The Quiet Girl

I start with the story. This movie is an eye-opening wonderfully made piece of art about the most precious things in life. The movie demonstrates the importance of kindness, love, and care which you may not be aware of unless you lose them. That is one aspect of the story. Another important aspect of the story is children's problems in integrating with the environment, even with their own family, based on their personality. To have a different personality could be hard and gets amplified in a toxic family. The aspect of a toxic family, especially toxic parents has been presented as masterfully as possible. I won't explain the details to avoid spoiling the movie.

Storytelling is straight. Minimum metaphors and vague scenes have been filmed, maybe zero. Also, the movie does not include any form of parent love cliches which is a strong point in my opinion. You hardly find any unnecessary moments in the film and the scenes are sequenced perfectly. However, there could be some extra time for the girl's biological family. Other than that, everything is great. The story will get you right to the end which is emotional and lovely.

The cinematography is perfect as well. Excellent facial close-ups and sceneries help build up the atmosphere for different parts of the story. The performance is superb. You will accept the actors as their characters without doubt and cannot expect a better performance or cast. Especially the little girl is excellent.

Writer-Director Colm Bairead's tender, deceptively simple adaptation of Claire Keegan's short story is a beautifully told tale. Set in the early 80s in Ireland, QUIET GIRL tells of a shy young girl, Cait (Catherine Clinch), who is sent away by her financially strapped parents for the summer while her family prepares for a baby to be born. Her Da (Michael Patric) calls Cait 'the wanderer' for her tendency to withdraw and to go off by herself. Cait stays with Ma's (Kat Nic Chonaonaigh) older cousin Eibhlin (Carrie Crowley) who lives with her husband Sean (Andrew Bennett).

Cait's natural introvertedness combined with the new surroundings makes for an uneasy transition. Over time, Eibhlin and Sean slowly break down that wall and they start to bond. Eibhlin and Sean are also firmly middle-class which further softens the awkward surroundings for the young girl who they endearingly call 'pet'. The surrogate parents assure Cait that there are no 'secrets' in their home. It's to the film's credit that when that promise is broken, it's done in a most gentle yet illuminating manner.

Bairead's spare but finely observed writing and direction is ably matched with the cast, in particular Crowley and Bennett who give sublty effective performances. Clinch perfectly suits the title role with an uncommon sense of stillness when necessary, while also being able to deliver in the more emotional ones. The movie is framed in the old fashioned 1:37 aspect ratio to suit the intimacy of the story, while still giving room to show the picturesque Irish landscape during the long drives to and from the two homes.

THE QUIET GIRL may, at times, feel a bit slight, but, be careful, it shall sneak up on you if allow it to unfold at its own lovely pace. It's a story that stealthily becomes so much more deeply felt that what's appears on the surface.

Don't expect revelations, or furious action, or debauchery and violence. This is a slow burner but I sat rapt from the start til the closing credits.

There is so little dialogue, and yet more said than most films despite the paucity of words. Some of the scenes are like art. You want to stop the film and just look at it. It says so much in one shot or one scene, even if nothing is said.

The main star of the film is Catherine Clinch who has never been on screen before. But the entire film uses her as a foundation and she shoulders it perfectly. She only had to move her head, or her eyes, or close her mouth and instantly you knew what she was feeling.

And that's what the film's about, feeling. I believe the story will resonate with every single person who sees it.

It will also leave you desperate to know more, what happened afterwards, the feeling is in the pit of your stomach as the scene fades and the credits roll.

This film will be in time, a classic.

Quite simply, the best Irish movie, I've ever seen. Not just Irish language but Irish! Sublime cinematography, direction and acting. Based on Claire Keegan's book Foster, this tells the story of Cait a withdrawn little girl from a poor big rural family who during her mother's latest pregnancy is packed off to live with a older rural couple who are relatives. Catherine Clinch is a revelation as the title character and Carrie Crowleyis her usual reliable self and Andrew Bennett in his role as the taciturn substitute father developing a relationship with Cait who delivers a powerful emotional punch. This movie had me welling up unexpectedly a number of times and there are so many nostalgic moments in relation to late 70s early 80s Ireland in relation to tv, sport and clothes. It is a joyous film that I cannot recommend highly enough it hypnotised me . I'm not staying quiet about this!

Imagine what you'd do, a young child where there's a few, in a rural Irish setting, father likes drinking and betting, mam's another on the way, so they send you far away, to relations you don't know, you have no say, you have to go.

Occasionally you come across a piece of cinema that leaves you stunned, buckled and undone; when performances and story, within a time and a place, just flow so elegantly and refined, against the most inelegant and unrefined backdrops.

If you have a heart, and a soul, an ounce of empathy, and a pathway from a screen straight to them, then prepare to be walloped by this heartfelt offering from the Emerald Isle.