Rise of the Raven

The series revolving around a major historical character, a Hungarian warlord and governor who lived in the 1400's and played a pivotal role in defending medieval Hungary against the Ottoman attacks at the time. Despite the series is Hungarian, it is obviously aiming international viewers, this is well recognizable by the number of fights, war scenes, conspiracies, and even nude scenes. Even the main title was created with fancy CGI, little bit after the likes of Shogun or GOTY.

At this point , only the two pilot episodes have aired, but we might have a feeling of the tone. It is starting with a relatively larger war scene, also giving a background to the titular character's motivation in the form of a childhood tragedy, plus giving an allegory to the Hunyadi family's Raven sigil. We are going tobve introduced to the hero, the old king, the 2 main love intererests (one of them is a femme fatale with a tragic fate), and some antagonist, amongst one is going to be the main conspirator, just like "little finger" was in GOTY. During the first episode we are also getting a second war scene (which is faily generous that we are getting two in one episode and they are not robbing our time with going-to-nowhere boring conversations) Probably it is fair to say the series has a very strong historical background but the way of the visual presentation and plot setting is heavily influenced by Game of Thrones - possibly with the aim of promoting Hungarian history amongst other nations as well.

In most aspects the creators done a great job. The plot seems mostly OK, the visuals are on the level of the usual international shows (however, at this point we are still waiting for a really spectacular war scene; it isblike tge first season of Vikings compared to later seasons); but we might say they used the budget well. The conspiracies are fairly interesting during the first two episodes. There are some cons as well: the plot mainly OK, but there are some minor holes, like the titular character falls too soon in love with the second main love interest, and could have grief longer because he is denied to have the love of the first one; the visuals usually good, but sometimes could be better (I am looking at the throne rooms), there are many good actors, but some of them just not provide an enough convincing play. Fanni Töröcsik should be mentioned as a positive example, she is a very suggestive female character, "chains" the viewer's eyes with her acting. Sometime the voice of the actors is a bit "lifeless" not containing enough emotion in Hungarian language; this is a fairly common problem nowadays with Hungarian film acting, but this might be solved with dubbing, so foreign viewers probably will not have this issue.

Probably the number of the sex scenes or nude scenes is a bit too much, but of course the show is aiming to have international audience and they must have felt it is a necessity. It is a bit interesting, that the second episode even contains a lesbian scene, which is surprising, considering where the funding comes from; - however it is almost a copy of a specific Game of Thrones scene with the young Daenerys,- so again, obviously aiming for a larger audience. We are also having our main conspirator, whonis a historical figure, but the preeebtation of the character is heavily based on "Little Finger"; - and this Historical character is interesting, but not as compelling yet as his GOTY counterpart.

All-in-all, after first 2 episodes, it is a promising series, and I am definitely going to follow the new episodes. At least it will be an interesting and mainstream presentation of Hungarian history.

The series stands out both in its story and execution. From an international perspective, it is a true high-budget quality production. It is worth noting that the story is based on a historical fiction novel series, so the plot is not entirely historically accurate, but the series does not aim to be a documentary either. Regardless, the events are mostly historically accurate. At several points in the plot, modern elements also appear, particularly in terms of the series' strong female characters.

A special merit is that the female characters are truly strong, and this is not due to today's cheap, forced narratives in modern western entertainment. Throughout the plot, every important female character undergoes severe traumas, and rising from these, each of their personalities changes in a unique way. Therefore, we can consider this a positive example of "strong female characters."

The plot is also interesting and full of twists. The first three episodes are mainly introductory, but from the fourth episode onwards, the major political events kick off. The story features interesting character developments (e.g., Sultan Murad, Mehmed, Elizabeth of Luxembourg, or Miklós Újlaki) and layered characters (e.g., János Hunyadi or his real rival, Ulrich of Cilli), making it easy to captivate viewers who are attuned to the style of the series.

Since Rise of the Raven features many interesting characters, the main character Hunyadi often takes a backseat, but this does not detract from the quality of the plot; on the contrary, it enriches the narrative with new threads. Because of this, it is strongly felt in the series that it could have accommodated several more seasons. Nevertheless, the 10-episode format also works. The series gets better with each episode, and its conclusion is epic. The visual world is also of high quality, and the frames presented to the viewer often have a painterly quality. The actors are also excellent, and I would particularly highlight Gellért L. Kádár, Vivien Rujder, Mariann Hermányi, Murathan Muslu and Ulascan Kutlu, but the list could go on.

Another great merit of Rise of the Raven is its international style. The characters (more or less) speak in their own native languages, which makes the series' world even more authentic and complex.

Overall, it is an internationally high-quality production that takes place in one of the most important regions and cross-sections of world history, namely Central and Eastern Europe as well as the Balkans, which are often overlooked in the Western entertainment industry. From this perspective alone, the series pays off an important debt. If you love quality historical fiction (or drama) series like Vikings, Rome or The Last Kingdom, I highly recommend it to you.

A roughly historically accurate series from the 15th century Hungary with monumental battle scenes and traditional male image. During the Osman-Turkish invasion of the Balkan, the vaivode of Transylvania, János Hunyadi tries to expel the muslim conquerors from Europe. Although he has Christian enemies as well (the Habsburgs and their vassal, the sly Count, Ulrik Cillei, who is the "Littlefinger" of the series and Vlad "Dracul" Tepes, the orthodox vaivode of Wallachia), he achieves many legendary victories on the Turks and as the elected Governor of Hungary, he becomes the saviour of Christian Europe and the father of the mightiest Hungarian king, Matthias Corvinus. The castle of János Hunyadi is watchable in Transylvania in our days as well: the Vajdahunyad castle is the most beautiful Gothic fortification in Central Europe.

It's fun to watch a series about yor neighbours and especially historical one which is more or less on point. Well, emphasis on more or less.

And doing that exactly from the town that was historically of high importance for the main character. Town of Celje (Cili), town or the Counts of Celje especially Ulrik II. Who is actually depicted in this series.

It's a bit sad that our Hungarian friends didn't invite any Slovenian actor to play Ulrik as they did for the Serbian counterpart (although he is not serbian actor) with Serbedzija. But ok.

So far so good for a non Netflixian production and money. Without any real big financial backer, this series does actually a great job.

Still think that a good and tenacious fact checker can't be that expensive, so they should have hired one, but ok.

I'll give it a go. After first three episodes i am intrigued. Let's see where the Raven takes us!

Big congrads to Hungary and Ostereich (ORF).

It was a pleasure watching this series. Not only the story (since I like this historical age), but the actors are very talented. I would emphasise the main character's (Hunyadi János) professionality, but the character of King Ulászló and Cillei Ulrik is amazing also. It's a pity that King Ulászló died so early. His playing is unforgettable, while he is acting one time the young gentleman knight king and then a heroic king. Not to mention his Faith and his devoted love for the Queen. Fantastic! The actor professionalism is shown by the fact that, even within such a short appearance in the series, he was able to fully shine, thereby raising the quality of the production from episode 5 onward.

The landscapes are professional also. Well done for everybody, who took part the filming of this series!