Horror Noire

Unlike other reviewers, I thoroughly enjoyed every story in this horror anthology and that's a first. This anthology is NOT for those looking for stories of Black struggle or a deranged maniac chasing corny Black stereotypes through a neighborhood. If you're looking for that, you'd have a better time watching Leprechaun in the Hood.

Each story is based on realistic horrors that Black people in America face everyday like the history of being barred from public spaces, colorism, voting rights, polarizing politics/religious zealotry, and the duality of feeling a like a success and a sellout. Each theme was weaved into a story that seems unrelated until you look closer.

As far as production, overall every story had good direction and there were no glaring sound issues, which can be a problem in a lot of low budget movies. Some sets were bare, but again this was on a low budget. The actors didn't treat it like a low budget and still gave good performances.

I see some people were disappointed with this film. I personally, am glad to see something fresh from Hollywood. New stories are always welcome. I'm sick of Hollywood remaking everything and tossing in all that CGI. I appreciate that the stories were based on the black experience as opposed to just having a few black characters with no depth, that only serve as cannon fodder.

I was hopeful after the first minute, it seemed like this had a decent budget and filmed well, then the dialogue started unfortunately. The writing is terrible, the stories lack imagination, and overall silly and boring. Since this is supposed to be a showcase for black horror given the title it amazes me the writer ignored hundreds of years of powerful folklore in black history, many of which would offer excellent stories.

The gist of "Horror Noire" is to have brief horror stories wherein African-Americans are the protagonists as opposed to side characters who immediately get killed off. Too bad the movie doesn't amount to much. Only the second segment is interesting.

There was one thing that I noticed, and I wonder if it's just for the movie. The segment about the dad featured a scene where the dad was teaching a high school class focusing on Isaac Bashevis Singer's "Enemies: A Love Story". A girl says that it features a survivor of the Nazis' atrocities on a ship sailing to the US and battling a demon. I've only seen Paul Mazursky's big-screen adaptation of that novel, so I don't know the original story. However, Wikipedia's description of the novel doesn't mention a demon, although of course it could've been condensed. Maybe the idea behind that scene here was that the girl didn't read the whole novel and it was just a way to set up that segment. Either way, that is not what the novel or the movie adaptation are really about.

Anyway, a pretty weak movie.

While the subject matter of the stories is intended to explore racial problems using the horror genre, the film mostly falls flat because of sub-standard writing.

By far the worst of the bunch is the second segment - a truly dreadful script - but elsewhere there isn't really much that shines, in spite of the very competent cast.

Thanks to Laura Crichlow's performance, the most successful story is probably the period piece, and elements of humour sometimes rescues the final story from mediocrity.

Overall, a wasted opportunity which doesn't do black cinema much in the way of favours.

Given that this site is now insisting that I type more, and having nothing else of importance to say, I'll point out that it's now raining outside my window.