Raging Phoenix

I greatly value originality in any story or flick. When I see something I've seen before, I recognize it and it's somewhat off-putting. This flick has a lot of martial arts that's unique but that's not the half of it. This is a martial arts flick with amazing, unique locations. Best of all it has a unique and original story line. One of the sets appears to be an abandoned hotel at the beach that was demolished in Thailand by the tidal wave. Another set is a labyrinth of tunnels and sewers. That's not all. This movie has atmosphere to spare. The characters are also original but I will not reveal anything about the unique, original story line.

JeeJa Yanin has had an auspicious start to her martial arts movie career. He first film Chocolate (2008) was a solid martial arts film that showcased her ability and allowed her to downplay acting by having her being mute. She gets to talk in this film and is generally fine with her acting abilities, but her strong points are still her martial art abilities. JeeJa is the most exciting female martial artist in cinema right now. While that might not be saying much, I do find her fun to watch. Much like Tony Jaa, I feel with the right script both could do much more than with the material they are currently given.

Raging Phoenix succeeds on the action scenes but ultimately fails in the plot. JeeJa is Dea a confused slightly erratic woman down on luck with choosing boyfriends, removed from the band she was playing in because of attacking that boyfriend during a performance and of all the luck she is now targeted to be kidnapped by a gang called Jaguar who target specific smelling women who will be harvested of their pheromones to sell on the black market as a sex aphrodisiac. That just sounds silly doesn't it? Wait it gets better. She is saved by Sanim (Kazu Patrick Tang: Bangkok Adrenaline) a practitioner of a martial art called Meiraiyuth who is part of a group of marauding good guys who have lost their significant others to this nefarious gang. These include three others named Pig Poop (Nui Sandang), Dog Poop (Sompong Leartvimolkasame), and Bull Poop(Boonprasayrit Salangam) NOTE: I modified the names for IMDb. She then becomes their student in learning this martial art to use in destroying all of these kidnappers and in search of the head of the serpent of the gang played by Thai/Indian bodybuilding champion (and once was part of the Royal Thai Police) Roongtawan Jindasing in her first movie appearance. Of course she has to survive the training which involves imbibing much liquor and getting beaten up.

The first fight scene is partially impressive. I love the use of modified powerisers the bad guys have which are like a pogo stick per leg but longer and built with blades. I was skeptical at first, but it came out quite creative and entertaining. I would love to have those, though I would probably kill a few people while learning it and potential decapitating myself.

While the use of wires to accent the fight scenes is overused, they do help create an aesthetically pleasing martial arts style in Meiraiyuth. It is a mixture of drunken boxing, Muay Thai, break-dancing and Capoeira. While it may not always be advantageous to throw in a dance move while beating someone up it is impressive here. One problem that occasionally comes up is that when doing extremely flexible moves at impossible angles the impact of the blow comes off as very soft and the overreaction of the opponent is forced though I have seen this issue in many action films (as well as the mysterious blow that completely misses the person yet that person is blown over by the wind of the punch or kick).

But besides the plot I have one other issue that annoyed me. Some of the CGI use is pretty bad. This is especially evident when they are trying to break into the lair of Jaguar. At its worst is when they initially break in and fall or "slide" down to the lower depths. They basically looked like they were moving their arms and legs while the background is changing. The bridge fight scene is also hurt by this where much around them looks like they are in a computer game from the mid 1990s. When you watch something as impressive as the few fight scenes you wonder why they resorted to this phony graphics manipulation.

I have to admit I had a fun time watching this movie. The story is not as solid as Chocolate (though better than Ong Bak 2) and like many Thai action films they feel derivative (or homage) of other successful Asian films especially ones from Hong Kong. The incorporation of Meiraiyuth reminds me quite a bit of drunken boxing and it is impossible not to think of Drunken Master. Early on the manipulation of Deu's body as a weapon by Sanim certainly reminds me of its use in Dirty Ho, but a few Jackie Chan films as well. The film seemed to completely forget the drinking part of the art in the later part of the film.

I have the Magnet R1 release. It has two main extras: a "Making of Raging Phoenix" and "Behind the Scenes of Raging Phoenix." The "Making of Raging Phoenix" (11m.53s) is in Thai/French with removable English subtitles. It is a fun extra though you wonder how/why the director Rashane Limtrakul spent a year writing the script. Patrick Tang speaks French in the extra. The "Behind the Scenes of Raging Phoenix" (10m.35s) is pretty much showing them practice the fighting scenes (and some drum training) to a Thai(?) rap beat. However like in the end credits of a Jackie Chan film you get to see mishaps and the dangers of this type of film when JeeJa Yanin hurts her neck and gets put into a brace. And to top it off it has the international trailer (3m.34s) of this film and various trailers "Also From Magnolia Home Entertainment." There is an English dub and the English subs do not appear to be dubtitles though many of the sentences are the same.

I wasn't expecting much from JeeJa Yanin's original film ("Chocolate"), but her physical talents were showcased in spectacular fashion and won me over despite the shortcomings in terms of scriptwriting. That film grew on me more and more after repeat viewings, but there still was room for improvement in the pacing and storyline elements. Enter "Raging Phoenix", which not only avoids a sophomore slump for JeeJa, but actually surpasses "Chocolate" in total entertainment value.

