Smile

One of very few horror movies that managed to surprise me this year. When the trailer came out, I thought it was gonna be another dumb, incompetent mess.

I was proved wrong.

From the very start, everything from the directing, performances to the cinematography and sound design were absolute stunning. How a low budget managed this feat was beyond me but the film was simply mesmerizing to look at.

The horror was quite effective with jumpscares and dreadful moments, albeit some cheap ones but not that distracting. They were able to build up the tension so well and never intended to tone it down right till the very end. The plot was simple enough to interlink all relevant characters to make me care about them, although some could complain 90% of the characters were just filler and I might agree with that. However, the protagonist was good enough to carry the whole show.

One thing that may not sit well with a lot of audience was the use of mental illness. Smile handled it decently but don't expect Oscar worthy exposition. And no, it wasn't exactly the main theme so try not to quit halfway through because there would be surprises by the last act of the film.

Give it a go. I'd say it was well worth the time for horror fans like myself. This was not just some Annabelle or Insidious sequels but something more.

This movie had me scared and on edge from start to finish. It's been a long time since I saw a horror movie this good.

The story is a bit cliche at some points, but it is well written and well made most of the time. The acting is great as well, which is not always a common thing when it comes to horror movies. It is very well directed and the atmosphere is really eerie.

The first girl to die in the movie probably had the most unpleasant smile I have seen in maybe my whole life. Especially when the therapist started seeing her in the darkness as a hallucination. That really gave me the chills. Then there were some smiles that were not very scary, like the patient Carl. The pacing of the movie was excellent. It got more and more creepy as the story progressed. The ending really etched into my brain, and I actually thought I was gonna have nightmares that night, which does not happen to me very often. The day after I saw this movie, a car passed me by, and the old man driving looked at me and smiled. The only thing I could think about was this movie.

This was Parker Finn's first feature film. I really hope he makes more films like this one. A good start on his writing/directing career. Well done!

Literally just wanted to pull my heart out. When would the heart racing adrenaline end! Cinematography was amazing, loved the lighting. The sound was out of this world, so don't skip out on the "special sound" showings. It was unpredictable fresh horror in my opinion, this along with barbarian pair for some of the top horror films in I would say in the last couple years. Give it a watch and really think of the moral here. There was more to the story than what was shed into the light. For those whom call this a snooze fest don't understand the meaning of popcorn flick. Just good classic horror actually keeping you at the edge of the seat continuously guessing. Solid film, great acting.

Rose Cotter is a therapist in an emergency psychiatric ward. One day, Laura, a young student, is brought in for observation. After witnessing the brutal suicide of her professor, she seems to be suffering from extreme post-traumatic stress disorder. As Rose talks to Laura, the girl gets increasingly frightened, claiming an unseen entity is about to kill her. Suddenly, she becomes calm, smiling unnaturally, before slitting her own throat. Afterwards, bizarre events convince Rose that the entity is now stalking her; and that she is its next victim.

An unnerving horror, Parker Finn's 'Smile' is a creepy examination of the lingering effects of trauma. Finn's narrative contends that trauma effects every aspect of one's life, and can be passed onto others through one's actions. Although comparisons to David Robert Mitchell's 'It Follows' are inevitable, Parker's handling of the film's thesis feels fresh and innovative. Traumatic effects- such as hallucinations, paranoia and guilt- are interwoven cleverly into Finn's narrative, adding to the psychological horror therein.

The film is suspenseful, having a heady atmosphere of dread throughout. Although the ending is underwhelming, the journey there is an engaging, sinister one. Finn makes excellent use of jump-scares- which often feel like a cheap way to make viewers jolt. They don't here, as they intensify the paranoid state Rose is in. His characterisation is strong, as is his dialogue, and we believe and sympathise with Rose; even if we're unsure whether or not we can trust her version of reality. Culturally relevant and unsettling, Finn's film makes for a wild and devilish ride.

For a horror to be successful, good sound design is necessary; Finn's sound department have created an immersive and disquieting environment of terror. Cristobal Tapia de Veer's score adds to the discomforting atmosphere, becoming chaotically dissonant as Rose descends further into paranoid fear. Reminiscent at times of Dario Argento and Goblin's score for 'Suspiria,' Tapia de Veer's work enhances the film's impact immensely.

Similarly, Charlie Sarroff's unconventional cinematography heightens the picture's uneasy ambiance. Distinct and creative, his utilisation of low angles, handheld shots and zooms fosters a sense of unpredictable instability. Under Finn's direction, his implementation of lighting creates contrast and mood, while his composition of images also adds to the film's horror. He uses symmetry, asymmetry and negative space to create imbalance, tension and emptiness; depending on the needs of the scene. Striking and memorable, Sarroff's work is captivatingly disturbing.

Furthermore, Lester Cohen's minimalist production design creates a stark, cold world for Rose to navigate. Cohen uses simple, sparse sets and props to create a sense of realism, emptiness and isolation. Moreover, Alexis Forte's costume design adds to the film's horror, as her use of colours, fabrics and differing styles creates contrast, character and symbolism. Additionally, the picture is well edited by Elliot Greenberg, whose work gives 'Smile' a rapid, tense pace that vastly intensifies proceedings.

Sosie Bacon stars as Rose, delivering an impassioned, nuanced performance, acutely showing Rose's psychological disintegration. Feverish and powerful, Bacon's work is not to be forgotten. Alongside her, Kyle Gallner plays Jake, a cop who is Rose's ex-boyfriend, and the only one who believes her story. A steady presence throughout, Gallner does fine work in a role lesser actors would have overplayed. Robin Weigert and Gillian Zinser- as Rose's psychiatrist and sister, respectively- both impress with their range and ability, while Caitlin Stasey is terrific in the all too small role of Laura; portraying her immense fear astutely.

An entertaining, tense horror about the devastating effects of trauma, Parker Finn's directorial debut 'Smile' lingers in the mind long after the credits have rolled. Boasting an engaging narrative dealing maturely with its themes, an atmospheric score and striking production design, it is a riveting watch. Although the ending is anticlimactic, the compelling performances from the cast- especially Sosie Bacon- keep you on the edge of your seat throughout. Creepily captivating, this film will surely not leave you with a frown.

This was a movie that I was very hesitant about because the premise looked very similar to Truth or Dare (2018) and I really hate that movie. However, I started to hear some good things about this movie from Fantastic Fest 2022 and that gave me some hope, so I decided to want the movie and Smile (2022) was easily one of the biggest surprises of 2022.

Positives for Smile (2022): Unlike Truth or Dare (2018), this movie actually makes the evil smile gimmick work. I've gotta give props to writer-director Parker Finn making this gimmick truly scary at times. I really enjoyed the main performance by Sosie Bacon as Rose Cotter and yes she is the daughter of Kevin Bacon and Kyra Sedgwick. I also really liked the supporting cast with Kyle Gallner, Jessie T. Usher, Kal Penn and Judy Reyes. There are some effective uses of gore in the movie and it adds to the terrifying nature of the smile in this movie. And finally, the camera work in this movie is spectacular especially given that was Parker Finn's feature film directorial debut.

Negatives for Smile (2022): Despite tlme praising this movie, it feels like other horror movies that I've seen in the past like Ringu (1998), It Follows (2014) and of course Truth or Dare (2018), so there isn't anything new to this movie with the exception of the execution. And finally, the movie's ending was a bit of a downer for me.

Overall, Smile (2022) is one of the better horror movies that I initially wouldn't cared about, but instead I ended up loving this movie a lot and I can't wait for Smile 2 (2024).