A series of strange child disappearances have left the rural town of Miles in a state of disbelief. A sick Mother Sonya, fears unspeakable evil will soon snatch her 11 year old daughter Viol... Read allA series of strange child disappearances have left the rural town of Miles in a state of disbelief. A sick Mother Sonya, fears unspeakable evil will soon snatch her 11 year old daughter Violett, from her sight.A series of strange child disappearances have left the rural town of Miles in a state of disbelief. A sick Mother Sonya, fears unspeakable evil will soon snatch her 11 year old daughter Violett, from her sight.
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Some of the best horror films are those that burn slowly, embers of nightmarish intent smouldering until the end, and continuing to burn into the mind long after the final image fades.
VIOLETT (named after the young girl in the film) is a study of psychological disrepair, shrouded by an ominous cloud of despair. It's a young woman's personal hell, a mother, Sonya (Georgia Eyers), traumatised, struggling to cope, terrified for her young daughter's safety.
There is danger at her doorstep. Her husband is at wit's end, and her neighbours are weird. As Sonya's reality unravels - providing the viewer with a suitably unreliable perspective - the darkest truth is finally uncovered. It's a terrific ending.
Imagine David Lynch down under. Think the elements of mystery and allure from Blue Velvet, but from the point of view of Dorothy.
Writer/director Steven Mihaljevich has conjured a very dreamlike portrait of the ruinous nature of guilt. Rich in symbolism and texture. It's a film that is beautiful and grim in equal measure. Georgia Eyers is fantastic in the lead role as Sonya.
Watch it on the biggest screen you can.
VIOLETT (named after the young girl in the film) is a study of psychological disrepair, shrouded by an ominous cloud of despair. It's a young woman's personal hell, a mother, Sonya (Georgia Eyers), traumatised, struggling to cope, terrified for her young daughter's safety.
There is danger at her doorstep. Her husband is at wit's end, and her neighbours are weird. As Sonya's reality unravels - providing the viewer with a suitably unreliable perspective - the darkest truth is finally uncovered. It's a terrific ending.
Imagine David Lynch down under. Think the elements of mystery and allure from Blue Velvet, but from the point of view of Dorothy.
Writer/director Steven Mihaljevich has conjured a very dreamlike portrait of the ruinous nature of guilt. Rich in symbolism and texture. It's a film that is beautiful and grim in equal measure. Georgia Eyers is fantastic in the lead role as Sonya.
Watch it on the biggest screen you can.
Sonya plays a great role as an addicted and sorrowful mother, whose child Violett apparently gets kidnapped, as have other children in the town. This movie is also notable for the vibrant colors in the cinematography. There are flashbacks, showing as a child Sonya suffered from a rather stern and possibly violent father, making her childhood one more of horror than of a carefree childhood. She also has dreams, that are woven with reality such that one cannot be certain if what she sees is real or in a dream. She is clearly addicted to drugs, and has the look about her of an addict who forgoes eating for drugs. Her dear child Violett just never returned home from school, and that was the day Sonya didn't accompany her home. We see early glimpses of the joy she had in meeting and marrying Stan but that seemed to be replaced with a more exasperated Stan, who tries but cannot pierce her state of mind. This is not a joyful film, and just some of what Sonya goes through is enough horror for many. The pacing may seem slow, but it unwinds the many interwoven parts nicely.
I'm FB friends with one of the actresses so I was excited about seeing this movie. Now that I tortured myself to watch it to the end , glad it was never in US theaters and didn't waste money for a ticket. Don't understand what other critics think was do great snout this movie. Could t figure out the plot.
It's nothing new under the sun. It is indeed horror but more of a psychological horror than a supernatural although they did manage to incorporate some supernatural elements and even a nod at the Disney show white witch trying to convince someone to eat the apple. That could have also been interpreted as eating the apple could open your eyes and make you see what's really happening like the garden of Eden. Anyway I actually didn't see the ending coming as you end up getting faked out not once, not twice, but three times and when you realize what really happened everything makes so much more sense. A movie with a plot and an ending. The build up was a little bit of a slow burn but once the ball gets rolling it rolls right up until the ending credits. I also would like to point out the over saturation of colors and the makeup used to convey emotion were fascinating. It's worth a watch for sure.
This is the best movie ever inspired by Vincent van gogh's famous album cover for Black Sabbath. Over exposed grain also evokes some classic British folk horror. The lead actress method acting as a recovering heroin addict expecting at any moment to be punched in the face is effective on an unnerving level. The horror aficionados expecting linear slash n scream aren't getting the point of a technicolor Wisconsin death trip art film, but you can't blame them, it isn't exactly everyone's cup of tea. Would enjoy this directors take on different grindhouse genres, a little wicker man here, some Sam peckinpah there, maybe even a little ed wood just for giggles. Big budget wise I would give him a chance at a single ember zombie apocalypse, he's certainly found the actress for that.
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- TriviaThe movie is from Australia.
- How long is Violett?Powered by Alexa
Details
- Runtime
- 1h 41m(101 min)
- Color
- Aspect ratio
- 2.39:1
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