Robin Williams: Weapons of Self Destruction

I saw Robin Williams in concert in 2002 and was hoarse from laughing by the end of the concert. "Robin Williams: Weapons of Self Destruction" is the same sort of humor, except focusing on more recent topics (namely Sarah Palin). As always with Williams, he's always a joke or two ahead by the time you figure out a joke, and laughing the whole time. One or two of the jokes I had heard before, but it's still a hoot how he puts everything out, complete with various accents (his Scottish accent is always the best).

This is certainly one of Williams's best. It shows that without a doubt, Williams is best in unrestrained form (I have no plans to ever see "Old Dogs"). Just hilarious.

I have a lot of respect for robin & I think he is a fantastic actor, both Comedy wise & in his more sombre roles. However, I found very little funny about this show. Maybe it's my Australian sense of humor or maybe I expected something more akin to Lee Mack or Dave Chappelle. Unfortunately it was neither...instead it was a nervous sounding robin doing impressions of Hasidic Jews, old southerners making stupid noises and then shooting off to some completely unrelated subject like heart surgery or Obama. After the first time struggling to sit it through it I thought...well maybe I didn't approach it with the right mindset. Maybe I was just not used to his style of comedy. So I watched it again and no..I stand by my original opinion. But hey comedy is like apples & oranges, just so happens i'm not a fan of citrus.

Robin Williams' mind moves at a clip that is still unfathomable. He's reaching into his late 50's, and yet with a few bottles of water on stage (far less than he had at his 2002 Broadway show, but I digress) he can go on a series of topics with rapid-fire energy and a clarity that is incredible. His topics range from topical to more philosophical, but not exactly in the George Carlin sense. No, he has some more 'unique' ways of talking about the human condition, such as his closing act about how human beings would go about (or mostly just talk about) creating the male and female sexual organs. Just watching and listening Williams describe in full anatomical detail like it's interior decorating is some of the funniest and sharpest material of the decade.

Some of the jokes may fall flat or not connect quite as much as Williams intends, but why carp? Just around the bend will be another joke that will rip your vocal chords out and have you glad he took you along the way. No one is spared- certainly not the past president Bush and his people- and there's always a voice or a character or vulgarity waiting to come out of his head and at the audience. It's mostly masterful work by a comedian who knows what he's talking about every step of the way, even if it would appear he might trail off and never come back to what he was talking about before. You'll want to re-watch it to see what you missed, or to just have the experience of some of his crazier stories like getting heart surgery ("Hm, a pig or a cow heart valve?") and the dangers of non-sexual-intended Viagra!

This comedy set is fine for people who laugh at any drug joke or penis joke, no matter how old or poorly constructed, but Robin Williams used to be so much better, more original and with a greater range of schtick. It's hard not to notice how often he punctuates a gag by announcing that it's "number one" of a series of observations. (Usually he does provide another but without numbering it.) His material about growing older rang true, and it was certainly fresher than a Jimmy Stewart imitation or a talking-vagina gag (both of which he does resort to), but I suppose that to focus on approaching the age of 60 would be to lose much of the audience-- at least the audience that we see photographed, who seem to be half Robin's age.

I recently managed to catch Robin Williams' big return to HBO and I was looking forward to some typical manic humour from him, which is pretty much what he delivers. The problem is that he still needs good material to deliver in this way and there are substantial chunks of this special when the material is not as strong as he should be doing. He dabbles into political comedy but he does so in a manner that makes him come over like he is trying to do someone else's act – it just doesn't sit well with the rest of the stuff he is doing. Put with this the fact that a lot of the material he is doing is not topical – I know I saw this several months after it aired in the US but even in December 2009 some of this stuff was done and done. It is still pretty funny but it is not as hilarious as he is trying to make it, nor as funny as the audience reaction captured suggests.

Likewise some of his stuff is very crude and some of the laughs seem to be coming from the stuff he is saying being shocking. Of course this is nothing need in comedy and there is always a place for those who say the unsayable but do so in a very clever and well-delivered fashion – but this is not happening here. Williams does have some great observations with this stuff but mostly he is playing it a bit too obvious and childish for my tastes. Fortunately neither the political stuff nor the crude stuff makes up the majority of the show. There are other things in here and some of them are relevant to him and personal to him; his bits on alcoholism and drugs I found very funny but also well informed and it is just a shame he could not have done more from that direction rather than miming out his bodily functions with as much regularity as he did (pun unintentional).

There is one thing above all else that makes this (admittedly too long) special work though, even as it dips at times and that is the man himself. Williams manic stuff has always worked well for me and since Mork has been his trademark and there is no sign that he has lost his touch there because his delivery and work is impressive. He nails the better material with this approach and he also carries the weaker stuff, taking the audience with him even when the joke he is doing is not that funny. The only slight wobble he has in that regard is when he does quite a lot of racial/national stereotypes and accents in one tight segment – you can feel the audience not really being sure if it is something they should be laughing at, but by force of his personality alone Williams takes them with him right through that mire.

Is "Weapons" a great comedy show? Well to be honest no, too much of the material feels a little "base" in its content but Williams just about holds it together by sheer will and presence. He carries the audience and the viewer through the weaker material, moving quickly and frantically to distract us and provides plenty of good laughs on the stronger material to make us focus on that. Not quite great but he is undoubtedly good at what he does.