One way it does this is to allow JeeJa to express her camera presence and charisma. This was surprising to me personally, because her previous role in "Chocolate" was so introverted and robotic that it was essentially impossible to determine whether or not this girl could steal a scene without beating someone's brains in. In "Raging Phoenix", however, she really cuts loose during the opening half as she jokes around, engages in some funny dialogue, and participates in some light-hearted fight scenes involving drunken styles of martial arts. That one-vs-many boat brawl is – now wait for it – a boat-load of fun. JeeJa exhibits a natural likability that her fellow countryman Tony Jaa severely lacks. Don't misunderstand me, because I am a fan of Tony's films, but he has some serious limitations as all of his screen presence is earned through his (phenomenal) physical skills. JeeJa, on the other hand, portrays her character in a way that is very endearing. In other words, I'd love to have her as a younger sister. This charm is a major reason why this film is so entertaining. When the action scenes are bridged by good "non-action stuff", that's a huge plus.

The mood gets more serious when the kidnapping plot line is fleshed out more, but even here the film stays attention-grabbing with an interesting twist involving drug dealing. Now, I'm not saying that the script is incredibly strong. It's not going to win any awards in that realm, nor is it as strong as more dramatic action films like "Kill Zone" (2005), but it does build anticipation for the finale and establishes characters a bit more than usual. In addition, "Raging Phoenix" one-ups "Chocolate" by introducing a very strong lead antagonist during the latter half (played by Roongtawan Jindasing – Asian Pacific Women's Bodybuilding Champion). This lady is one tough son-of-a-gun who proves incredibly difficult to take down, which automatically makes things a bit more exciting than having JeeJa beat down random stuntmen the entire time.

Which brings us to the action scenes. There are some one-vs-many scenarios early on, but that shifts decisively towards one-on-one and two-on-one battles afterward, which results in some outstanding fist-a-cuffs. The "purists" need to stop complaining every time wires are used. I'm getting sick and tired of their whining, especially regarding movies like this that use wires effectively. The cavern hideout finale lasts a solid 30 minutes, and Roongtawan Jindasing hands out a great deal of damage to JeeJa and her buddies. It escalates to the point of making one's hairs stand on end, especially when JeeJa gets her second wind and slugs it out in EPIC fashion. That sequence must be an instant classic (at least in terms of girl vs girl mayhem). Heck, this entire film is an instant classic.

If you liked "Chocolate", you need to see this. If you didn't like "Chocolate", you need to see this anyways. It's truly an excellent action film, and quite possibly the best girl fighting movie ever made.

OK i have to admit i am generous when i give an 8, because i was to other movies as well a couple years ago. I know when i watch a martial arts movie to not look too much at the story, more on the fights. But since i started to go back on martial arts around 2 years ago and started my collection(which is now over 300 movies) i find the same problem going on with every THAI martial arts movie. To the Tony Jaa's to the unknown's. The fights are always very impressive, but the story is always CRAP !!! This movie is no exception. Some could say the initial synopsis is not that bad, gang abducting womens and heroes going after them. But where TAKEN(with Liam Neeson) succeeded in that department, this movie does not, going from one weird thing to the other and so on. The heroine training is pretty good and the initial plot seem pretty find, its later it become like "whatever". At least the fight are VERY impressive and well choreographed so you never get bored and always stay in the movie. But i would wish sometimes the Thais would learned that a good yet simple plot of a movie is the best way to showcase awesome martial arts. You don't need fancy stuff, you don't need weird stuff, you don't need stuff the audience would be like "huh....ok" . With Thais movie, its always the same thing, either a relic has been stolen and the hero goes after it, or its supernatural stuff. I don't know, maybe they should check the simple, yet effective formula of the US movies of the 90s. Hero got his ass kick, go back and train to a master, come back and kick the ass of the bad guy. I don't know... sometimes in martial arts the simpler plots work best, if you have good fighting to display and i can assure you this movie has.... Please people from thailand... leave the supernatural out of the martial arts movie... we don't wanna a cross over between star wars and bloodsport... we want just good ol martial arts.

RAGING PHOENIX, a high-kicking Thai martial arts film, marks Jeeja Yanin's follow-up to her outstanding debut, CHOCOLATE. While proving to be a mildly entertaining movie with some great fight action to recommend it, it's an inevitable disappointment to those of us weaned on the likes of ONG BAK and WARRIOR KING, as it just doesn't hold a torch to the calibre of those two movies – or, indeed, Yanin's aforementioned debut.

The problem with this movie is pretty much everything aside from the action: the characters are cardboard-thin, the plot is shallow and the script is completely stupid. By the time we're introduced to the storyline of the villains harvesting the tears of their victims, you'll be rolling your eyes and saying "oh please". In addition, the acting is strictly drama school, and that includes Yanin; none of these guys would make it in a film requiring real performances.

Good news, then, is that the action is what this film is all about, and it lifts what could have been a debacle into something pretty entertaining; no WARRIOR KING, certainly, but something to be enjoyed at least once. The dance-infused combat sees Janin and her anarchist rebel friends battling a series of nefarious villains, and it inevitably builds up into a massive battle in the bad guys' lair (a ridiculous CGI underground chamber).

At the end, Yanin finally meets her match – a hulking Amazonian fighter by the name of Roongtawan Jindasing, a real-life bodybuilder and judo expert. The resultant fight takes in multiple locations, some exquisite camera (the bridge scene in particular) and goes on for about half an hour without ever getting dull; seasoned action director Panna Rittikrai ensures he gets the maximum mayhem for his money.