The death of Carmine Falcone and a post-flood crime wave motivates Oz Cobb to fill the power vacuum left in the criminal underworld of Gotham City, while Falcone's children attempt to keep t... Read allThe death of Carmine Falcone and a post-flood crime wave motivates Oz Cobb to fill the power vacuum left in the criminal underworld of Gotham City, while Falcone's children attempt to keep their family together.The death of Carmine Falcone and a post-flood crime wave motivates Oz Cobb to fill the power vacuum left in the criminal underworld of Gotham City, while Falcone's children attempt to keep their family together.
- Castillo
- (as Berto Colón)
Featured reviews
What really stands out in The Penguin is the sharpness of the dialogue. Every conversation feels charged with tension and meaning, adding layers to the characters and the unfolding drama. The show doesn't shy away from the raw, unfiltered reality of its world, with moments of intensity balanced by more subtle explorations of power and personal vulnerability.
Overall, this first episode sets the stage for what promises to be a modern crime classic. If you enjoy stories about the intricate dynamics of power, loyalty, and betrayal, The Penguin is shaping up to be a must-watch series with depth and drama to keep you hooked.
Rarely does an actor disappear so completely into a character as Colin Farrell does in the debut episode of *The Penguin*. From the moment he graces the screen as Oz Cobb, it's clear that Farrell is reveling in the opportunity to embody one of the most complex and multifaceted figures in Gotham's underworld. His performance is nothing short of a masterclass in gangster cinema, echoing the iconic portrayals found in the legendary works of Scorsese and Coppola.
Farrell's Oz Cobb is a throwback to the gritty, charismatic mobsters of classic New York films, evoking shades of De Niro in *GoodFellas* or Pacino in *The Godfather*. There's a captivating duality at play here-on one hand, the audience is repelled by Cobb's ruthless, cold-blooded nature, but on the other, they can't help but be drawn in by his sharp wit and undeniable charisma. Cobb feels like a man you'd both fear and admire, an unpredictable figure in a crumbling city.
Where *The Penguin* diverges from its predecessor, *The Batman*, is in its stripped-back, raw aesthetic. The sweeping cinematography and operatic visuals of Matt Reeves' film are noticeably absent, leaving a grittier, more intimate portrayal of Gotham's dark underbelly. This choice works in favor of the series, making the violence and power struggles feel more personal, even though it lacks the grandiosity fans may have expected. Reeves, who takes a step back as producer here, allows the series to develop its own unique tone, and while it may not match the cinematic intensity of *The Batman*, it compensates with a deep dive into its characters' psyches.
The episode excels in portraying a Gotham that feels lived-in, grimy, and relentlessly unforgiving. Every corner of the city oozes tension, and Farrell's Penguin sits right at the center of it all, a man clawing his way to the top of a collapsing empire. The dialogue is sharp, with shades of the Scorsese-like banter that adds a layer of authenticity to the criminal machinations unfolding on-screen.
Fans of classic gangster dramas will find much to love here. Oz Cobb isn't just a villain; he's a tragic figure, driven by ambition but burdened by the weight of his own insecurities and trauma. Farrell plays him with a gleeful menace, giving viewers the impression that he's relishing every moment of chaos his character creates.
What *The Penguin* may lack in the stylistic bravado of its film counterpart, it makes up for in character-driven intensity. Colin Farrell doesn't just play Oz Cobb-he becomes him, and in doing so, he elevates what could have been a standard spin-off into something far more gripping. If the first episode is any indication, *The Penguin* is setting the stage for a dark, thrilling descent into Gotham's criminal underworld. Buckle up-this is one gangster saga you won't want to miss."
The city of Gotham feels realistic and gritty like it should. The supporting cast all deliver great performances. At no time is the immersion broken. All other show runners of Superhero/Star Wars/Fantasy shows should sit back and drink it in. This is how it's done.
The only thing I can recommend that could be improved is that characters don't have to say everything. For instance, there is a point that Oz takes Victors license and says: "I'm keeping your ID". He doesn't need to say that. It's more impactful if he just puts it in his pocket. Actions say things better than words sometimes, and there are a few moments in this show where dialogue could be said better with actions.
This first episode had me locked in from start to finish. The many layers it slowly unravels opens so many doors for these storylines and scenarios to be unveiled.
I have never been so satisfied with a pilot as I have with this episode, in several years, and many attempts.
This captures the rawness and dark elements of what makes DC so surreal and ominous yet so emotionally impactful.
I can't say enough about how blown away I am by all the performances. The cast makes me anxious for another episode because it truly seems that they have got it right, and that is a lasting affect.
The setting is brilliant. The colour schemes that MAKE it Gotham. The tiny nuances and appreciations that they give us, the viewer, has me beaming and thriving with respect.
I have to reitterate what a great job was done by the casting department as well as the cast themselves. Everything here just seems to click.
The perfect elements and the right amount of everything at just the right time, to tie you in emotionally. Its downright gripping.
I am ridiculously excited for the next episode.
Very, very few shows have ever left me with such anticipation after the first episode. And this one seems to do it so effortlessly, but that is the magic of all that was put into this affair.
(Just an example of some shows that had incredible debuts/pilots and went on to become some of the most intense and revered shows in television history: the aforementioned The Sopranos, Justified, The Shield, Breaking Bad, The Americans, The Walking Dead, and all these shows went on for several seasons and absolutely crushed it. The Penguin is next on the list of greats, bank on that)
Did you know
- TriviaTwo previous Penguin actors are referenced in shop signs:
- "Burgess Jewelry Design and Repair" is named after Burgess Meredith who played the Penguin in Batman (1966) and its spin-off movies
- "Danny's Roofing Corp" is named after Danny DeVito who played the Penguin in Batman Returns (1992).
- GoofsIt seems unlikely that the massive flood of seawater would be completely drained from Gotham streets in just one week.
- Quotes
Alberto Falcone: You think I could be as good as him? Get his kinda respect?
Oz Cobb: Your father? Sure, boss. If you want. But there are different kinds of power. When I was kid, there was a gangster, real old-school type, Rex Calabrese. He was a big deal. Yeah. At least, in my neighborhood. He helped people. When someone in your family was sick, he'd find you a doctor. Short on rent, front you the cash. Knew everyone's names, too. I don't know how he kept them all in his head, but... He saw you on the street, he'd call out to you, ask how you were. Felt like he meant it, too. When I'm 14 or something, he has a heart attack and dies, still holding his cigar. In my neighborhood, they throw a parade in his honor. A friggin' parade. I mean, it wasn't fancy, but it was the gesture... the show of love... of what he meant. Can you imagine? To be remembered like that? Revered?
Alberto Falcone: What is this? You want me to be like some small-time asshole?
Oz Cobb: Nah, that ain't what...
Alberto Falcone: For what? Would that make it easier for you to take what's mine? Or is this you? What you want?
Oz Cobb: No.
Alberto Falcone: [laughs] Holy shit, it is! This is your dream. It's so sweet, too! And so pathetic. You really think people would make a float of your dumb face and march it down the street chanting your goddamn name? "Oh, oh, Oswald Cobb! Remember him? What a guy!" What a little bitch.
[Oz shoots Alberto and laughs, then realizes what he's done]
Oz Cobb: Aw, fu..!
Details
- Release date
- Country of origin
- Language
- Filming locations
- 12th Avenue & 134th Street, Manhattan, New York City, New York, USA(Exterior, night: Oz shoots at kids stealing his rims.)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 7 minutes
- Color
- Sound mix