Godless: The Eastfield Exorcism

Ughh this movie is so sad and frustrating. This isn't the GREATEST movie, but worth hanging in there as there are some shocking moments. Definitely not a horror, but it is horrifying. The end is absolutely appalling and when you find out the event leading up to her crisis (of faith? Mental crisis?) it makes it all the more heartbreaking. How did Lara end up with this loser? I need a prequel to find out how she settled for this douchebag zealot - total downgrade.

All of these characters belong in jail. It makes it even more disturbing that very similar events really happened and more than once.

#OVERLOOK23 This isn't an Exorcism movie...Not really.

All the trappings are there; a poor young female afflicted, cult like religious members, demonic imagery and of-course the exorcist themself. However, the film follows a narrative different from what we have come to expect from a studio style horror.

It's expectingly dark, brooding and horrific; But in director Nick Kozakis's hands, he has taken what might seem like a familiar tale and made it nuanced and gripping. It's more akin to a gritty drama from someone like fellow Australian Justin Kurzel (Nitram) - Proving itself more drama than a b-grade horror (like the title may suggest)

Aided by an impressive performance by actress Georgia Eyers who manages to convey so much with her eyes even when she's not talking. Cinematographer Carl Allison pulls off beguiling imagery; his use of shadow, light and dark does so much to convey a sense of foreboding and tension.

This is the most beautiful Exorcism movie you've ever seen-even if it's not really an 'exorcism movie' at all.

I wanted to like this so much, it started off great but then after about 30 min it got annoying especially because 90 percent of the film takes place during the daytime which is NOT SCARY - somebody tell the director that.

I know they were trying to NOT be full Hollywood but this is a failure as they DID try and sell the film as a supernatural horror - just see the poster and the trailer.

The cinematography ois great, the color grade, the production design, music, vfx and loactions are all fantastic.

The ensemble supporting actors are good, but Dan Ewing is Not a strong actor and the guy playing the exorcist priest so young and inexperienced its not plausible to be a Vatican approved exorcist. The actor plays him arrogant and pompous, so you dislike him as a character.

At one point no one is watching the girl and she gets away and there are like 20 people in the house - c'mon suspension of disbelief?

I wanted to like this m but it didn't MORE, not so much Hollywood but even a true story needs amping.

This didn't evoke any emotions from me, not fear or anxiety, or keeping me on the edge of my seat, its forgettable and not executed. Correctly.

I really wanted to like this but the screenplay was obviously not written well.

Godless: The Eastfield Exorcism is a fascinating film, It showcases disturbing suspense, one with a definite tone. The story is based on the the tragic events of a real life exorcism performed in a rural Australian community in the early 90's. Ron, (played by Dan Ewing) is a devout presbyterian, who believes his wife (played by Georgia Eyers) is showing signs of demonic possession. Slowly but surely the film ramps up the tension. The acting is fairly spot on with Georgia Eyers and Rosie Traynor personal standouts. It's genre blending approach to the subject matter is quite novel and kept me intrigued right up to the brutal climax.

"GODLESS - The Eastfield Exorcism" is a hauntingly horrific depiction of a real life exorcism. It's a bleak and brutal endurance test for audiences; but for those wiling to persevere, it will prove to be a powerful viewing experience.

A debut for director Nick Kozakis who is impressively adapt at world-building and tension. It's a grim, gritty and gripping story, a niche Australian filmmakers seam to relish in (Rover, The Boys and almost everything Justin Kurzel has made)

Solid ensemble performances with a standout display by Georgia Eyers as the central character "Lara"

I thought I was walking into a typical horror movie but the film quickly establishes itself more as a psychological drama; building a tone that something is boiling under the surface.

The film finds it's stride by the end of the first act and progressively applies the accelerator. We know where the films going, but it doesn't make the ending any less harrowing.