Directed by
Mark Hartley | ... | (directed by) |
Writing Credits
Terence Hammond | ... | (original story by) |
Terence Hammond | ... | (screenplay by) and |
Nicolette Minster | ... | (screenplay by) |
Cast (in credits order)
Radha Mitchell | ... | Barbara Poynton | |
Ella Newton | ... | Amy Poynton | |
Karis Oka | ... | Lian Chen | |
James Mackay | ... | Mr. Coleman | |
Vince Colosimo | ... | Chris Mancini | |
Andrew S. Gilbert | ... | Detective John Nordoff | |
Jackson Gallagher | ... | Detective Reuben Knox | |
Sharon Johal | ... | Detective Dhara Mallick | |
Lach Millar | ... | Dean (as Lachie Millar) | |
Simone Buchanan | ... | Christina Ellis | |
Lauren Goetz | ... | Susan Miller | |
Trae Robin | ... | Todd Bradley | |
Adam Rozenbachs | ... | Amy's Father | |
Terence Hammond | ... | Reporter #1 | |
Kaysea Hayes | ... | Lifeless Body | |
Kate Angus | ... | Amy Stunt Double | |
Rian Goodge | ... | Coleman Stunt Double | |
Benjamin Carter | ... | Figure | |
Nathan Hill | ... | Policeman |
Produced by
William Fayman | ... | executive producer |
Antony I. Ginnane | ... | producer |
Phil Hunt | ... | executive producer |
Ross Hutchins | ... | producer: Film Victoria |
Anthony J. Lyons | ... | executive producer |
Bryce Menzies | ... | executive producer |
Caroline Pitcher | ... | producer: Film Victoria |
Cathy Rodda | ... | line producer |
Compton Ross | ... | executive producer |
Sabella Sugar | ... | executive producer |
Andrew Wiseman | ... | producer: Film Victoria |
Music by
Jamie Blanks | ... | (score composed and performed by) |
Cinematography by
Garry Richards |
Editing by
Mark Hartley | ||
Roberta Horslie |
Casting By
Amanda Mitchell |
Production Design by
Robbie Perkins |
Art Direction by
Danny Matier |
Set Decoration by
Robbie Perkins |
Costume Design by
Jill Johanson |
Makeup Department
Julian Dimase | ... | prosthetic artist |
Josie Hanuska | ... | makeup assistant |
Julz Mayberry | ... | makeup and hair artist (as Julianne Mayberry) |
Vickie Morris | ... | makeup artist |
Marie Princi | ... | makeup and hair designer |
Danielle Ruth | ... | prosthetic artist |
Larry Van Duynhoven | ... | prosthetic designer |
Production Management
Steve Cooper | ... | post-production supervisor |
Mim Davis | ... | production manager |
Richie Labonne | ... | unit manager |
Daniel Mathew | ... | assistant unit manager |
Second Unit Director or Assistant Director
Rick Beecroft | ... | first assistant director |
Cameron Cairnes | ... | second unit director |
Brydi Frances | ... | second unit assistant director / third assistant director |
Charmaine Kuhn | ... | second assistant director |
Art Department
Shannon Biviano | ... | art department runner / buyer |
Matthew Campbell | ... | props buyer |
John Fox | ... | armourer |
Joseph Gaines | ... | set dresser |
Todd Gingell | ... | art additional |
Tom Johnson | ... | art additional |
Peter Keeble | ... | standby props |
Stephanie Leigh | ... | art department coordinator |
Harvey Mawson | ... | props master |
Phoenix Waddell | ... | standby props assistant |
Sound Department
Monica Anderson | ... | sound producer |
Peter Climpson | ... | sound designer / sound effects editor |
Cam Eason | ... | boom operator (as Cameron Eason) |
Robert Mackenzie | ... | re-recording mixer / sound supervisor |
Adrian Medhurst | ... | foley editor/mixer / foley recordist |
Jessica Meier | ... | sound designer / sound effects editor |
Liesl Pieterse | ... | ADR recordist |
Lloyd Pratt | ... | second boom operator |
Simon Rosenberg | ... | supervising dialogue editor |
Roger Van Wensveen | ... | sound equipment supplier / sound recordist |
Special Effects by
John Fox | ... | pyrotechnic effects |
Larry Van Duynhoven | ... | special effects designer |
Visual Effects by
Christopher Beeson | ... | visual effects artist (as Chris Beeson) |
Joshua Cain | ... | visual effects artist |
Steve Cooper | ... | playback graphics: on set / visual effects artist / visual effects supervisor |
Sunny Danh | ... | visual effects artist |
Kathryn Davis | ... | visual effects artist |
Belinda Fithie | ... | on-set visual effects supervision |
Michael Majchrzak | ... | visual effects coordinator |
Dante Nou | ... | senior visual effects artist |
Rachel O'Connell | ... | visual effects artist |
Phillip Radford | ... | opening and closing titles |
Steve Sexton | ... | visual effects supervisor/lead artist |
Lincoln Wogan | ... | visual effects producer |
Stunts
Philli Anderson | ... | stunt coordinator |
Kate Angus | ... | stunt double: Ella Newton |
Rosco Campbell | ... | stunt assistant |
Tom Coltraine | ... | safety supervisor |
Rian Goodge | ... | stunt double: Coleman |
Camera and Electrical Department
Philip Beazley | ... | third electric |
Marcus Finne-Larsen | ... | grip assistant |
Jackson Finter | ... | stills photographer |
Michael Hales | ... | best boy |
Simon Hawkins | ... | key grip |
Adam Hunter | ... | gaffer |
Jesse Minter | ... | additional first assistant camera |
Harry Panagiotidis | ... | steadicam operator |
Mark Parish | ... | additional grip |
