Torn Hearts

This was fun but as another reviewer remarked, mostly just watchable thanks to Katey Sagal. I think it needed to really let loose and have more fun with itself. There was a level of crazy that Katey Sagal seemed ready to unleash, but that the script and story hampered. There were a few pacing decisions I also thought were jarring, particularly in the last few minutes.

Which is not to say there wasn't plenty of pink and a warehouse of wigs hanging around.

All in all, a decent afternoon but not a classic.

An average Blumhouse production is better than most horrors, but this one was barely watchable, the acting was okay, but the plot was poor. Maybe I would have enjoyed it more if I was into Country music. A well made movie with a lousy plot.

So a country music movie involving women, written by women, directed by women. Basically the plot boils down to Greed. Everyone is greedy. Which basically sums up the music business no matter what style.

Sagal is great as she usually is if she has the material to work with. The other two actresses were fine also. IT's a simple story, predictable, somewhat fun and also somewhat boring. Which really makes it pretty average.

Can only give it 5/10.

And IMDB has now made it so a review has to have 600 characters before it can be entered. I really don't expect that to last very long because people are sure to complain about it. But until that happens I guess we have to expect reviews to be long winded and sometimes about absolutely nothing to do with the show in question.

Had a lot of potential to hit an indie flash cult classic status based on the synopsis, but hit a MASSIVE flat note.

Katey is believable, and by far the best thing about this film- but she even delivers a restrained performance in a crisp white cami. Why wasn't the direction pushing her past first base with such a whacked out character to play?!

The women playing the two performers are unfortunately forgettable, and seem to also suffer from the strange editing choices and bizarre camera set ups (and lack there of).

Pacing problems, thin character development and overall-repetitive. Missing the sizzle you'd expect from a Dolly Parton, Baby Jane, Grey Gardens mixed tape.

Like others, I mainly watched this for Katey Sagal, who is as great as ever. However, like others, I feel like she was held back by writers who were afraid of going over the top; there's a constant feeling throughout the film that it's about to turn up to 11, but it never does.

That said, there's still an above-average film here. One that's worth a watch if you're a country fan, horror fan or a Katey Sagal fan. It's better than a lot of low budget productions being churned out these days, and infinitely more memorable than the majority of them. I imagine everyone involved will go on to bigger and better things.