A woman staying at an Airbnb discovers that the house she has rented is not what it seems.A woman staying at an Airbnb discovers that the house she has rented is not what it seems.A woman staying at an Airbnb discovers that the house she has rented is not what it seems.
- Awards
- 5 wins & 38 nominations total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
No, they are not mutually exclusive.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
The first half of the movie was very engaging. And let me just point out that the cinematography was some of the best I've seen in recent movies- you get to clearly see what is happening, as well as what's happening in the background at the same time. Camera shots are lined up really well, no shaky cam and don't cut back and forth, which is sorely missing from modern movies especially in the horror genre to build tension. Both actors give excellent performances. Gave this part 8/10.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
I went in totally blind, with no expectations whatsoever as I only heard of this movie the day I decided to watch it. I think that's the best way to enjoy it.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
A lot of great things can and should be said about Barbarian. It's a masterfully directed film; Creggor always shows us just enough in each shot that we're left wondering about what's lurking in the empty space on the frame.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
Did you know
- TriviaThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- GoofsOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Crazy creditsSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
Details
Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $40,842,944
- Opening weekend US & Canada
- $10,543,948
- Sep 11, 2022
- Gross worldwide
- $45,352,337
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content