A Star Is Born

I know some will say this is a manipulative film. Perhaps, to some extent. When Lady Gaga began performing, I couldn't stand her. My old fogieness caused me to find her pretentious and doing anything for attention. Over the last couple years I have grown to really enjoy what she does. At an advanced age, I would love to see her in concert. Being able to here her great range and depth in this movie was a very pleasant experience. Also, the chops of Bradley Cooper were quite amazing. We all know the plot. I've seen all but one of the previous incarnations, so the big picture stuff was no an issue. There were a few slow moments but I think it worked very well.

I must be on a streak with the amount of excellent films that I have been seeing lately, because A Star is Born is fantastic. If this film does not get nominated for Best Picture or Best Actor, Best Actress, or Best Original Song, then I will literally be stunned, because every single aspect found within the film was perfect. I would really love to see Lady Gaga win the Oscar for Best Actress because she totally nailed it here. She went from poking faces in 2007, to make the audience's heart sink in 2018.

Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.

As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.

You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.

So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!

Had heard nothing but great things about this latest 'A Star is Born' film, with even my own sister saying it was a must see. There was also the interest to see how Lady Gaga would fare in her acting debut and how Bradley Cooper would fare as first-time director. Decided to see it when taking a break from practise with nothing else better to do, going in with very high expectations, as part of my "seeing as many 2018 films as possible" quest.

This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.

As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.

It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.

The final act also could have been tightened, slightly too padded and dragged out.

What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.

Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.

Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.

Altogether, very, very good and often splendid. 8/10 Bethany Cox

If you're even a casual moviegoer, chances are you have already heard the argument; that originality is dead in Hollywood. We live in an era where even Ghostbusters is no longer sacred. Where you wouldn't be surprised if one of the large studios announced a remake of the Godfather or Citizen Kane. Those remakes might capture some audience members, but those films almost certainly don't capture the audience's hearts. They certainly don't capture the praise critics. They certainly don't take home any major awards.

That all changes with A Star is Born.

Change, however, is a key word when it comes to remakes. (Or remakes of remakes of remakes...) In order to make the venture worthwhile, the film makers not only have to stay close to the ideas of original film, but they have to have a reason to retell the story. It's a delicate balance. Every version of a Star is Born follows a broken celebrity, in the Winter of his career, damaged by years of drinking who is suddenly reborn when meeting a young ingénue. The two fall in love, but while their relationship develops, their entertainment careers go in different directions.

Director and Co-Star Bradley Cooper's film seemingly borrows more from the Streisand/Kristofferson iteration of A Star is Born (the last time this story was retold), as the dynamic between the two lovers hinges on the music industry. When Streisand and Kristofferson remade the film, (for the fourth time at that point) in 1976, they broke one of the aforementioned expectations, as they both took home Golden Globes for their performances. Perhaps Cooper was more inspired by performance, rather than aesthetic, as the acting is one aspect out of many that shines in Cooper's version. The characters of Jackson Maine (Cooper) and Ally (Lady Gaga) drive the entire story in what is essentially a film with only half a dozen notable characters. Cooper and Lady Gaga have amazing chemistry, and from the moment you see the two on screen together for the first time you feel the connection.

First time director, Cooper, deftly creates intimacy between Jackson and Ally, without which the story would certainly not be as successful. In stadiums housing thousands of fans, in small dressing rooms packed with screaming Drag Queens, in a loud dive bar, in the parking lot of an all-night-grocer, Cooper uses tight framing and sound impeccably to make it seem like they're the only two people in the world. You understand his charm, you see her vulnerability, and the two actors give side-by-side stellar performances.

