IMDb RATING
5.4/10
1.4K
YOUR RATING
Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.
- Awards
- 6 nominations total
Featured reviews
No pun intended - I assume you have seen at least the first Diabolik movie (the predecessor for this that is and not the Mario Bava movie from the 60s). With that in mind, all major returning characters are being played by the same actors ... except the one that should matter the most: Diabolik ... it is a different actor altogether! For whatever reason (I did not check for the reason to be honest) ... I won't speculate.
What I can say is that this does not fair as good as the first movie. I can only hope that part 3 ramps things up a bit ... maybe with another Diabolik actor? I would not really be surprised. We get some new characters and actors added - mainly Monica Belucci - if you know her, you probably love or loved her at one time. She still has the charisma - but some people who criticize the movie say she is not close to the characters she is supposed to portray ... something I can't confirm or deny, since I have not read any of the comic books (graphic novels) ... not the best throwback ever (go to the original), but not the worst either.
What I can say is that this does not fair as good as the first movie. I can only hope that part 3 ramps things up a bit ... maybe with another Diabolik actor? I would not really be surprised. We get some new characters and actors added - mainly Monica Belucci - if you know her, you probably love or loved her at one time. She still has the charisma - but some people who criticize the movie say she is not close to the characters she is supposed to portray ... something I can't confirm or deny, since I have not read any of the comic books (graphic novels) ... not the best throwback ever (go to the original), but not the worst either.
The sequel beats the same path as Diabolik (2021): a stylistic throwback to the 1960s and the (European mystery) cinema of the time, with a close adaptation of the feeling of the comic book. Unfortunately this means that it carries all the flaws of its predecessor, coming across as somewhat flat in performance, or didactic in the exposition. The overall vibe of the first movie was interesting enough to make it worth watching, but now the novelty effect starts to wear off. Isn't the planned trilogy too much, an experiment that has gone on for too long not to come across as self-serving?
The new plot doesn't make up for it. Eva Kant is replaced as the real focus of the film by Ginko, the police inspector relentlessly trying to track down Diabolik (like Ganimard to Lupin). Unfortunately, he's not as captivating of a character as Ms. Kant. Luca Marinelli has been replaced by Giacomo Gianniotti as the actor performing Diabolik, and thankfully he's barely given any screentime: while he may be physically more convincing he's less skilled than Marinelli and he's nowhere mysterious or charismatic enough for anyone to believe he should be this story's lead. Monica Bellucci simply shouldn't have been cast.
Not terrible, but it's a notch down from the first and it's increasingly showing a lack of direction. I worry for what's to come.
The new plot doesn't make up for it. Eva Kant is replaced as the real focus of the film by Ginko, the police inspector relentlessly trying to track down Diabolik (like Ganimard to Lupin). Unfortunately, he's not as captivating of a character as Ms. Kant. Luca Marinelli has been replaced by Giacomo Gianniotti as the actor performing Diabolik, and thankfully he's barely given any screentime: while he may be physically more convincing he's less skilled than Marinelli and he's nowhere mysterious or charismatic enough for anyone to believe he should be this story's lead. Monica Bellucci simply shouldn't have been cast.
Not terrible, but it's a notch down from the first and it's increasingly showing a lack of direction. I worry for what's to come.
As a real fan of Diabolik (I still hold the first 690 original set of comics books), I can say that I preferred the first movie, this second episodes ok has the same noir/comic slow action which is good, it brings a new actor as Diabolik (vote: 8) and I say he is perfect, cute guy like in the comic books and the eyes and the face reminds the original character, Miriam Leone again as a perfect Eva Kant (vote:8) .. but what is missing: ... the refuge is the same as in the 1st movie, too many shots are on Ginko (we have to digest actor Mastandrea with his Roman accent.. vote 5.... and Ginko was a cute man in the comics!), then a catastrofing acting by Monica Bellucci (vote 3 for me ... the actress is the anthitesis of the high class of Altea...). The overall rating is just as flat as a six.
When the first movie came out, I reviewed it as an interesting experiment with its evident flaws, but not worthy of the way too harsh comments from both critics and viewers.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
This film isn't satisfying. The image of the king of terror is a mirage. The character of Diabolik is difficult to represent in a film but the choice of this actor is a mistake bigger than the choice of the actor of the first film. Gianniotti is a gorgeous man but the beauty of this man isn't different from the sex appeal of Diabolik. His apparitions aren't unexpected and spectral but to tell the truth with this man the character of Diabolik results boring.
Valerio Mastrandrea as Ginko results better than Diabolik but worse than in the first film. The reason probably is the general plot of the story too long and with very few action scenes and for a Diabolik's story is a fatal error.
Monica Bellucci as Althea is an evanescent character, totally extraneous from the story.
The only character that is very well characterized is Eva Kant, interpreted by Miriam Leone, that is similar to Eva not only for physical elements but also for the personality.
Valerio Mastrandrea as Ginko results better than Diabolik but worse than in the first film. The reason probably is the general plot of the story too long and with very few action scenes and for a Diabolik's story is a fatal error.
Monica Bellucci as Althea is an evanescent character, totally extraneous from the story.
The only character that is very well characterized is Eva Kant, interpreted by Miriam Leone, that is similar to Eva not only for physical elements but also for the personality.
Did you know
- GoofsGinko Citroen car plate (CLV 991466) has been later used also on a police motorbike.
- ConnectionsFollowed by Diabolik: Who Are You? (2023)
- How long is Diabolik: Ginko Attacks?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Diabolik: ¡Ginko al ataque!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,700,000 (estimated)
- Gross worldwide
- $1,376,312
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 2.35 : 1
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