Metanoia
- Episode aired Aug 7, 2022
- TV-MA
- 52m
IMDb RATING
8.2/10
4.4K
YOUR RATING
Bernard and Maeve fight to save the world. Charlotte begins to see her plans realized. The Man in Black returns to the game.Bernard and Maeve fight to save the world. Charlotte begins to see her plans realized. The Man in Black returns to the game.Bernard and Maeve fight to save the world. Charlotte begins to see her plans realized. The Man in Black returns to the game.
Joseph Wilson
- Drone Host
- (as Joey Wilson)
Terra Strong Lyons
- Mother
- (as Terra Strong)
Aidan Flynn
- Pedestrian
- (uncredited)
Featured reviews
You know an ep is really good when you just keep thinking you don't want it to end. An excellent penultimate episode. All the characters shine. I can't wait for the finale.
After the first season I thought they couldn't keep me interested because the twists en plots were already uncovered. But this show actually keeps me interested and coming back for more. I even thought this show ended after season 3 but here we are almost at the end of season 4 and still this show has me wondering. Sure there are things more obvious because of past seasons but still the show manages to keep surprising me.
It's just a fantastic show and I am really curious to see the season finale.
It's just a fantastic show and I am really curious to see the season finale.
I wrote in a previous review (episode 4, I believe) that this season had actually used the mess of the past two seasons (mainly 3) as a good groundwork for the new plotline the show runners had been setting up. It's hard to say they didn't have this entire thread built up, but based on the way things played out in the last season, it definitely feels like they felt the pressure of the looming chopping block and went back to the drawing board to completely take on this new season from scratch. Regardless of how they went about conceiving the main story this season, they definitely addressed their shortcomings in the execution this season.
Not only have the twists been unexpected enough that I had little idea of where the overall story was heading, but from a narrative standpoint, they haven't been throwaway, shock-value twists, they've actually benefited the plot (except, maybe, the twist at the end of this episode, but that remains to be seen) in a way that doesn't feel convoluted or gimmicky. In the end, it feels like the twists have capitulated what was (at least in season 1) a thrilling chess match between the park's creators, William and Robert, back into play. However, the game seems to have a lot of promoted pawns and new pieces with nonstandard move sets. That is to say, the stakes have been raised by incorporating more and more powerful pieces, and the variety of outcomes have increased by incorporating pieces that make the play much more unpredictable.
It's an enormous shift in the quality of writing between the seasons and even one significant enough to truly reintegrate Westworld into the canon of compelling television. What's more, here, in (what I believe is) the penultimate episode of the season, many of plotlines come to a head and feel like they are leading to (if not have already met) satisfying conclusions. It might be enough that even the weaker plot lines (Frankie, "Christina", e.g.) were still strong enough on their own that they had already been at least as well written as the better elements of season 3, but that they actually worked towards an even more tantalizing situation already puts this season leaps and bounds above its most recent predecessor, further, that it has proven them worthy of having stuck around and given them due attention.
As to whether or not that will ultimately be the case and that what's been built throughout the season will have a successful payoff remains to be seen, but at least it's been worthy enough of making the first 7 episodes worth watching, and this episode is no exception (perhaps even moreso than any other episode so far this season). Despite any shortcomings I may have felt regarding the final revelation of the episode and perhaps the overall execution of some of the action sequences (which says a lot about a show that basically built itself around flashy action sequences), I still feel this episode delivered on what has been a promising 180 in quality of storytelling and introduction of tantalizing twists. 8.5/10.
Not only have the twists been unexpected enough that I had little idea of where the overall story was heading, but from a narrative standpoint, they haven't been throwaway, shock-value twists, they've actually benefited the plot (except, maybe, the twist at the end of this episode, but that remains to be seen) in a way that doesn't feel convoluted or gimmicky. In the end, it feels like the twists have capitulated what was (at least in season 1) a thrilling chess match between the park's creators, William and Robert, back into play. However, the game seems to have a lot of promoted pawns and new pieces with nonstandard move sets. That is to say, the stakes have been raised by incorporating more and more powerful pieces, and the variety of outcomes have increased by incorporating pieces that make the play much more unpredictable.
