The Dish & the Spoon

As modern American tiny-budget indie rom-coms go, this is sweet and charming, managing to avoid falling into most of the mumble-core traps and cliche's. There's something more successfully wistful and sad than usual in this tale of two mismatched and very quirky young people stumbling into each other's lives.

When we meet 20 something Rose, she's literally wailing and crying as she drives her car – seemingly without aim – after discovering her husband has been having an affair. Before long she meets a young, sweetly quiet English boy in his late teens, who came to America to meet up with a girl, and has now been cast adrift by her (maybe – there's a lovely question mark over all this character's stories. While there are scenes that are too precious, and moments where it feels like the film-maker and actors are working a bit too hard and self-consciously at being charmingly weird – moments where you can almost see the actors/director think "this will be a cool choice" - there's also a lot of humanity and quiet emotion in the performances by Greta Gerwig and Olly Alexander – creating characters who both seem caught on the edge of real emotional trouble -and in the muted, touching images with which Alison Bagnall frames them.

Yes, maybe we cut to migrating birds one too many times, or we're ahead of the supposed twist of a scene now and then. But it's the moments of fragile human complexity that feel unusual in any American film-making these days, large or small, and which ultimately won this a place in my heart.

I stumbled across this movie on Netflix, and watched it because a "Delaware beach town" was mentioned in a review. I lived for several years in Rehoboth Beach, DE.

As far as reviewing the film, I won't. I seldom follow any reviewer's recommendations as I find them to be totally useless. Nobody can tell me what I'll like or dislike; I must find that out for myself.

The biggest reason I am adding my 2 cents is that "an abandoned lighthouse" is mentioned in several places as the spot where the two characters meet.

In actuality, the "lighthouse" is a submarine lookout tower which was used in WWII. These towers dot the seashore along Delaware's east coast.

Anyway, I did enjoy the movie and will recommend it to friends, if only for the familiar scenery. I especially liked the brewery tour in the Dogfish Head brewery as I have sampled many of their beers in their bar/restaurant in Rehoboth.

This movie was perhaps just a little bit too 'artsy' for my liking. Initially, I was intrigued by what I had read about the movie, hence I decided to give it a go. And now having seen it, I can honestly say that this movie was not meant for me.

The story, or what resembles a story, is taking place around two core characters; Rose (played by Greta Gerwig) who is struggling to deal with her husbands affair with a woman named Emma, and a quirky British teenager (played by Olly Alexander), who is running away from something. The two find comfort in each others company and help each other to get to where they are going.

It is a story that is character driven and also fueled by the passion of the characters. We are introduced to two somewhat offbeat characters and given the chance to ride along with them on their journey, and that is perhaps the centerpiece of the movie; the essence of the movie, if you will.

As for the story, well it wasn't really all that interesting to me, and it took ages for the movie to get from A to B, and had surprisingly little to tell in the time that it took to get there.

The strong side of the movie was the acting. There was a lot riding on the performances of Greta Gerwig and Olly Alexander, as they were the only ones on the screen about 90% of the time. And I will say that they did a good job in portraying their characters.

Another strong side of the movie was the cinematography. The movie was really nicely shot and edited, and had some really great images in it, and a lot of shots that needed no dialogue or explaining.

I found my interest starting to drift to other things a couple of times throughout the movie, because it clearly wasn't meant for me as an audience. I am sure there is an audience out there for this particular type of movie, and I am sure those people will enjoy this type of movie as well.

Alison Bagnall brings her 2nd feature length film, The Dish & The Spoon, with shameless intimacy.

After discovering her husband has cheated on her, Rose (Greta Gerwig) goes on a beer-drinking rampage, pulling the young, mysterious vagabond (Olly Alexander) in on her plan for revenge against the bitch who put her in this position.

The two share an undeniable – often cute and occasionally awkward – on screen chemistry.

Their unique and intimate relationship develops in an interesting balance of sexual tension, bare emotions and twisted manipulation.

Bagnall sincerely seems to be an actor's director, where playfulness and experimentation is balanced with an emotional depth.

The film is sincere and reckless, letting the characters lead the narrative. Rose wants to scream, Rose will scream. Rose wants to cuddle, Rose will cuddle. Rose wants to steal, Rose will steal.

The characters really seem free to act how they want and feel in each moment rather than being pulled across a constructed story forcing them to go from point A to B. The characters do what they want, not what they're told. There is something about this movie that reflects real life and relationships in a way that is true and unhindered.

The Dish & The Spoon feels like a secret roller coaster ride that we get to experience with these two strangers as they grope for some sort of emotional connection and personal understanding over a few unlikely days.

It's a brave film that I'm glad I experienced and hope to see in theaters!

I watched this film bc the end credit song popped up on my Spotify and I love it sm :") unfortunately, I can't say the same for the film. It's not BAD, it just doesn't have enough happen to keep it interesting or for the performances themselves to carry the film w.o a stronger plot. Mainly there's just a lot of uncomfortability within it; Greta's character is so believable and unpleasant when she gets angry I genuinely just didn't want to watch, as well as her relationship with the Boy also felt more uncomfortable to watch than sweet, and I kind of just felt bad for him bc she was scary.

Anyways go listen to "The Whale" end credits song by Olly Alexander, u can thank me later ;)