A pregnant Anna places her trust in a lifelong friend. Later, Joel and Ellie near the end of their journey.A pregnant Anna places her trust in a lifelong friend. Later, Joel and Ellie near the end of their journey.A pregnant Anna places her trust in a lifelong friend. Later, Joel and Ellie near the end of their journey.
- Firefly Soldier
- (as Pardeep Sooch)
- Infected Woman
- (uncredited)
- Young Firefly Soldier
- (uncredited)
- Infected woman
- (uncredited)
Featured reviews
Of course it makes me wanna buy the remaster for ps5 and do the game again but I'm afraid I will consider this 9 episodes show even shorter than I feel it is now.
Season 2, if it's based only on the second game got to be at least 18 episodes, there is so much to show I cannot believe they'll make it so short again, would be very disappointing.
The Last of Us ends with a masterful coup de grâce, cementing this adaptation's place in the pantheon of prestige television.
It is sombre and dark yet replete with emotions that run deep. Joel, at long last, becomes a man of action. Whether his actions are morally defensible, however, is a subject of endless debate.
Staying true to the game, this episode does not falter in its execution, boasting a master-stroke opening that sets the stage for a gripping narrative to unfold. The strategic use of a flashback adds layers of complexity to already richly-wrought characters, serving as a catalyst for some of the most poignant dialogue between Joel and Ellie to date-dialogue sure to leave the audience teary-eyed.
The action is far from glorified, leaving viewers in a state of visceral shock and awe. The last couple of episodes have served to do some fantastic work for Joel, and this episode is the proverbial cherry on top, truly a beautiful and profound culmination of his character arc. Indeed, the show is a thing of beauty, but beauty that is shrouded in darkness.
Were a flaw to be ascribed, it would be that of brevity. At a mere 40 minutes, the finale feels curtailed. The absence of the Cordyceps is understandable, given the laser-focused narrative, though it marks a deviation from the source material.
By turns harrowing and humane, towering and intimate, this finale buries its hooks deeply in the viewer, capping off a brilliant maiden season. Love it or loathe it, impassioned discourse will assuredly abound in the wake of this uncompromising conclusion to the first chapter of The Last of Us.
Rating: 8.5/10 (Great)
Pedro Pascal and Bella Ramsey switch roles in this time around with Pedro being more open and hopeful contrasted by Bella's more closed off nature. They once again cement the fact that they were perfect casting for these characters and each one gets a proper standout moment within the episode.
Ali Abbasi's direction is excellent, the scale and combination of practical effects and CG is still really impressive but the direction shines brightest in the action which is wisely staged to really emphasise the weight and horror of the brutality on display rather than making it a simple spectacle.
Gustavo Santaolalla's music has been perfect throughout (such an obvious yet smart move to put the last of us theme over the opening credits) and it's particularly good here during the action. It's so haunting and bleak, able to communicate so much on it's own, without the need for any dialogue.
I feel as if some further time spent with Joel and Ellie's relationship could have been very beneficial. The opportunity was right there after episode 8 but instead the finale is set after a timeskip! With two of the nine episodes this series essentially being filler, I don't really feel as if Joel and Ellie have really spent that much time together. In retrospect there is also a severe lack of infected in this series; episode 2 is the obligatory Clicker episode, and they never really come back afterwards save for one more scene, and the Bloater shows up for one measly scene.
I think 12 episodes would have been perfect, heck, 10 even just to make that finale really hit hard. I was shocked at how short the finale episode was, and it felt kind of rushed as a whole. Still a good series, overall, but why so short? We get about 6 episodes to develop our main character's relationship, and a lot of the dialogue is just from the game, but less of it. Personally, I don't think that's enough.
Did you know
- TriviaAshley Johnson, who portrays Anna Williams, Ellie's mother, is the actress who voices and provides motion capture for Ellie in the game The Last of Us (2013) and its prequel expansion The Last of Us: Left Behind (2014); the first game was initially a PlayStation 3 exclusive, with a PS4 version released in 2014 along with the Left Behind expansion. She also provides the voice and motion capture for Ellie in the sequel The Last of Us: Part II (2020), also a PS4 exclusive. Her voice and likeness were also reused for the PlayStation 5/Windows PC remake of the first game The Last of Us: Part I (2022) and the PS5/PC remaster of the second game The Last of Us Part II Remastered (2024).
- GoofsWhen Joel escapes from the Fireflies and goes searching for Ellie in the hospital (roughly 29 minutes in) he shoots a person whose shape can be seen through a panel of frosted glass. If you pause you can clearly see that the bullet shatters most of the glass from the frame. The camera pans away and when it comes back a few seconds later 1/4 of the glass is back in the window frame.
- Quotes
Joel Miller: I was the guy who shot and missed. There's no story. Sarah died... and I couldn't see the point anymore. Simple as that. And I wasn't scared either. I was ready. I couldn't have been more ready. When I-- When I... went to pull the trigger, I-I flinched. Still don't know why. Anyway, the reason I'm telling you this...
Ellie Williams: I know why you're tellin' me all this.
Joel Miller: Yeah, I reckon you do.
Ellie Williams: So time heals all wounds, I guess.
Joel Miller: It wasn't time that did it.
[Joel looks at Ellie, the one who healed his wounds]
- ConnectionsEdited into The Last of Us: Through the Valley (2025)
Details
- Runtime
- 44m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1