Headhunters

The main keywords of this movie are: amazing entertainment. You should not take it too seriously (does not want to be) and you might enjoy it as I did.

The plot is intriguing, the direction perfect, the acting very good, especially Aksel Hennie, but it is the no stop action, the hard and funny scenes and mainly the twist, no way out, complex situation in which is the protagonist, that entertain in here.

The film was able to keep me glued to the chair, to surprise me, to give me suspense and also make me smile. A whole range of emotions that I believe are essential to enjoy a movie of this kind.

A fun and entertain thriller. Highly suggested.

8/10

Touted as the next Stieg Larsson (or if you prefer, Norway's answer to Sweden's other major literary export, Henning Mankell), Jo Nesbo's Headhunters had already been earmarked for a (no doubt inferior) US remake before it was even released overseas.

Roger Brown (Aksel Hennie) is a 168cm recruitment consultant with a big house, a beautiful wife and an inferiority complex that drives him to moonlight as an art thief. The prosaically named protagonist is no Thomas Crown - he steals to keep a (wildly overleveraged) roof over his head and only pockets a measly 30% of the revenue from his ill-gotten gains. Even his appearance is counterintuitive - more bug eyed Steve Buscemi than suited and booted Bond. Even so, there's more going on here than meets the eye, but suffice to say that his real troubles start when he decides to go after The Big One - the retirement score that will put an end to his financial troubles and allow him to keep his ridiculously attractive wife in the style to which he's become accustomed.

To say anything more about the plot would be superfluous, but I will take a moment to admire the confidence of the director Morten Tyldum. Headhunters is, in a sense, typically Scandinavian - stark, brooding and with as much silence as dialogue. The style here serves the substance - the camera is often completely immobile, forcing the audience to concentrate on what's going on, a complete contrast to the craftsmanship/gimmickry more typical of glossy mainstream thrillers coming out of the US. Rather than spoonfeeding the audience every single clue, Headhunters isn't afraid to lead the unwitting watcher on a merry dance. Naturally the whole enterprise rests on the small but perfectly formed cast, particularly Hennie, with whom we slowly come to empathise, and the more typically suave Nikolaj Coaster-Waldau as the former exec with a murky past.

If Headhunters has a particular weakness, it's that it spends most of its time descending into increasingly dark (and occasionally graphically violent) territory, while occasionally veering into light hearted caper. This does feel slightly bewildering, but to be honest, it's a relative minor criticism. Headhunters is definitely worth catching (particularly given the woefully slim pickings over the past few months), if not now, then 6 months from now when it premieres on Film Four in the middle of the night. Scandinavians (and cinéastes with a penchant for Northern European film) may be used to this kind of thing, but for the rest of us it's a wonderfully welcome arctic blast through the land's tat filled cinema screens.

Dark Scandinavian crime movies being all the rage lately, this intelligent, action-packed thriller didn't disappoint. I went into the film without reading the book or indeed knowing a single thing about the film. I enjoyed it.

I was drawn into this northern world with its interesting people and beautiful natural scenery. What also made this movie stand out was the fast-paced plot with many unusual and unexpected twists. It is the kind of film that has you glued to your seat to see what could possibly happen next to the main character. Roger Brown, the headhunter, becomes headhunted. (But what's the story with the English name??)

No movie is perfect. There were a few plot problems and I have to admit I looked at my watch half way through, despite the fast pace.

Perhaps the film could be faulted for showing only two types of Norwegians: rich sophisticates and yokels (all blond of course). Aren't there any ordinary middle-class people in Norway?

Also, some of the scenes may be too difficult for the squeamish to watch. Not exessive, but just a little over the top.

I'd give this film a higher score, but I am not a fan of the genre. Still, I did enjoy it for what it was and would recommend it to anyone. It's a good movie.

Roger Brown has a pretty good life. By day, he's a corporate recruiter (headhunter) who goes home at night to a magnificent house and stunning wife. Unfortunately, Roger's insecurities (he's only 5'6") lead him to seek a lifestyle well beyond his means. How does he make up the difference between his income and expenses? High-priced art theft, of course.

Such is the premise of "Headhunters," a terrific Norwegian film that follows up its run at the 55th San Francisco International Film Festival with a general release. The film garnered quite a lot of buzz at the Festival and, after a recent screening, it's easy to see why. A mixture of crime/heist drama, action/suspense thriller, and love story, it's what the 1999 version of "The Thomas Crown Affair" might have looked like if it had been directed by Sam Peckinpah.

Brown, played by Aksel Hennie, is looking for one big score to settle him for life. Circumstances bring that possibility to him, but things are not what they seem. Things go wrong - very, very wrong - and Roger finds himself in deep, deep sh** (literally as well as figuratively.) To say much more would spoil the intricate plot (I'll leave that to the trailer,) but suffice it to say you should just sit back, buckle up, and enjoy the ride. This film has more twists and turns than a fjord-side road.

Fast paced and extremely violent in spots, this film is not for the squeamish. If you can get through a little (well, a lot) of body mutilation, high impact body trauma and the occasional spearing, you'll find yourself enjoying (yes, I said it – enjoying) a cinematic thrill ride that puts its American counterparts (see Ocean's Eleven/Twelve/Thirteen, etc.) to shame.

Catch it before the typical half-assed American remake appears…

www.worstshowontheweb.com

Pretty boy Aksel Hennie (ginger beauty on a par with Julian Rhind-Tutt), proves to be well cast in this frantic thriller. Starting as an arrogant self-important but clearly insecure (at just 5'6")office type, he soon shows his coolness in robbing job candidates of their fine art. The story is inventive and translates well to the screen in this version directed by Morten Tyldum. The action soon turns horrifying and Aksel Hennie has the perfect physiognomy to illustrate the change without recourse to words. You really do travel this terrible journey with him and it is truly terrifying. You begin to empathise with a man you have no reason to like, and that is saying something! Thank goodness there is no smell-o-vision as Roger Brown seeks refuge in a cesspool. There's nowhere for him to go and no way of hiding. You do feel he will never survive - and this takes you right to the penultimate scenes. A marvellous tour de force by all involved. Hurrah! A brilliant film at last!