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The End

  • 2024
  • R
  • 2h 28m
IMDb RATING
5.4/10
2.6K
YOUR RATING
POPULARITY
4,351
118
Bronagh Gallagher, Lennie James, Tim McInnerny, Michael Shannon, Tilda Swinton, George MacKay, and Moses Ingram in The End (2024)
A Golden Age-style musical about the last human family.
Play trailer2:25
2 Videos
19 Photos
Dystopian Sci-FiDramaFantasyMusicalSci-Fi

After decades alone, a wealthy family living in a salt mine encounters a stranger.After decades alone, a wealthy family living in a salt mine encounters a stranger.After decades alone, a wealthy family living in a salt mine encounters a stranger.

  • Director
    • Joshua Oppenheimer
  • Writers
    • Rasmus Heisterberg
    • Joshua Oppenheimer
    • Shusaku Harada
  • Stars
    • Tilda Swinton
    • George MacKay
    • Moses Ingram
  • See production info at IMDbPro
  • IMDb RATING
    5.4/10
    2.6K
    YOUR RATING
    POPULARITY
    4,351
    118
    • Director
      • Joshua Oppenheimer
    • Writers
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • Stars
      • Tilda Swinton
      • George MacKay
      • Moses Ingram
    • 34User reviews
    • 79Critic reviews
    • 65Metascore
  • See production info at IMDbPro
    • Awards
      • 4 nominations total

    Videos2

    Official Trailer
    Trailer 2:25
    Official Trailer
    The End
    Trailer 2:25
    The End
    The End
    Trailer 2:25
    The End

    Photos18

    View Poster
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    + 14
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    Top cast9

    Edit
    Tilda Swinton
    Tilda Swinton
    • Mother
    George MacKay
    George MacKay
    • Son
    Moses Ingram
    Moses Ingram
    • Girl
    Michael Shannon
    Michael Shannon
    • Father
    Bronagh Gallagher
    Bronagh Gallagher
    • Friend
    Tim McInnerny
    Tim McInnerny
    • Butler
    Lennie James
    Lennie James
    • Doctor
    Danielle Ryan
    Danielle Ryan
    • Mary
    Naomi O'Garro
    • Toddler
    • Director
      • Joshua Oppenheimer
    • Writers
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews34

    5.42.5K
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    Featured reviews

    5ejonconrad

    Interesting concept that doesn't work at all

    Post apocalyptic movies are probably my favorite genre, and I love Michael Shannon and Tilda Swinton, so I was really looking forward to this movie. I also like musicals, but I did have my doubts about whether the two genres could mix.

    Maybe they can, but not this time, because as a musical, it's *absolutely terrible*. The songs are so generic and bland that you forget them the minute they end. Seriously, I watched this last night and can't remember a single song. Michael Shannon does have a surprisingly good singing voice, but Tilda Swinton sounds pretty much exactly like you would expect Tilda Swinton to sound, and that's not good.

    Setting the music aside, it's a pretty mediocre story. It's about a family and a few others living an "idyllic" life underground after some sort of never specified apocalypse. Things get shaken up when a newcomer arrives, and then.... well, not much happens. Certainly not enough to fill two and a half hours.

    I'm glad I watched it on Hulu rather than wasting money at the theater.
    dweston-38669

    Admirable but ponderous black comedy.

    I really wanted to enjoy this musical comedy because writer/director Joshua Oppenheimer made one of the best documentaries I've seen-The Act of Killing. The ending with Anwar dry heaving on the roof remains one of the most memorable endings to anything ever.

    I was amped to see his first fictional film here. It's a mixed bag sadly.

    Firstly the pace is so slow and laborious that mid way through I was getting fidgety, there wasn't much drama or tension which for a film about a family living (?hiding) in a salt mine would generally generate something tense and foreboding. Sadly, it's absent here. Even the arrival of a black girl (!) would rock the apple cart but feels strangely anti-climatic.

    The romance between her ('Girl') and George MacKay (' Boy') lacks chemistry and conviction.

    At 2.5hrs it is too long and scenes go nowhere.

