Joy Ride

I was cackling and guffawing through this. I could predict every plot point and yet I wasn't bored at all. A by-the-numbers raunchy comedy that worked.

Hsu has been a roll. From her ATT commercials, to Mrs Maisel, to Everything EVerywhere, and now this, she's starting be a must-watch star for her comedic stuff. The other cast members I hadn't seen before but they were all pretty good.

I think one of the reasons, this worked for me was I know people like this. There are two people in my office who kinda of act like these characters, the KPOP nut and the stoner art chick.

Worth the price of admission.

Finally, a film this summer with the joy of Crazy Rich Asians and the raunchy absurdity of a Judd Apatow comedy or Bridesmaids or The Hangover. Why not? Because Joy Ride is produced by Seth Rogan, who knows absurd raunch, and directed by CRA's writer, Adele Lim.

The four stars of the film (Ashley Park as Audrey, Sherry Cola as Lolo, Sabrina Wu as Deadeye, and Stephanie Hsu as Kat) set out on a journey to Asia to help Audrey the lawyer do a job to guarantee her promotion and ultimately find her birth mother. The acerbic Lola goes to help her best bud, Audrey, who doesn't know Mandarin and Lola does. Deadeye has serious K-pop knowledge, and Kat, now a China screen star, is engaged to an attractive but very Christian co-star (Desmond Chiam).

Holding the chaos in check, Audrey, who orchestrates most of the comedy while retaining her laughably prim attorney vibe, is in a role easily evocative of Kristen Wig's in Bridesmaids. Deadeye plants the film firmly in the current gender identity arena.

Along the way they joke about both Asian and American stereotypes with the joie de vivre of healthy young women having a little fun far away from political correctness and decorum. Perhaps the best of the wildness comes in a reworking of the Cardi B and Megan Thee Stallion big hit, "WAP." Catchy and inventive, that song has legs.

Amid the off-color jokes and absurd sexual situations is a theme of finding out who you are amidst the cultural pulls of Asia and America. Stereotypes of Asians and Asian Americans are rampant with attending laughs-nothing is off bounds for this satire.

The genius of Joy Ride is the consistently funny, ribald dialogue (Kat says, "My vagina is the devil and she's here to stay!") and rapid set ups that are hilarious and culturally relevant. Watch the Asian response when a family has a group hug: "White People." Enjoy your summer by starting out with this satisfying international work of comedic art.

As of this month, Malaysian American filmmaker Adele Lim has released her directorial debut called Joy Ride. Written by former Family Guy writers Cherry Chevapravatdumrong and Teresa Hsiao and co-produced by Seth Rogen and Evan Goldberg, the film has currently been garnering strong critical reviews and a fairly warm response from the general public. In a day and age where we are seeing a lot more representation in Asian American filmmaking, it's delightful to see a fun filled chick flick focusing on real people who are as messy and heartfelt as anyone else out there.

The film focuses on childhood friends Audrey Sullvian and Lolo Chen whose friendship comes to near turmoil on a business trip that leads into the origins of Audrey's real life family, all the while conflicting with the lives and careers of their friends and family. With the film establishing Audrey and Lolo's longtime friendship and contrasting differences, with one trying to discover themselves as a mature hard working lawyer and the other being a raunchy aspiring artist, arguably the most notable themes in Joy Ride deal with identity crisis and cultural expectations. In addition to the struggles of Lolo's quirky K-pop obsessed cousin Deadeye and Audrey's former college roommate turned popular Chinese actress Kat, the amount of conflicts the leads share as Asian American women of different backgrounds makes for a genuinely intriguing watch. Aided by a lot of hysterically energetic banter between Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu, one can see how much heart was elevated through an otherwise crazy thrill ride as far as raunchy comedies go these days.

Speaking of raunchy, perhaps the biggest selling point for the whole movie has to be the wacky hijink raunch factor as opposed to the heart. While there are a lot of observational jabs and one liners directed towards people based on race and gender, most of the humor relies on the shock value our leads get themselves into as they encounter one intense obstacle after another. Complete with full body cringe takes and raw sexual banter, there is almost no stoppage of comical situations to enhance the viewing experience, even if some scenes are less tasteful than others. As far as the filmmaking is concerned, Lim knows how to balance the more laid back conversational moments between characters before allowing the scenery to hone in on multiple exterior locations and fast paced timing. Paul Yee's cinematography helps the most in generating some brightly colorful sequences to expose the richness of China and its many exterior wonders. As introspective as the movie can be from a character study point of view, it also knows when to just have fun with itself.

While it is hard to say if Joy Ride will appeal to all movie going audiences during the intense summer blockbuster season, there is just enough sincere heart and shock humor around this character driven sex comedy. If you're down for a more intensely hysterical gross out road trip comedy as opposed to the bigger adventure and action flicks out there now, this one will definitely be up your alley, regardless if you relate to the characters culturally or not. As far as what this film may do for the careers of its lead filmmakers and actors, here's hoping this unapologetically honest film will keep the momentum going for a while.

Joy Ride has become a hilarious film, but occasionally crosses a line that is not really necessary. It ensures that the film is pure underpants fun, with the further course following the standard pattern that we have seen so much in these types of films. Still, the film definitely guarantees a fun evening and you will occasionally burst out laughing. The nicest figure in the film remains Deadeye, Lolo's niece who is crazy about K-Pop groups and is secretly in love with Audrey, but does not dare to come out publicly. There is a perfect pace in the film, the humor is largely genuinely funny and fun and the story itself can get on with it. This is perhaps the nicest banal comedy we've seen since The Hangover movies in this genre.

Joy Ride (2023) is a raunchy and crude road comedy film directed by Adele Lim and starring Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu. The film follows four friends -- Audrey (Park), Lolo (Cola), Deadeye (Wu), and Kat (Hsu) -- as they travel across Asia in search of one of their birth mothers.

The film is a complete and utter mess. The humor is juvenile and offensive, the characters are unlikable and underdeveloped, and the plot is nonsensical. The film also has a serious problem with tone, veering wildly between crude comedy and serious drama.

The film's only saving grace is its cast, who do their best to make the material work. However, even their efforts are not enough to salvage this train wreck of a film.

Overall,Joy Ride is a terrible film that is not worth watching. I give it 1 star out of 10.

Here are some of the specific problems with the film:

The humor is juvenile and offensive. The film relies on cheap sex jokes and stereotypes, and it never seems to understand what is funny.

The characters are unlikable and underdeveloped. The four friends are all one-dimensional stereotypes, and they are never given any real depth or development.

The plot is nonsensical. The film's story is completely unbelievable, and it makes no sense.

The film has a serious problem with tone. The film veers wildly between crude comedy and serious drama, and it never seems to find a consistent tone.

If you're looking for a good comedy, I would recommend watching something else. Joy Ride is a complete waste of time.