, along with the basic silliness of what you're being told and shown it all adds up to a bowl full of happy. (No more cereal puns I promise). I originally put this film on while I was working just to have some background noise but found myself drawn to watching it properly because I was so amused but also really impressed with the visual style of the film. Apart from the beautiful aesthetics of the 60s, they managed to add to the visual appeal with the art / direction style. They convey a somewhat dreamlike or fantasy-esque appearance about what you're shown without it being too "Willy wonka". If you remember that what you're seeing is a story being told by an adult to a child, it completely works and simply looks grrrrreat. (Sorry).
Really good fun, deserves better reviews, hence why I felt compelled to write this one.
Nice one Jerry.
This feels like that Dick Turpin series on Apple TV: proof that no matter how talented the cast of comedians, if the script ain't funny, it ain't funny. It starts off like a weird but charming mix of Willy Wonka and Airplane, but then descends into a big budget car crash.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
Did you know
- TriviaElements in the opening diner scene matching Norman Rockwell's famous September 20, 1958 Saturday Evening Post cover illustration "Runaway" include the red hobo pack, the white-clad counter man, the white vertically ribbed wall, the Specials chalk board, the chrome bar stools with green cushions, the coffee maker on right, the pie case on left, and the wall mounted radio. Appropriately added for the film is a Kellogg's display. In the Rockwell painting, Seinfeld's place is taken by a police officer who suspiciously eyes the little runaway.
- GoofsWhen Post opens the Top Secret dingus case for the two kids to taste, there is a row of three. Two are burnt up in the toaster, leaving one. Then Miss Post removes two more to be tasted without being toasted.
- Quotes
Thurl Ravenscroft: Beware of entrance to a quarrel. But once in it... beware of me.
- ConnectionsFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 1 of 2) (2024)
- SoundtracksIt Was a Very Good Year
Written by Ervin Drake
Performed by Frank Sinatra
Courtesy of Frank Sinatra Enterprises, LLC
Under license from Universal Music Enterprises
- How long is Unfrosted?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Sin glasear
- Filming locations
- UC Irvine, Aldrich Hall, Irvine, California, USA(UCI Administration Building as Kellog's headquarters)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,200,000 (estimated)
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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