Ride On

Lao Luo is an aging stuntman whose best years are behind him. Estranged from his daughter, in debt and out of work, he and his horse Red Hare are desperate for money. After escaping a street fight, Lao and Red Hare become an internet sensation, and offers for stunt work start pouring in. However, a businessman named Xin has his eyes on the horse, and will do anything to get him. Lao reaches out to his daughter Bao- whose boyfriend is a young law student- for legal help, and the two begin rekindling their relationship. Whether Lao and Red Hare are capable of performing the stunts now asked of them- and if Xin's plot comes to fruition- remains to be seen in Larry Yang's 'Ride On'.

An uneven comic-drama, 'Ride On' is a strange concoction striving to combine slapstick comedy with drama- alongside elements of legal procedural and martial arts films- while also trying to come as a homage to Hong Kong cinema and a salute to stunt performers in general. It is a film trying to be a jack of all trades, but is more of a master of none. This is not to say that 'Ride On' is unengaging, as it is entertaining and fun; though it is evident that Yang wants the film to work on multiple levels when he hasn't yet perfected the base one.

Yang's characters are all cliches, his dialogue is corny at best and the narrative is predictable to a fault. The film tries too hard to be heartwarming, coming across as a little mawkish instead. Yang delivers a cursory exploration of the themes of aging, family and loyalty, not having anything new or insightful to say about any of them. While there are some compelling moments involving Lao and Bao getting to know one another, references throughout to previous cinematic escapades of Jackie Chan are enjoyable and the action scenes are generally well realized, the rote storytelling on display is formulaic and underwhelming. It's disappointing that the story and the manner in which it is told is so familiar and uninspired, as there is a lot to be praised in 'Ride On'.

Sun Li's production design is impressive, for one, and the set decoration is rich. Lao's stable-cum-apartment, for example, is a visual delight, overflowing with props and details that bolster the character's backstory. Moreover, Ming Sun's cinematography is stylish, though more realistic and grounded than in recent Chan-led efforts like 'Vanguard' or 'Bleeding Steel.' His use of naturalistic lighting is most effective, while the utilisation of handheld cameras at moments of action- such as when Lao and Red Hare escape the street fight- creates urgency and tension (which is, one might add, missing from Yang's screenplay).

Furthermore, Jackie Chan delivers a restrained, nuanced performance as Lao Luo, handling the comic and dramatic with equal aplomb. As was the case with 'The Foreigner,' Chan's efforts to create a believable, downbeat character surpasses the film around him, and his performance is considerably more memorable than Yang's narrative or characterisation. He proves to be in better shape physically at 69 than most people half his age, and has great chemistry with the horse playing Red Hare- who, one might add, is as brilliant and charismatic a performer on four legs as many others aren't on two.

Additionally, Liu Haocun gives a strong performance as Bao, even if her character is a bit one-note. She works well with Chan (and the horse) to create a realistic, strained family dynamic, and she never overdoes it. Kevin Guo Qilin is similarly good as her boyfriend, an insecure, unfit law student who is something of the comic foil. Yu Rongguang also does strong work as Xin, the villain of the piece, bringing a charm and elegance to the role that is most appreciated.

At the end of the day, Larry Yang's 'Ride On' is a flawed film trying to balance comedy and drama, and occasionally succeeding, but more often than not coming across as a little cloying. While Jackie Chan delivers a measured, thoughtful performance and works well with his co-stars, Yang's narrative is too familiar and reliant on tropes and cliches to make much impact. Though Chan and his horse are great and the film has some fun moments, Larry Yang's 'Ride On' is a bit of a bumpy ride.

No pun intended - there is one scene in this movie that some people confused with Jackies private life. I have to admit, I had no idea about his private life and his issues with his daughter (or hers with him?) ... I reckon if you are not in the know you can easily be fooled ... especially because it was quite emotional ... and it looked like something that could actually happen in real life for them too.

That said, the movie itself lends itself to comparisons ... Jackie Chan being his own stunt man most of the time, having started as stunt man too. So the story is close to home in that regard for sure. Add to that a horse and you have quite the interesting mix. The stunts/action set pieces are really good ... and if you are fan, no one has to convince you anyway ... story is quite simple, but it doesn't need to be more complicated ... and if the drama of it all does not grip you ... well then the movie is not for you I reckon ... most will at least have some moments where they shed a tear or two ... ride on indeed (the movies title is the biggest pun)

Jackie Chan's new film is a mixture of action and family drama, adding to that is the bond his character shares with his horse. A washed up stuntman, past his glory days is struggling to meet ends and the debt collector wants to take away his horse. As he fights them off, the video of it goes viral. Soon he learns, the previous owner of his horse is going to take him away, he reaches out to his estranged daughter for one last time, to save the horse and mend their relationship.

The film is filled with tear jerking moments which is pretty much what one asks for when an horse is involved. Those scenes mostly work too. Then there is a video montage of Jackie Chan's classic stunts montage which his character reacts to. Needless to say how that particular scene feels. As far as the screenplay goes, it is the usual run on the mill family drama with few action scenes thrown in to please the fans. The melodrama however is stretched and not all the scenes work as intended.

The father - daughter relationship suffered due to how basic it was and somehow it lacked the desired impact. Maybe that's why the bonding with horse had far more impact. The pace is uneven too and resorts to convenient resolution before ending on a predictable note. Jackie Chan still carries the film on his shoulder and this time not with his action skills but by making Ride On his most emotional performance to date.

It's a role that's perfect for Chan as he plays an aged stuntman who hit hard times in every sense of the word, which forces him to confront the sacrifices he made in his life in the personification of his daughter who he lost contact with, but he gets a second chance thanks to his love of a horse he's trained to do stunts.

If Jackie Chan was attempting to get that Oscar it was a good attempt. The man has spent 50 years physically giving his all on the big screen as an action star. Now in his old age he's trying to give it all emotionally as an actor and there was no better movie to do it in than Ride On, where he has nothing but empathy with what his character must be going through.

Jackie Chan maybe seasoned but he's got the experience to make his most basic tricks still exciting. The fight scenes are smaller and less dangerous, but that rhythm is still like a dancer doing the two steps with feeling. He's still got it and he's still doing it right!

On, and that horse that acts like his co-star. That horse was doing some really good acting. I was feeling everything it was doing.

Ride On is also one of those great movies about movies. One of the greatest stuntmen in the world gives us a look at the history of stuntmen from where Jackie Chan came from to where China is now with the stuntman now.

Always a little nervous with Jackie Chan movies now that he's pushing 70 but he seems to understand his lane with Ride On and it was amazing to just role with it.

Iam a big fan of Jackie Chan, i became very happy that he did a new movie, i put it directly in my watchlist. The cast is ok there is a little bit drama but not that much. The horse did the job very well. He act as smart as a dog witch is impressive. Jackie Chan stel move smoothly and its impressive to as he is old now.

The cast have a good message but there is some questions as Jackie chan was cared well about the relationship between him and his horse but doesnt did the same about his relationship with his daughter in early life? Why he broke up with his wife att why who raised up the daughter when her mother passed away when she was in very young age?

Overall the movie is a good movie and the style is more American than Chinese. I enjoyed watching this movie and i recommend to give it a try.