Before, Now & Then

Good artistic.....

one of the most serious jobs, starting from research and small elements in artistic or property, displaying combinations of colors and shapes, colors that are appropriate and modern in their time

and also work that during the production process is fun. Everything is done together.

And the favorite is also for sounds that really enter the ears and mind too, everything makes a good combination

Don't miss all the visual and audio scenes in this film!!!

It's no surprise that this film appears everywhere, internationally because it is a quality, acting film.

To get many nominations on the international stage.

Before, Now & Then is a period drama directed by Kamila Andini, portraying the life of a woman named Nana in 1960s Indonesia. The film presents a quiet yet meaningful narrative, depicting inner struggles and the search for identity amidst social and political changes.

The cinematography is captivating, with the use of color and composition creating a melancholic and intimate atmosphere. Happy Salma's performance as Nana is compelling, conveying complex emotions with subtle expressions.

Although the storyline progresses slowly, this enhances the reflective mood and allows viewers to absorb every detail. However, for some audiences, the slow pace might pose a challenge.

Overall, Before, Now & Then is a beautiful and profound cinematic work, offering a viewing experience that requires patience but delivers significant emotional rewards.

Arresting portrayal of Sundanese woman and her midlife crisis during 60s. Kamila Andini carefully photographed every moments though never ceased to intrigue audience. Salma & Basuki gave nuanced performances to underline difficult choices and cultural hurdles.

An Indonesian examination of female independence. A powerful lead performance. The masterful mise-en-scène evoked some emotions, yes, but there is some disconnect with the characters. The surreal environment prevents real connection with the story. I finished this film more frustrated and vexed than before, and that would be the opposite of entertaining in my book.

So she's back with her original husband? Or is she? I am not a fan of surreal films where you never know what is a dream and what is reality. Kudos for the cinematography and atmospheric soundtrack. Unfortunately, that was nowhere near enough to make this viewing experience likeable.

Lush set, empty plot.

Being lyrical, melancholic, and chalked up with moody cello, it's easy to call Nana being heavily influenced by In the Mood For Love. While the sentiment might ring some truth to it, they're different films altogether. There are some parts when the film veers deep within its artistic sensibility yet signifies almost nothing. Despite that, as a subtle melodrama with a subdued tone and lush visual, Nana still resonates well and is enthralling.