A Man in Full

This is... not that good to be honest. The script is uneven and pretty flat, and if you've seen enough films in your day you will be able to predict a lot of what is going to happen.

Some events are pretty interesting, especially when the story ventures into the absurd, like the coupling of horses scenes or the infamous scene in the last episode, but other than that this feels pretty procedural.

The only thing that really hooked me was the prison storyline, that felt genuine and interesting all the way, and I always enjoy seeing Anthony Heald as well.

Jeff Daniels carries this show on his shoulders and he does his best, dominating the scenes he is in with his enormous presence and charisma. But it is clear for all to see that he is severely limited in his performance when the script is not up to it.

It was interesting to note the script for this new limited series was written by David E. Kelley, the guy responsible or who'd participated in so many series over the years. A lot were vanilla but all very watchable.

This one was very watchable, and thankfully no messing around with incremental releasing of episodes, so we're able to binge the whole thing now if we wish. My style for sure.

It's not as representative of the "underbelly" of political goings on in Atlanta as I'd had hoped, or America for that matter. It sort of forgot about itself on the way and ended up too vanilla. And it then has an ending. Which is good. Most series don't.

Most importantly, I did appreciate some of the unmistakable nods to the current political situation in the USA in very small ways which hit the mark and made me smile each time. When you watch, or if you've seen it, you'll know what I mean. Funny. I hope there's more of this type of thing coming on films soon. We need more humour.

Charlie Croker sits at the top of his business empire, but it's crumbling, debts are being called in, and the vultures circle. In a position of relative weakness, Charlie is played by those in power.

This series has gained notoriety, mainly for a flash in episode six, but there's been a lot of positive chat, and for the most part, it's a decent series.

Episodes one and two build up Charlie as this huge, divisive, charismatic figure, Jeff Daniels plays him perfectly, but as the series develops, the focus comes away from him, and the story meanders somewhat.

Conrad's story takes over, and comes out of nowhere, it really does detract from Charlie's story.

It's watchable enough, I had just hoped for so much more, without the powerhouse performance form Jeff Daniels, I think it would have fallen flat.

Perhaps I should have read the book.

6/10.

I agree with an earlier comment, but I did not give this a 1. I so wanted to love this show as well, having waiting a long time for it to available, but agree that It's barely entertaining.

Jeff Daniels character is too over the top and the accent is poor (IMHO).

The story did not hold together all the way through and I agree that all the side stories did not add to the plot, or support it, or were even properly tied in to it (not in an engaging way, anyway).

A good supporting cast, some decent performances and believable, but failed by the writing. The ending is really poor.

It does seem like the people who made this were out of step with audiences. There are better series out there. This is one to miss.

I read the novel when it came out in the mid '90s and enjoyed it very much. This series took a 700something page book and tried to shoehorn it into six 45minute episodes. The result seems disjointed and basically just incomplete. The first episode opens as if it assumes no character development is needed; that all of the viewers are already aqcuainted with the players and how they came to be who we now see. The novel has several sub-plots that intertwine well throughout, but this Netflix series offers us only two which really seem to have little connection with the other, other than some characters moving back and forth between them. My take is the series was budgeted much to small to spend the time and money to do Tom Wolfe's novel the justice it deserves.