Kushi

Kushi, a romantic comedy starring Vijay Devarakonda and Samantha, delivers entertainment with exceptional performances. The storyline, set against the backdrop of religious beliefs and atheism, attempts to emphasize the importance of rituals, especially in marriage. However, it falls short by neglecting scientific principles. The film shines in comedy and boasts impressive cinematography and visuals. While lacking memorable soundtracks, character development and relationships are well-executed. Ultimately, Kushi leans towards comedy, making it a decent choice for laughs but not for a profound narrative. I'd rate it 6/10stars.

The movie's plot may appear quaint, perhaps suitable for the 1980s era, yet it struggles to resonate in contemporary times. The screenplay lacks originality, with each scene and sequence treading a path of monotony and predictability, reminiscent of tropes prevalent over the past three decades. The dialogues, sadly, fall into the realm of familiarity.

Vijay Devarakonda's presence feels ill-suited, as he comes across more like Samantha's younger sibling than a fitting co-star. Their on-screen dynamic appears contrived, with Samantha's tendency to overact being a recurring issue, her appearance in this film is more artificial. On the contrary, the supporting cast executes their roles competently.

While the production design, costumes, and makeup all exude a sense of opulence, they lack vitality. The cinematography can be deemed satisfactory, though the editing could have been more succinct. Clocking in at a runtime of 2 hours and 45 minutes, the movie's duration is excessive for a romantic comedy and proves tiresome for an unengaging narrative.

Although a couple of songs manage to make a decent impression, the background music becomes overly pervasive in certain instances.

"This film portrays Orthodox Hindus as superstitious and unintelligent, while depicting Atheists as arrogant. However, it contradicts the idea that Orthodox Hindus are willing to marry their daughters to individuals from different castes and beliefs easily. It also suggests that Rationalists will contribute to environmental pollution and disrupt public peace by playing loud music, bursting crackers in front of government offices, and dancing."

One more kinda movie from Vijay Devarakonda.

Story line is combination of ante sundaraki and sakhi.

Unnecessary dialogues and background music was copied from old Kushi in some scenes. Aishwarya Rajesh has done better acting compared to Vijay and Samantha.

Not sure what they were trying to show to audience in this film.

The 2 rating I gave was for some jokes and one action sequence.

It is not a theater watch. It will be OTT soon. I felt like I wasted 3 hrs watching this film. Interval ads are better than the film.

I don't even understand why this movie was named as Kushi.

Going forward please don't use hit movie names for such kind of flops and ruin the names of those movies.

I was with the majority here who wants to see both VD and Siva comeback strong, but, unfortunately, we have to wait for their next outings. Kushi is definitely not their comeback.

That being said, the movie is not completely bad either. It has it's beautiful moments too.

The first one hour of the movie is silly where the writing could have been way more better. Interval is the only decent to good part of the entire first half.

The second half started well with few good scenes & laughter and eventually faltered during the pre-climax and climax. Siva could not find the right balance between the two layers he tried to present in this movie.

Siva's stories are always familiar but they all used to have an x-factor in them. Kushi lacks that X-factor. Also, thinking back now, Siva made his entire second half favoring a certain gender. So, maybe, this movie will work for them.

But for me, this movie did not work except for few comedy scenes in the second half and the screen presence of VD.

I watched the first day first show with a lot of anticipation and the movie really disappointed me. Before I get to that, the positives, the cinematography, especially Kashmir mountains are a joy to watch. Devarakonda does well as a modern, besotted lover. Samantha looks ill and lazy throughout the movie. Maybe she just was looking to complete the movie and her health did not support. Beyond all this, the movie is narrated from the woman's perspective on marriage largely. That is what I disliked the most. In many ways, this movie is similar to Alai Paayuthey, the Mani Ratnam classic. The storyline bears an eerie resemblance of two couples from polarising backgrounds coming together and going against parents to marry. Reality hits them hard after marriage and with parents alienated, they have nowhere to go. It's then that a couple outside the family (here Rohini and Jayram) and their Arvind Swamy and someone else show them what a true marriage is. That was a big, big letdown.