Family Dinner

Peter Hengl is one sick puppy, and I mean that as a compliment. He is both the writer and director of this wicked German film.

A teenage girl seeking to lose a few pounds is left with her aunt by her mother six days prior to Easter Sunday but do not expect a big bunny rabbit with colored eggs for the Holiday celebration.

Instead, the best selling author of diet books takes the young girl under her supervision with a crash diet program of no food for the six days leading up to a wonderful dinner with the aunt, her young son and her live-in boyfriend.

The diet coach is a strange woman filled with what seems to be a new age kind of religion. Earth mom is not playing with a full deck.

The ending was not a surprise to me but I still recommend Family Dinner.

No pun intended - someone who supposedly is good at diets, should be able to help a family member out, right? Well you would think that, but on the other hand, it seems like she has issues to keep her own son in check, so maybe she is not the best person to get advice from.

Now overall I assume most will know (predict) where the movie is going. You will not get bonus points (or brownies for that matter), if you guess that right. Even the weirdly placed wooden ritual thing is very on the nose. Still, this is a first time filmmaker (feature length that is) and maybe you are able to cut him some slack for that.

The performances are good, though quite understated. As intended I assume. There is insanity, but there could be more. There is some logic to it all, but there could be way better decision making. From all involved ... but it is what it is. Either go with the flow or leave it be.

One will need subtitles, as the film is in German. Aunt Claudia and Uncle Stefan and son Philipp live on an isolated farm in the countryside. Simi, a bit overweight is to visit and arrives the Tuesday before Easter, thinking she would stay through Easter. But she is informed that Easter is a very special and private time, and they didn't expect her to stay that long. Claudia is a nutrition expert, and puts Simi on a diet. Diet is the wrong term, as it is to be NO food until Easter, and she is then invited to stay longer. She has to share the room with Filipp, and it is clear he doesn't like her. Claudia says he has a personality disorder and often runs away. It is slow paced, very moody, and there are many undercurrents to the story. As Easter approaches, Stefan says he doesn't agree with the entire ritual, but it is very important to Claudia, so Simi should just go along with it. I can't really consider it a horror movie in the true sense, as there are no jump scares or other things associated with horror movies. It is decent movie, well acted but not really special.

I would call this a great breath of fresh air if the movie's inherent atmosphere wasn't so suffocating.

I am puzzled by some of the really negative user reviews. Is it a Hollywood movie? Is it an actual horror movie? No to both. It is a very European movie. Not flashy, no special effects, just a gently paced, mounting sense of dread and discomfort. The cold set and lighting contribute to a sense of impending tragedy.

Overweight Simi is cleverly made to look and feel like an outsider among the painfully thin Aunt Claudia and her partner Steffan. Aunt Claudia is a famous nutritionist whom Simi hope will help lose weight. It soon appears that Claudia's techniques have become a little extreme as indeed has her mental health.

Gently paced but ultimately very tense and frightening with really strong and. Nuanced central performances.

Give it a shot.

At the end of the Lenten fast, a plump girl visits her aunt, an expert cook, at her remote farmhouse, where things seem a little ... off.

Grimm's fairy-tale meets mild body-horror. The narrative is kinda plain - if you substitute a wicked witch in a house in the forest, you're most of the way there. But the body-horror aspect is dignified by associations with the sacrifice of Jesus and the notion of cannibalism as a rite of rebirth, plus an unfussy portrait of animal death. Not really my genre, but in this form more 'tasteful' than the lurid stuff that's been a staple of French and Canadian films for decades.

The pace is sedate, the performances reserved, and the music is barely perceptible, just nudging us into a sense of dread. At times the intimacy of the whispered voices is intense, a nice effect. But the standout for me is the character of Simi, who has an intriguing mix of impassive innocence and savage resilience.

This is an Austrian production, and I have to say their Slavic neighbours do this kind of macabre with a greater sense of wonder and mystery - and humour. And a final oddity is that the German word Schei*e is translated into a more forceful word in English.

Overall: Simple story that just about fills its dress.

P.s. I do practice fasting and low-carb, and it's clear the writer didn't think to do his research.