    This outlandish premise may have been better helmed by Yorgos Lanthimos who would have injected much more humour and ' sickness'. In fact the weird characters reminded me of his own ' Dogtooth' .

    The songs aren't that memorable and like ' Amelia Perez' would have been better suited by not featuring them at all. It doesn't add much depth to the characters situation.

    Nonetheless, I admire Mr Oppenheimer's chutzpah in creating something different.

    And he has got a decent supporting cast-it's great to see Lennie James, Tim McInnerny and Bronagher Gallagher all on screen for a change.

    Not a film I loved but I liked and admired it.
    7akoaytao1234

    Good Story with A Bad Musical

    A family lives under a salt-mine from what seems to be the apocalypse. When a mysterious lady falls into their lair, her new perspective slowly changes the mood in their own lonely bunker.

    The good, the story.

    I love the backbone of this film. It reminds me of Blast from the Past, a somewhat similar bunker film starring Brendan Fraser. It actually nice to see Oppenheimer really understanding the ridiculous about this film and defiantly pushes the absurd comedy hidden within.

    Love Mackay, who naturally looks like the guy from Garfield AND really plays up the innocence of his character. He is the hart of the film that really sticks everything together (even with my mis-givings).

    I knew Oppenheimer of his masterful documentary way back in 2010s. It is by far one of the most memorable documentaries of all time AND that also has an ridiculous scenes that strays away from the dark absurdity of the film.

    The bad, the music. On the very least, Oppenheimer knows the movie he is making and it really help take the bitter pill that is the musical. It literally was the musical tiktok. It is was not well written AND it is often times starts in the weirdest moments.

    This would have been much better had it just be a straight forward end-of-the-world drama.

    Soft recommendation.
    7eve_dolluk

    Beautiful and poetic

    This film won't be for everyone and plays like a theatre musical.

    The cinematography however is quite beautiful and the tale a poignant one.

    Set in a fancy bunker after a disaster with very few survivors a wealthy family and friends gets on with living life in ignorant bliss.

    One day a stranger appears from outside who leaves them with more questions than answers who stirs up emotions.

    Its a simple telling of the human condition and however create our own reality and bubbles to help hide or mask our deepest fears and worries.

    Its a slow burn that peels away layers and gradually gives you clues into each characters background and personality. There is am eerie feel to the atmosphere which is suddenly lifted into a sweet musical stage show which is both unnerving and uplifting.

    The songs are not huge dramatic musical numbers but more emotional story telling that give you an insight into what is really going on in these peoples heads.

    7/10 very well done.
    8TaunoP

    Art

    I only knew the premise of this film going in and felt perplexed as I exited the cinema. It took me a while to start processing what kind of story I have just been told. You can take many things from this. I will spare you any analysis but this film oddly lulled me into this hidden world with grey blue tones, anxious people, sumptuous decor and numerous paintings to, well, frame the story.

    This was my second musical I have ever seen in the cinema and the first being Dancer In The Dark I think I have found pieces that accompany each other pretty well. I want to see this film again sometime and maybe do some rabbit hole research first so that I can spot the things I definitely missed first time.

    Enjoy. It's a lovely film.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Joshua Oppenheimer described the film as an exploration of whether we as human beings can come to a place where our guilt is too much to recover from our pasts.
    • Connections
      Referenced in Film Junk Podcast: Episode 973: Carry-On (2024)
    • Soundtracks
      Overture
      Written by Josh Schmidt and Marius De Vries

      Performed by Josh Schmidt

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    FAQ17

    • How long is The End?Powered by Alexa

    Details

    Edit
    • Release date
      • February 20, 2025 (Denmark)
    • Countries of origin
      • Denmark
      • Germany
      • Ireland
      • Italy
      • United Kingdom
      • Sweden
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Son
    • Filming locations
      • Italy
    • Production companies
      • Final Cut for Real
      • The Match Factory
      • Wild Atlantic Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $141,660
    • Opening weekend US & Canada
      • $24,972
      • Dec 8, 2024
    • Gross worldwide
      • $269,609
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 28m(148 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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