Spiritwalker

The special effects live up to the intriguing sci-fi premise, but the interpersonal presentation is inconsistently revealed and murkily convoluted. The initial slow pacing causes the setup of the story to drag out. Then the hyper action-packed finale comes in the form of a frenzied resolution without enough satisfaction of the plot complications.

The dubbed dialog mis-coordinates with the subtitles for increased confusion and sometimes results in unintended hilarity.

The bad guys have way too much of the upper hand throughout, and there is nowhere near enough righteous retribution. Even so, it manages to have an upbeat ending and turns out to be worth the watch.

It's more flying or hopping rather than "walking", although there is a lot of walking in the movie too (outside of driving and car chases that is). And then there is fighting, either with guns or hand to hand combat. But I got ahead of myself ... a lot.

If like me you have discovered Korean action and thriller cinema (either a long time ago or because Parasite gave you a reason too), I do not have to convince you. Actually the movie itself is more than able to convince you - with more than a tight plot and story, that has as many twists and turns as one can imagine. I would wish that the main character would be a bit more charismatic and I know you can fault the movie on certain details too, but not on how it is thought through (convenient timings and other stuff aside too).

Great action, amazing cinematography and a sound design that is as subtle as it is genius. Another winner - even if won't be another Oscar (winner)

Spiritwalker is a South-Korean science-fiction thriller that looks very promising on paper but fails to deliver the goods as a cinematic experience. While the main idea is promising and the cinematography is up to the highest contemporary standards, the movie has a few lengths and the story is overall quite unconvincing.

The movie revolves around a man suffering from amnesia after a car crash who is found by a homeless man who is trying to loot his vehicle. The man gets transported to the nearest hospital where police officers are confused when the victim is unable to recall much of his past. He gets discharged from the hospital and soon seems to find out where he has been living and working. Just as things seem to become clearer, he suddenly has a strange seizure and awakes as a different man who is having lunch with his mother. He storms out of the restaurant and is trying to understand what has been happening to him. However, he soon realizes that he is in danger since members of a shady organization are tracking him down and attempting to arrest and even assassinate him. The stranger is able to ward off his opponents as he comes to the conclusion that he must have been some sort of special agent. As he is switching bodies every twelve hours, the protagonist is trying to find out what relates these different people with the help of the homeless man who found him and a mysterious woman who could have been his professional and personal partner in the past.

This film convinces on several levels. First of all, the main idea of the story is really intriguing and offers dystopian science-fiction at its very best. Up next, the cinematography of this film is excellent with precise camera work, dynamic lighting techniques and spectacular stunts. The martial arts sequences of this movie deserve to be mentioned separately as they stand out with much dynamism.

However, this movie also has several flaws. After an exciting first thirty minutes, the movie fails to progress and the story falls flat. The exchangeable acting performances lack identity as the protagonist is portrayed by numerous different actors throughout the film. The movie's conclusion is filled with great action sequences but the intellectual side suffers quite a lot.

Overall, Spiritwalker doesn't live up to its hype and qualifies as barely above average science-fiction thriller. This movie had the potential to be a true highlight with a cleverer script and better actors. This is why this movie's downfall is particularly disappointing. Here's hope that a movie with a similar plot but a more intellectual twist might one day see the light of day.

Entertaining but far from being perfect. It was a bit confusing at the beginning, later on things got clear gradually, some events and scenes weren't convincing to me, more or less mannered, however I liked the action stuff, the continuous tension which was pleasant, overall, not bad.

After waking up from a car crash unable to remember anything about his life, a man begins regaining consciousness in a new body every 12 hours. Now, he must piece together his identity, all while evading attacks from pursuing agents and dangerous criminals alike. But with no memory and no allies his time is running out.

Much like Tarantino's Reservoir Dogs, the essence of the story is straightforward: a simple plan gone sideways. The uncomplicated premise of the story is bolstered by the science fiction aspect of it and all the characters that inhabit the world. Something of a cross between Memento and Total Recall, Spiritwalker is sure to confuse, frustrate, and delight as I-an races against the clock to reclaim his existence, provided he's not captured or killed first. Labeled in some places as an action film, the movie is light on viable action scenes, choosing instead to focus more on the unveiling of the narrative and less on throwing hands. Saving the best action for the final act, when the film really kicks into high gear, it's disappointing that we don't get more of the high-quality action throughout but also understandable; director Yoon Jae-geun is more concerned with mining the story's elements than glossing over them to get to the next fast paced beat.

Starring Yoon Kye-sang, Spritwalker showcases the former K-pop star's ability to be an everyman, vulnerable enough for the audience to willingly join him on his journey of literal self discovery. Kye-sang manages to sell I-an as a desperate, driven man searching for answers and holding on to every scrap of information he can find. While not always in the frame, I-an is the forefront of the story, and even when he's not on screen, Kye-sang's presence is felt. At the end of his rope, Kye-sang is at his best when I-an reaches his lowest lows and most confused moments.

Also starring Lim Ji-yeon as Jin-ah, the character serves as a focus point for I-an. As he stumbles from clue to clue, it seems that most roads lead through or to Jin-ah. Ji-yeon is magnificent in the film, playing Jin-ah as confident, clever, and tough as nails. Far from just a damsel in distress, Jin-ah is out to find her own answers and Ji-yeon brings a steel to the character that makes for excellent chemistry with I-an, albeit in scenes that are far too brief. In a more subdued role is Park Yon-woo as Director Park, the veteran actor bringing a duality to the agent that is chasing I-an throughout the film. Appearing sparsely in the film at first, and more frequently as the pieces are fitted together, Yon-woo looms in the background as a possible friend or foe.

A shoutout must be given to Park Ji-hwan's Haengryeo, the always hustling and delightfully shifty homeless man that initially finds I-an after the film's opening car wreck. The comedic relief, Ji-hwan's highlight comes in a dizzying who's-on-first routine with I-an that, thanks to director Yoon Jae-guen's nifty bit of handiwork, is both amusing and poignant to the storytelling. While disappearing for most of the third act, Haengreyo is still pivotal to the key events of the movie, and his presence on screen never disappoints.

Written and directed by Yoon Jae-geun, Spiritwalker uses every trick in the book to keep the audience off balance and guessing as the narrative threads slowly unravel. Seamlessly blending together different actors playing the same character, we're just as confused as I-an as he attempts to recreate past events to form a narrative that sheds light on his amnesia. The decision to tell a nonlinear story from the viewpoint of an unreliable narrator is the film's best selling point; Jae-geun uses that initial confusion to place his stamp on what's essentially an old school cops and robbers story. Cinematographer Lee Seong-je brings a workmanlike quality to the picture: apart from a few clever flourishes and extended tracking shots, Seong-je keeps the camera steady, letting the complex nature of the storytelling be the film's most prominent feature. When the action kicks into high gear the last 20 minutes of the film, Seong gives the audience a clear picture of what happening without excessive edits, letting the action play out on screen.

Overall, Spiritwalker is a fun sci-fi thriller that demands the utmost attention of its audience. The slow rollout of information, requiring attention to detail, makes this a phones down film that may require more than one viewing to fully grasp and understand. Yoon Jae-guen's direction is solid and Yoon Kye-sang provides a great unreliable narrator for the audience to root for. At 108 minutes, the quick pace begs the audience's awareness from the first moments to the last. A great Friday evening movie to kickstart the weekend, Spiritwalker is a worthy check out for fans of early Chris Nolan-esque storytelling who are willing to put in the work.