Atoman

I have seen youtube videos have better production than this low budget movie pretending to be a real movie , with their sloppy VFX , and the writer who whenever is stuck choses the most random solution to go on with the story , the acting is so bad i mean you can tell they are acting , especially when the main character is not an actor in the first place , don't even get me started on the superhero costume , my god what the hell is that , first time i see a superhero costume that is baggy and the hero himself in bad form , we literally see the zipper for god sake .. and the music choice OH MY GOD , u can clearly feel that the guys behind this movie do not know anything about Morocco .

Atoman talks about a young hacker who takes his superpowers from his heritage and his ancestral culture. He figures out by coincidence that he is the one. Like Spiderman. The story talks also about an artifact that gives superpowers to his possessor who should be an unique person. And this artifact in the wrong hands threatens the existence of the world. The cinematic is frenetic and some fight scenes are cool. The movie looks like the chinese and indian productions with a nationalist message. Not boring but addressed more to a local audience. The country where the movie is located is Morocco in North Africa.

People are too harsh with this movie, forgetting it's the first moroccan superhero made by moroccans for moroccans. It's actually a nice watch, with a great representation of moroccan and amazigh identity.

OST is great, and visual effects aren't all incredible but the budget is well distributed. Honestly, better than recent Marvel movies! And the effects and choreography can't be compared to Hollywood productions as it is simply not the same budget nor experience.

Actors do a great job (some are better in the darija version than in the french one).

While watching this movie, you can feel the love, and dedication.

Atoman, the first superhero movie from the Maghreb, is more than just a cinematic milestone-it's a cultural awakening. Co-produced by the talented Aicha, this film marks a historic moment for North African storytelling in the sci-fi genre.

Directed by Anouar Moatassim and starring Lartiste as Hakim Imlil, Atoman follows a young hacker who discovers his Atlantean roots and transforms into a modern-day protector. It's a classic hero's journey wrapped in a distinctly Moroccan identity, enriched with Amazigh and Arab mythologies. The villain, played by Samy Naceri, adds weight and intrigue, while the beautiful landscapes and immersive soundtrack make Morocco not just a setting, but a character of its own.

What truly makes Atoman special is its spirit. It's not trying to be Marvel-and that's its strength. It's raw, authentic, and filled with heart. The breathtaking scenery and culturally infused story serve as a love letter to Morocco and a bold invitation for African filmmakers to tell their own stories.

Special applause must go to Aicha, whose work behind the scenes helped shape this gem. Her vision and passion as co-producer helped bring Atoman to life, showing what's possible when bold dreams meet action.

Here's to more African sci-fi, more daring ideas, and more trailblazers like Aicha and Anouar.

Bravo à toute l'équipe. Allez au suivant, la famille! 💎🇲🇦

Atoman is a cinematic milestone: the first North African superhero movie, and what a debut it is! Blending electrifying action, cultural depth, and a magnetic performance by the illustrious French-Moroccan rapper L' Artiste, Atoman doesn't just fly - it roars onto the screen with an Afro-futurist heartbeat and a North African soul.

Set against the bustling streets and arid outskirts of a futuristic Moroccan city, Atoman introduces audiences to a new kind of hero. L' artiste plays Amine, an unassuming teacher who, after a mysterious cosmic encounter rooted in ancient Berber myth, gains control over atomic energy. His transformation into Atoman is more than just physical - it's spiritual, political, and deeply personal.

What sets Atoman apart isn't just the visual spectacle (though there are plenty of slick effects, high-octane chases, and sky-shattering explosions), but its commitment to grounding superhero tropes in North African identity. From Amazigh symbolism etched into the costume design to dialogue peppered with Darija and Tamazight, every frame pulses with pride in regional culture.

Lartiste, in his first major film role, brings unexpected depth. Known for his lyrical finesse and street-smart swagger, he channels those same qualities into a character who must navigate fame, fear, and responsibility. The result is a superhero who feels real, flawed, and relatable. His charisma is effortless.

In Atoman, North Africa has found not just a superhero, but a symbol - a beacon of resilience, innovation, and cultural pride. It's a triumph for regional cinema and a thrilling promise of more to come.