Holes in the Sky: The Sean Miller Story
- 2021
- 1h 36m
IMDb RATING
4.5/10
4.9K
YOUR RATING
In July of 2013 Sean Miller disappeared for four days. Seven years later a documentary film crew found out why.In July of 2013 Sean Miller disappeared for four days. Seven years later a documentary film crew found out why.In July of 2013 Sean Miller disappeared for four days. Seven years later a documentary film crew found out why.
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HOLES IN THE SKY: THE SEAN MILLER STORY is a mockumentary (fake documentary) which purports to tell the story of someone who has had highly unusual experiences which are traced back to possible encounters with extraterrestrial beings.
In order to increase the feeling of authenticity, the credited film crew members play semi-fictional versions of themselves, and one suspects that even the name of the actor who plays the eponymous character, credited as "Sean Ed", might just be his first and middle name.
An issue that becomes apparent right away is that, contrary to what the title indicates, the story is not (just) about Sean Miller but even more so about the documentary film crew that goes to his house to interview him and film the strange happenings there. In principle, there is nothing wrong with that approach, but given the title, it amounts to a bit of bait and switch.
Apart from the ambivalent focus of the story, what is presented here is not any different than what has been presented in numerous alien encounter/abduction movies before.
From the perspective of someone who really believes in these kinds of encounters, it could be argued that this is the very point, that people should be exposed to the "usual" or expected manifestations of possible aliens encounters to recognize them for what they "really are", in the same way that we do not want novelty and variation of content in any given set of public service messages, since that would only undermine them by causing confusion.
But the problem with that argument is that whereas public service messages of the usual kind (e.g. About buckling up, avoidance of drunk driving, vaccination etc.) have essentially conclusive evidence behind them that is denied only by hardcore conspiracy theorists, the evidence for alien counters still falls sufficiently short that it has so far only convinced hardcore conspiracy theorists. In short, the evidentiary status of this subject is exactly the opposite of what it needs to be in order for this argument to work.
Apart from that, one can imagine that even within the confines of an entirely standard presentation of alien encounters, it is possible to weave compelling and innovative human interest stories. The closest the film comes to that is with the story of Brett, who is already facing severe life challenges when he takes on the assignment, but somehow his story failed to touch me.
Although toward the end, we are treated to a few special effects, the overall low production values did not do the movie a service.
I think this is a film that only fans of the subgenre of alien encounter found footage movies will enjoy.
In order to increase the feeling of authenticity, the credited film crew members play semi-fictional versions of themselves, and one suspects that even the name of the actor who plays the eponymous character, credited as "Sean Ed", might just be his first and middle name.
An issue that becomes apparent right away is that, contrary to what the title indicates, the story is not (just) about Sean Miller but even more so about the documentary film crew that goes to his house to interview him and film the strange happenings there. In principle, there is nothing wrong with that approach, but given the title, it amounts to a bit of bait and switch.
Apart from the ambivalent focus of the story, what is presented here is not any different than what has been presented in numerous alien encounter/abduction movies before.
From the perspective of someone who really believes in these kinds of encounters, it could be argued that this is the very point, that people should be exposed to the "usual" or expected manifestations of possible aliens encounters to recognize them for what they "really are", in the same way that we do not want novelty and variation of content in any given set of public service messages, since that would only undermine them by causing confusion.
But the problem with that argument is that whereas public service messages of the usual kind (e.g. About buckling up, avoidance of drunk driving, vaccination etc.) have essentially conclusive evidence behind them that is denied only by hardcore conspiracy theorists, the evidence for alien counters still falls sufficiently short that it has so far only convinced hardcore conspiracy theorists. In short, the evidentiary status of this subject is exactly the opposite of what it needs to be in order for this argument to work.
Apart from that, one can imagine that even within the confines of an entirely standard presentation of alien encounters, it is possible to weave compelling and innovative human interest stories. The closest the film comes to that is with the story of Brett, who is already facing severe life challenges when he takes on the assignment, but somehow his story failed to touch me.
Although toward the end, we are treated to a few special effects, the overall low production values did not do the movie a service.
I think this is a film that only fans of the subgenre of alien encounter found footage movies will enjoy.
This mockumentary has a budget of a few thousand dollars and it looks like it. It's about the same as what you could do at home with your phone. After the first 15 minutes I had to recheck the IMDb rating which is above a 6 amazingly. I figured it must get better or something for the ratings to be that high. So I watched another 15 minutes before checking all the reviews and I see that mostly there are 1s and 2s and then incredibly a bunch of 9s and 10s. I kind of checked out when the crew had a long conversation in the car about sad love songs or something. I finally gave up when they spent several minutes spooking themselves out about "unexplained phenomena" which was a light turning on or off.
... Obviously inflated the user reviews.
Some films use found footage and documentary style shots as an artistic choice. From the very first frame, it's plain to see this was not made out of artistic choice but budget necessity.
Meandering, boring, full of clear self insert characters, wouldn't fool even the daftest human alive for a millisecond that it's real... Genuinely more of an endurance test than a movie.
Tries to keep building and building this sense of mystery and curiosity, but basically just stretches out it's very basic story of maybe, two or three sentences and stretches it out to movie length.
Utter waste of time.
Some films use found footage and documentary style shots as an artistic choice. From the very first frame, it's plain to see this was not made out of artistic choice but budget necessity.
Meandering, boring, full of clear self insert characters, wouldn't fool even the daftest human alive for a millisecond that it's real... Genuinely more of an endurance test than a movie.
Tries to keep building and building this sense of mystery and curiosity, but basically just stretches out it's very basic story of maybe, two or three sentences and stretches it out to movie length.
Utter waste of time.
I was about three quarters of the way through this before I Googled and found out the story of Sean is fake. Regardless, my opinion remains the same. I don't get why a UFO story turned into a story about a haunting. I don't know how else to explain it. The UFO incident is never touched upon. I could care less who is knocking on what door. The guy 'disappears' for 4 days and I get to hear a pot losing its handle. So much promise but it fell shorter than a pile of snail poo. At the 1 HOUR, 14 MINUTE MARK, the UFO incident is touched upon. By this time, I don't care anymore. I gotta go to the bank and cash a check anyway.
To make movie, and to do it basicly from home, a 101 encyclopedia how to make a fictious documentary about a F. L. crime dissapearance, involving loads of hi tech stuff and trying to make an ''invaders from space'' abduction into something cool and nervewrecking...
well dissapointed i was, not by the efforts and esteem, more the fact that the story is very generic...based on all the true life incidents that runs the gossip over there usa... that leads to a heartstuck lack of realism, and i do feel that i am one of the best moduscandidates to test such a film on, mostly due to im a grumpy old man, i am considering me as an eminent observer and viably sceptic and fully litterate norwegian that thinks far beyond the countyborder...
yes its a film for the digital generation, baiting every conspirative thout on social media, and for the rednecked illiterat... a 2 star recommendation is generously given to ''holes in the plot''
well dissapointed i was, not by the efforts and esteem, more the fact that the story is very generic...based on all the true life incidents that runs the gossip over there usa... that leads to a heartstuck lack of realism, and i do feel that i am one of the best moduscandidates to test such a film on, mostly due to im a grumpy old man, i am considering me as an eminent observer and viably sceptic and fully litterate norwegian that thinks far beyond the countyborder...
yes its a film for the digital generation, baiting every conspirative thout on social media, and for the rednecked illiterat... a 2 star recommendation is generously given to ''holes in the plot''
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Details
- Release date
- Country of origin
- Language
- Also known as
- Дыры в небе: История Шона Миллера
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Box office
- Budget
- $1,000 (estimated)
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.78 : 1
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