Christmas Is You

Another save the festival movie. The other half of the story is another common one. Emma is sent back to her home time to connect with an old flame and do a deal so she can earn a promotion.

The way Emma's backstory is revealed is a bit unusual in that it is done by her brother telling her boss.

You can see the conflict coming from a thousand miles away. I don't really understand Emma's hesitance to admit her mission. She has a lot of confusion because one minute she says one thing and the next it's another. I really don't understand Tyler's reaction given what he owes Emma. Things get a bit twisted so maybe that is explanation enough, but not for me.

Emma's boss is way too nice, but totally stupid in what she does.

Tobin looks her mid thirties age and perhaps even younger, but the almost decade older MacCaull obviously isn't the same age which the characters are supposed to be.

There are several performances by Becca Tobin and Matthew MacCaull. There duets are good including what appears to be an original song. MacCaull does OK, but when not doing harmony, he's not quite superstar singer material.

There was a good story here. Liked the lead actress, the male lead was miscast. The secondary characters were good. I liked their story almost as much.

Christmas Is You (2021) -

Not typically my type, Matthew MacCaul in the lead male role of Tyler, definitely had a certain sexiness about him, although he needed a hair cut and I wasn't sure that I would want to rush out to buy his characters album.

And Casey Menderson was cute too. There was a good chemistry between him and his sister Emma (Becca Tobin) and it would have been easy to see him and her as the leading romantic couple if they hadn't been related. I don't know many siblings that get on quite as well as they did. He always comes over a bit gay though too and actually it might have been better if Tyler had fallen for him instead, because they also had a good chemistry.

Casey as Jett wasn't a good brother however. I could see that his interaction with Emma's boss Rachel was to create a second romance, but there was a lot of underhanded behaviour and interference between them on Emma's behalf. Their interest in each other was a bit of a stretch too, because they barely knew each other.

Honestly though, I hadn't expected to like this one at all. Becca Tobin was horrible in 'Glee' (2009-15) and Matthew seemed like he was going to be slimey, based on the pictures I'd seen and the format seemed very typical too, but even after a few minutes it did appear to be a well made film, which I found interesting and worthy of my attention.

I wonder if the guy playing Mitch (Not listed on IMDB - Matty Finochio) has ever played someone who wasn't a douche bag though? I generally get irritated the moment he turns up on screen and it doesn't help that he's usually playing some pushy idiot. Thank God he never gets the leading roles.

It was a cute romance and I loved the shop setting. I do think that they could have utilised Becca's voice a bit more though and even potentially made it in to a musical.

5.50/10.

I wanted to like this film , against cliches, music as new pretext and crisis of space for significant show of young people.

In part, I was enough lucky to discover its good points , from family spirit and the wise mother, to the provocative tensioned moment when the hope of no nice final was real fresh.

But , sure, romance and Christmas, the return of hero and the feelings from youth more than present are useful details for not ignore the consacrated recipe . And reproches are far to be fair , the acting being decent, the story not boring and the supporting actors , near the romance of young couple working not awful.

So, nice .

And it is just enough - grace to some music, off course.

GAC continues to give very decent entertainment for the Holidays. The story is simple, the actors, Becca Tobin and Matthew MacCaull are unspoiled, down to ground, and work quite well together. All characters feel genuine, never offensive, and not conveying subliminal messages. As seen in other GAC productions, the decor of the interiors is rich in colors and tradition, reminiscent of Norman Rockwell's art. You may like it or not, but it seems distinctive and feels comfy. The stars duet, "Silent Night", sung with no frills, goes straight to the heart. It is done exactly as it was created by Franz Gruber and Joseph Mohr in 1818: just simple voices and a guitar. Certainly, one could be critical of this or that detail. Regardless, in my book, simplicity, tradition and kindness go a long way in a Christmas movie.