It's an enormous shift in the quality of writing between the seasons and even one significant enough to truly reintegrate Westworld into the canon of compelling television. What's more, here, in (what I believe is) the penultimate episode of the season, many of plotlines come to a head and feel like they are leading to (if not have already met) satisfying conclusions. It might be enough that even the weaker plot lines (Frankie, "Christina", e.g.) were still strong enough on their own that they had already been at least as well written as the better elements of season 3, but that they actually worked towards an even more tantalizing situation already puts this season leaps and bounds above its most recent predecessor, further, that it has proven them worthy of having stuck around and given them due attention.
As to whether or not that will ultimately be the case and that what's been built throughout the season will have a successful payoff remains to be seen, but at least it's been worthy enough of making the first 7 episodes worth watching, and this episode is no exception (perhaps even moreso than any other episode so far this season). Despite any shortcomings I may have felt regarding the final revelation of the episode and perhaps the overall execution of some of the action sequences (which says a lot about a show that basically built itself around flashy action sequences), I still feel this episode delivered on what has been a promising 180 in quality of storytelling and introduction of tantalizing twists. 8.5/10.
In Westworld Season 4, Episode 7, "Metanoia," the show pushes its characters to their breaking points as the clash between the hosts and the humans comes to a head. This episode centers on several high-stakes confrontations, with Dolores and Maeve facing off against Hale in an effort to disrupt her authoritarian control over humanity. At the same time, Caleb's struggle to regain agency over his existence reaches new depths, as he grapples with his role in a reality where individual freedoms are increasingly curtailed. This complex web of power struggles serves as a tense lead-up to the season finale, testing alliances, morals, and the potential for autonomy.
Evan Rachel Wood once again excels as Dolores, giving a nuanced performance that captures her character's disillusionment and determination. Wood's portrayal provides depth to Dolores's struggle for liberation, making each of her interactions feel laden with purpose and inner turmoil. Thandiwe Newton, as Maeve, delivers equally compelling work, exuding both resilience and vulnerability, especially in scenes with Jeffrey Wright's Bernard, whose enigmatic motives continue to unfold. The three actors' chemistry on screen brings an engaging dynamic to the narrative, and their performances carry the emotional weight needed to ground the more abstract themes of the show. Newton, in particular, impresses in her portrayal of Maeve's relentless, undeterred spirit, which creates an excellent counterpoint to Hale's icy, calculating demeanor.
The direction by Meera Menon stands out, as she skillfully balances intense action sequences with reflective moments that allow for deep character development. Menon's attention to visual detail elevates the tension, with rich, moody cinematography that enhances the sense of looming dread that pervades the episode. This episode uses framing and pacing to keep the viewer engaged, creating an almost claustrophobic feeling as the characters navigate confined spaces and precarious situations. The editing works well to support this pacing, deftly weaving between storylines in a way that keeps the narrative momentum while also allowing each subplot room to breathe.
The script for "Metanoia" is tightly crafted, capturing the show's core philosophical themes while giving the narrative a sense of immediacy and urgency. Dialogue is layered and purposeful, especially in conversations between Dolores and Maeve, as they debate the merits of rebellion, control, and the meaning of free will. This episode's writing excels at revealing the characters' motivations, subtly reminding viewers of the moral stakes involved. However, certain lines occasionally veer toward exposition, which can feel a bit heavy-handed in an episode otherwise rich with subtext. Still, the dialogue overall successfully serves to deepen the viewer's understanding of the moral conflict at the heart of Westworld's dystopian world.
Several memorable scenes in "Metanoia" stand out as high points of the episode. Maeve's battle with Hale is both emotionally charged and visually striking, blending intense action with underlying personal stakes that enhance the encounter's impact. Caleb's scenes, meanwhile, offer a poignant glimpse into his struggle to preserve his sense of self amid overwhelming external control, adding a layer of tragedy to his character arc. The cinematography heightens these moments, using close-ups to capture each character's emotional intensity, effectively building tension without overwhelming the viewer. This episode's balance of action and character-driven scenes helps maintain engagement and reinforces the show's thematic concerns.
Ultimately, "Metanoia" is a powerful episode that bridges character exploration with action-packed drama, preparing the stage for an intense season finale. Its philosophical undertones and exploration of freedom, control, and self-determination add depth, making this a standout installment. While occasional moments of exposition detract slightly from the immersion, the episode's strong performances, deliberate pacing, and thought-provoking dialogue more than compensate. In navigating the internal and external conflicts faced by Dolores, Maeve, and Caleb, "Metanoia" masterfully captures the essence of Westworld-a meditation on humanity, morality, and the consequences of technological power.
