The Leopard

You do keep watching it, so it does engage one's interest, but those viewers who then read the book to the end will be wondering; where's the rest of it?

The small compact story loaded with detail has been expanded into a family and political epic. Many of the additions are good and add suspense, but the further we get from the source material, something is lost. Conchetta becomes the central character. The final episode was overlong , optimistic and unsatisfactorily missed the dual dumping of aristocracy and religious relics.

One can only imagine that episode was the result of an almighty clash between artistic integrity and 'money men' 's idea of a popular ending; and the money men won.

So, something different to Visconte/Lancaster/Cardinale production of 1963.

The Leopard is a breathtaking reimagining of Giuseppe Tomasi di Lampedusa's classic Italian novel Il Gattopardo. Set in 19th-century Sicily, the series masterfully captures the shifting tides of power and tradition during a time of political upheaval, blending sumptuous visuals with compelling storytelling. The production value is nothing short of stunning-every frame feels like a painting brought to life, with intricate period costumes, dazzling cinematography, and an authentic recreation of Sicily's landscapes. The performances, particularly from Kim Rossi Stuart, Benedetta Porcaroli, and Saul Nanni, bring a raw intensity to their roles, making the dynamics between their characters both poignant and memorable.

Based on Giuseppe Tomasi di Lampedusas's novel, The Leopard, Italy's War and Peace, the series details the revolution led by Giuseppe Garibaldi, beginning in 1860, which led, eventually, to the unification of Italy. It betters Visconti's 1963 film adaptation in many ways, not least in using genuine Italian actors instead of glamorous Hollywood stars like Burt Lancaster and Alain Delon-who were dubbed and Claudia Cardinale who had no need to be. The sets are fabulous because they're actual "pallazzi", Sicilian palaces, packed with the art of the times. There's romance, intrigue, politics and religion, what more could you ask for.

This is an absolute must-see series!

It could have actually been a cinema film, this is the perfection of its film making. An epic construction of story telling, acting, costumes, scenery and music offers an utter delight to watch.

As far as I am concerned, this is the best Netflix series I have watched so far.

Based on the Di Lambedusa novel The Leopard, this series presents a striking insight in the political and social life of Sicily in the era of Italian unification through the account of the life and sentimental struggles of the Prince of Salina and his family.

A magnificent mosaic of history, grandeur and passion therefore unveils, masterly articulated in this series where every aspect of film making functions in perfection.

Do not miss it!

My wife and I just watched the Netflix series and the 1963 Visconti film (available for $ on Prime), and here are our takeaways. The film holds up vey well, especially the 1983 vastly improved cut still holds up. It's a splendid example of a movie epic in the grandest style. The Netflix series is nicely updated for current sensibilities by expanding and enhancing Concetta's role in the family saga. This by no means detracts or diminishes the overarching theme of a class in decline. The novel in fact ends with Concetta as more prominent, so the series does a good job of building off that. Both are outstanding productions comparable to Gone With the Wind and well worth watching, especially for those with a fondness for family sagas.

Incidental note: Deva Cassel is well-positioned to be the next Bond Girl.