A sexually "undeclared" college freshman's clairvoyant/prophetic dreams are the first sign that something very strange is going on involving his classmates -- with him at the center.A sexually "undeclared" college freshman's clairvoyant/prophetic dreams are the first sign that something very strange is going on involving his classmates -- with him at the center.A sexually "undeclared" college freshman's clairvoyant/prophetic dreams are the first sign that something very strange is going on involving his classmates -- with him at the center.
- Awards
- 2 wins & 2 nominations total
Sean Bresnahan
- Surgeon
- (uncredited)
Brandy Futch
- Drug Fairy Nymph
- (uncredited)
Natalie Alyn Lind
- Cult Victim
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaInspired by a conversation Gregg Araki had with John Waters.
- SoundtracksSaturday
Written by Dan Whitford
Performed by Cut Copy
Courtesy of Universal Music Australia Pty. Ltd.
Under license from Universal Music Enterprises
Featured review
I've watched most of Greg Araki's films, weather online or by accident. In university I was directed to several of his movies, for his wild and outrageous plot-lines, and desolate themes of helplessness. I wouldn't call myself a fan, but I did enjoy the 90's drug escapade "Nowhere"(1997), which was a precursor to many well known stars of the early 2000 era. Araki leads viewers on a non-oriented vision of college life, complete with all the oddball events of his previous films, but ends up as a rather dull entry.
For most of the movie the viewer is listening to our main character (known only as Smith), discuss the trials and tribulations of his young adult life. Bi-sexual, awkward, unfocused, and generally ignorant of other people around him, we are forced into his fantasies, absurd lifestyle, and unrealistic grip on reality. Sounds like fun right? Well, unfortunately you'd be wrong. The events that we witness unbearably forced, despite its unnatural and science-fiction theme. I felt most of the actors were just terribly strained and the unnatural dialogue between characters only draws attention to the situation. I think the actors were just terribly tedious in their delivery, and before long, I found there wasn't as single one that was believable.
As with most drug riddled, and absurdist films, this movie has some interesting happenings. There is everything from serial killers to witchcraft here, and they certainly match Araki's usual plot-lines. Some are pretty amusing, and somewhat surreal, while others simply fall flat and actually take away from the enjoyment of the film. Several of them (if not most) have no significance to anything at all, and they leave you with the feeling that Araki is trying his hardest to stay relevant in his own way. I didn't mind the craziness, in fact, I was expecting it. However, by the end of the film, you find yourself more than confused (which is probably his goal in the first place).
If you're a fan of Araki, you'll probably like this film very much. I didn't really think it had anything to offer besides that "WTF is happening" feeling he brings to movies. An irrelevant event with an abrupt ending.
4/10
For most of the movie the viewer is listening to our main character (known only as Smith), discuss the trials and tribulations of his young adult life. Bi-sexual, awkward, unfocused, and generally ignorant of other people around him, we are forced into his fantasies, absurd lifestyle, and unrealistic grip on reality. Sounds like fun right? Well, unfortunately you'd be wrong. The events that we witness unbearably forced, despite its unnatural and science-fiction theme. I felt most of the actors were just terribly strained and the unnatural dialogue between characters only draws attention to the situation. I think the actors were just terribly tedious in their delivery, and before long, I found there wasn't as single one that was believable.
As with most drug riddled, and absurdist films, this movie has some interesting happenings. There is everything from serial killers to witchcraft here, and they certainly match Araki's usual plot-lines. Some are pretty amusing, and somewhat surreal, while others simply fall flat and actually take away from the enjoyment of the film. Several of them (if not most) have no significance to anything at all, and they leave you with the feeling that Araki is trying his hardest to stay relevant in his own way. I didn't mind the craziness, in fact, I was expecting it. However, by the end of the film, you find yourself more than confused (which is probably his goal in the first place).
If you're a fan of Araki, you'll probably like this film very much. I didn't really think it had anything to offer besides that "WTF is happening" feeling he brings to movies. An irrelevant event with an abrupt ending.
4/10
- kdavies-69347
- Jun 4, 2016
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Details
Box office
- Gross US & Canada
- $118,919
- Opening weekend US & Canada
- $13,714
- Jan 30, 2011
- Gross worldwide
- $635,162
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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