Jesse Phillips | ... | second unit camera operator / video split |
Ray Pritchett | ... | best boy electric |
Garry Richards | ... | camera operator |
Geoff Skilbeck | ... | first assistant camera - focus puller |
Jagger Skilbeck | ... | second assistant camera |
Jake Tostevin | ... | additional grip (as Jake Tosetovin) |
Casting Department
Sarah Murphy | ... | additional extras casting / extras casting coordinator |
Mia Whipp | ... | casting associate |
Costume and Wardrobe Department
Greta Thompson-Weiner | ... | costume assistant/buyer |
Editorial Department
Alan Bennett | ... | on-line editor |
Lillian Brown | ... | data wrangler |
Charlotte Carney | ... | post-production coordinator |
Greg Cooper | ... | EPK editor |
Kale Elbourne | ... | assistant editor |
Jamie Hediger | ... | colourist |
Bronwyn Ketels | ... | executive post producer |
Dan Lake | ... | director: longform business |
Claire Perry | ... | post production producer |
Kurt Royan | ... | executive post producer |
Location Management
Michael Gaffney | ... | location scout |
Jaclyn Lampre | ... | location coordinator |
Jack Tosi | ... | location manager |
Script and Continuity Department
Mardi Bycroft | ... | script supervisor |
Reezy Miller | ... | post production script |
Transportation Department
Andy Pappas | ... | trucking supplier: greenroom/makeup/wardrobe, SK Industries |
Additional Crew
Jack Allingham | ... | insurance: Galvaniize |
Naomi Ball | ... | social media |
Sophie Bell | ... | For Head Gear Films |
Terence Brooks | ... | paramedic |
Natalie Coleman | ... | financed by: Headgear & Metrol Technologies / lending services: offset and gap, Headgear Films |
Davina Colquhoun | ... | legal services |
Ida Cundari | ... | production accountant |
Audrey Delaney | ... | global sales representative: Blue Fox Entertainment |
Sean Denham | ... | auditor |
Seonaid Drummond | ... | production coordinator |
Tess Emmerson | ... | production assistant/runner |
Miet Engelhardt | ... | legal services |
Libbie Evans | ... | unit nurse |
Orlando Figg | ... | For Head Gear Films |
Stacy Glassgold | ... | global sales representative: Blue Fox Entertainment |
Lisa Gutberlet | ... | global sales representative: Blue Fox Entertainment |
Carine Hejazi | ... | financed by: Headgear & Metrol Technologies / lending services: offset and gap, Headgear Films |
Jason Hernandez | ... | distribution: Australia |
James Huntsman | ... | global sales representative: Blue Fox Entertainment |
Paula Jensen | ... | completion guarantor: Film Finances |
Alan King | ... | covid safety officer |
Philip Knight | ... | unit assistant |
Geskeva Komba | ... | producer placement: as supported by Film Victoria / production secretary |
Troy Lum | ... | distribution: Australia |
Tracey Mair | ... | unit publicist |
Alison Martin | ... | unit nurse |
John Mathews | ... | paramedic |
David McEwan | ... | insurance: Galvanise |
Jodi McGrath | ... | possum wrangler |
Bryce Menzies | ... | legal services |
Alex Mildren | ... | catering assistant: Sweet Seduction |
Mimo Mukii | ... | accounts assistant: attachment, as supported by Film Victoria |
Tony Nagle | ... | advisor: offset |
Janine Pearce | ... | attorney: offset and gap, Headgear Films |
Nikola Pecar | ... | insurance: Galvaniize |
Stephanie Power | ... | Intimacy Coordinator |
Lexi Qin | ... | global sales representative: Blue Fox Entertainment |
Dan Read | ... | completion guarantor: Film Finances |
Sabella Sugar | ... | assistant to Line Producer |
Harry J. Wall | ... | unit assistant |
Will Weissman | ... | global sales representative: Blue Fox Entertainment |
Thanks
Paul Anderson | ... | art department wishes to thank |
David Duncan | ... | the producers and director wish to thank |
Sarah Duncan | ... | the producers and director wish to thank |
Kate Evans | ... | art department wishes to thank |
Michael Faranda | ... | the producers and director wish to thank |
Veronica Fury | ... | the producers and director wish to thank |
Max Ekede Garner | ... | art department wishes to thank (as Max Garner) |
Margo Hartley | ... | the producers and director wish to thank |
Anthony Jones | ... | art department wishes to thank |
Melissa Kelly | ... | the producers and director wish to thank |
Cherease Kingdon | ... | the producers and director wish to thank |
James MacGregor | ... | the producers and director wish to thank |
Brendan Magilton | ... | the producers and director wish to thank |
Barry Malseed | ... | the producers and director wish to thank |
James McCurdy | ... | the producers and director wish to thank |
Katie McTiernan | ... | the producers and director wish to thank (as Kate McTernan) |
Daniel Miller | ... | art department wishes to thank |
Jane Moran | ... | the producers and director wish to thank |
Sandra Pandzic | ... | the producers and director wish to thank |
Colwyn Parfitt | ... | art department wishes to thank |
Ivana Perkins | ... | art department wishes to thank |
Liam Pettet | ... | art department wishes to thank |
Peter Pettet | ... | art department wishes to thank |
Jarlath Weingott | ... | art department wishes to thank |