That isn't to take away anything from a small, but powerful supporting cast. There were some brilliant and surprising moments from Dave Chappelle as Noodles, an old friend of Jackson's who reiterates how much Ally has revitalized Jackson. The largest surprise came from Andrew Dice Clay as Lorenzo, Ally's father. Both Clay and Chappelle brought great moments of love and humanity in their criminally small interactions with the two main characters. Sam Elliot also surprised me in his role as Bobby, Jackson's (much) older brother. They explain the age discrepancy, but the rest is self-explanatory as he and Cooper truly are brothers on screen, with all the frustration, fights and familiarity that goes with that relationship. Elliot in his similarly small time on screen, often showed the softer side of his craft, hiding touching instants of sadness when it comes to his difficult relationship with his brother, concealed only slightly by his iconic mustache.

It begs the question, does Cooper deserve all the praise as director, or does the cast? What I can glean from the film is Cooper definitely had his cast on the same page, as regardless of screen time, these actors made you care about their characters. The audience is invested. There are countless pivotal story beats where these characters may do something frustrating or angering. Instead of merely recognizing that these are hurdles to push the story further, I found myself almost vocally upset, akin to yelling at a character in a horror film to not go in the room where the killer is hiding. This film makes you want the protagonists to succeed, even when dealing with topical subplots regarding celebrity, regret, depression and substance abuse.

And that's because you're along for the ride the entire time. You're a part of this love story. The film sucks you in from the beginning with the roar of a raucous concert audience, the hard beat of the drums on Jackson's stage, and his hypnotic swagger as he plays for thousands. If you were one of the millions of people who have seen the trailer for this film, I'm sure you know exactly what I'm talking about (kudos to the promotional department of this film, as that, is an extremely engaging and powerful trailer) but it stems from an extremely engaging and powerful film. The music, much like it did with the trailer gets inside you, not just inside your head where you find yourself humming a gentle country lilt sang by Cooper, it gets inside your heart and soul and rattles around. It repeats over and over until you're the one who doesn't want to let go. While Cooper should be commended for taking his craft seriously and improving his singing, this is where Lady Gaga shines, to no one's surprise.

Ally is a perfect role for her. The performer has spoken about how vulnerable and ugly she felt in some scenes when shooting this film, but it made her so real on screen. Ally's career, much like the first half of the film, blasts off, and all you can do is hold on until you realize the songstress is belting a powerful ballad. You wonder, much like her character "how did we get here" but at that point, you're just happy to be along for the ride. It is a testament to Lady Gaga's ability, because being such an iconic figure, if it weren't for her conveyance of sincerity and humility, the character's journey would seem forced and unfulfilling. Because of Gaga's performance, however, you relish the moment Ally can finally embrace who she is and bravely belt out her songs with no inhibition. In a film with so many moments that grab you, the music is undeniably one of my favorite aspects. I can't wait for this film to get a wider release so the studio can also make the soundtrack available.

If and when Award season comes, and A Star is Born is undeniably a forerunner for several major awards, I think Cooper should be commended simply because as director, he brought everything together. The songwriters, the actors, the cinematography, the sound design was superbly balanced to create the best possible version of this story making it, the brightest star for both critics and audiences.

Being a film buff I never watched the older takes of "A Star is Born" however I watched this latest modern spin with Bradley Cooper and Lady Gaga(who have great on screen chemistry together). The film is a joy as it touches your emotions and grows on you from the love of the two central characters and the pain combined with fame and sorrow make this musical drama(the songs are uplifting)a wonderful watch.

Jackson Maine(Bradley Cooper) is a hard living and hard whiskey drinking western rock singer who lives it up entertaining crowd after crowd. Jackson is a man who's got plenty of personal demons besides the bottle as his family friction with only brother Bobby(the great Sam Elliott) weighs on his heart heavy. Things change when Ally(Lady Gaga) captures his heart along the way the two get to know each other in an intimate way as passion becomes love.

Still the love is not without struggle and heartache as Ally becomes famous and well known while Jackson's music and personal life both take a downward path with alcoholism as he just can't escape his own dark shadows. It's like you as the viewer could see the tragedy coming all along.

Overall entertaining film with fine and beautiful music and the on screen chemistry between Bradley and Gaga is in top notch form, as clearly this is one love drama to see that showcases the rise of fame and stardom, also while showing a grim personal downfall.