Evan Rachel Wood once again excels as Dolores, giving a nuanced performance that captures her character's disillusionment and determination. Wood's portrayal provides depth to Dolores's struggle for liberation, making each of her interactions feel laden with purpose and inner turmoil. Thandiwe Newton, as Maeve, delivers equally compelling work, exuding both resilience and vulnerability, especially in scenes with Jeffrey Wright's Bernard, whose enigmatic motives continue to unfold. The three actors' chemistry on screen brings an engaging dynamic to the narrative, and their performances carry the emotional weight needed to ground the more abstract themes of the show. Newton, in particular, impresses in her portrayal of Maeve's relentless, undeterred spirit, which creates an excellent counterpoint to Hale's icy, calculating demeanor.
The direction by Meera Menon stands out, as she skillfully balances intense action sequences with reflective moments that allow for deep character development. Menon's attention to visual detail elevates the tension, with rich, moody cinematography that enhances the sense of looming dread that pervades the episode. This episode uses framing and pacing to keep the viewer engaged, creating an almost claustrophobic feeling as the characters navigate confined spaces and precarious situations. The editing works well to support this pacing, deftly weaving between storylines in a way that keeps the narrative momentum while also allowing each subplot room to breathe.
The script for "Metanoia" is tightly crafted, capturing the show's core philosophical themes while giving the narrative a sense of immediacy and urgency. Dialogue is layered and purposeful, especially in conversations between Dolores and Maeve, as they debate the merits of rebellion, control, and the meaning of free will. This episode's writing excels at revealing the characters' motivations, subtly reminding viewers of the moral stakes involved. However, certain lines occasionally veer toward exposition, which can feel a bit heavy-handed in an episode otherwise rich with subtext. Still, the dialogue overall successfully serves to deepen the viewer's understanding of the moral conflict at the heart of Westworld's dystopian world.
Several memorable scenes in "Metanoia" stand out as high points of the episode. Maeve's battle with Hale is both emotionally charged and visually striking, blending intense action with underlying personal stakes that enhance the encounter's impact. Caleb's scenes, meanwhile, offer a poignant glimpse into his struggle to preserve his sense of self amid overwhelming external control, adding a layer of tragedy to his character arc. The cinematography heightens these moments, using close-ups to capture each character's emotional intensity, effectively building tension without overwhelming the viewer. This episode's balance of action and character-driven scenes helps maintain engagement and reinforces the show's thematic concerns.
Ultimately, "Metanoia" is a powerful episode that bridges character exploration with action-packed drama, preparing the stage for an intense season finale. Its philosophical undertones and exploration of freedom, control, and self-determination add depth, making this a standout installment. While occasional moments of exposition detract slightly from the immersion, the episode's strong performances, deliberate pacing, and thought-provoking dialogue more than compensate. In navigating the internal and external conflicts faced by Dolores, Maeve, and Caleb, "Metanoia" masterfully captures the essence of Westworld-a meditation on humanity, morality, and the consequences of technological power.
Why write a great story that's well presented when you can just have characters allude to something substantive and have the audience project greatness onto it.
10/10 jumped that massive gap over the frenzy of sharks and landed on a sick, twist ending!
This episode broke me a little.
10/10 jumped that massive gap over the frenzy of sharks and landed on a sick, twist ending!
This episode broke me a little.
Did you know
- TriviaAll entries contain spoilers
- GoofsTowards the end Caleb says to a stranger "I'll give you 50 for your coat". 50 what? He is in his "prison garb" and has no money, scratch, anything. Caleb doesn't have 50 of anything. Not like he's carrying a wallet or anything.
- Quotes
Man in Black: Culture doesn't survive. Cockroaches do. The second we stopped being cockroaches, the whole species went fucking extinct.
- SoundtracksThe Man Who Sold the World
Written and Performed by David Bowie
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- Cabo San Lucas, Baja California Sur, Mexico(The fighting scenes in water at the base of the tower in host city. Specifically the VICEROY LOS CABOS resort.)
- Production companies
- See more company credits at IMDbPro
- Runtime52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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