IMDb RATING
6.5/10
4.5K
YOUR RATING
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for a missing teenage girl she used to nanny.Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for a missing teenage girl she used to nanny.Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for a missing teenage girl she used to nanny.
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- 8 nominations total
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Featured reviews
Frustrating Storytelling
I found the description of this movie to be deceptive. The story is about a former comedian where something happened that derailed her life.
The description says PSTD but what this trauma event is it not immediately revealed. The movie spends the three quarters of the time dancing around something having happened.
The dialog tries to be hip about teenage topics but it is mostly just cringe. No cap.
Much of the story is told as flash backs interweaved into the present so such it's never really clear when anything is occurring until several beats into a scene. I found this all irritating and bad story telling.
The movie eludes to what may have happened and while it's possible to guess, it's makes it all the worse that they don't just say it.
Everyone in the movie knows what happened but we are left out of being shared the details. Conversations about the event happen over and over to the point of becoming fraying, like an inside joke that no one will explain to you until you start to wonder if the pay off will be worth it.
It won't.
This fake tension is bad story telling. There is a missing child and the description creates a narrative that this is a big part of the movie but it's simply not. Our main character spends most of the movie unconcerned about the child's whereabouts. Its only purpose is to provide an ending to an otherwise meandering mess of a movie.
The description says PSTD but what this trauma event is it not immediately revealed. The movie spends the three quarters of the time dancing around something having happened.
The dialog tries to be hip about teenage topics but it is mostly just cringe. No cap.
Much of the story is told as flash backs interweaved into the present so such it's never really clear when anything is occurring until several beats into a scene. I found this all irritating and bad story telling.
The movie eludes to what may have happened and while it's possible to guess, it's makes it all the worse that they don't just say it.
Everyone in the movie knows what happened but we are left out of being shared the details. Conversations about the event happen over and over to the point of becoming fraying, like an inside joke that no one will explain to you until you start to wonder if the pay off will be worth it.
It won't.
This fake tension is bad story telling. There is a missing child and the description creates a narrative that this is a big part of the movie but it's simply not. Our main character spends most of the movie unconcerned about the child's whereabouts. Its only purpose is to provide an ending to an otherwise meandering mess of a movie.
get rid of the aunt
Sam Cowell (Rachel Sennott) is a stand-up comic with some success who does a bit of work as a nanny. Her 14 year old former charge Brooke Renner (Olga Petsa) is declared missing and shows up smashing her door in anger. Two years earlier, Sam gets hired by Cameron Renner (Jason Jones) to watch his 12 year old daughter while his wife is sick in the hospital.
The first half is intriguing. The mystery of the incident keeps my interest. Once it's revealed, the movie goes into Lifetime territories. The one glaring problem is the aunt's presence. Sam would notify her at every step. The fact that she exists is an exit ramp for Sam to take. That diminishes the intensity of the story. If she doesn't exist, Brooke would be running away from a foster home. The police could be less than co-operative. Then Sam would feel like she's Brooke's only hope. That would raise the intensity of the second half. As for Olga Petsa, she's a little old to play a 12 year old. Brooke's young age is very important to her feelings. Otherwise, Sennott is excellent. I can see this story working, but it needs some changes.
The first half is intriguing. The mystery of the incident keeps my interest. Once it's revealed, the movie goes into Lifetime territories. The one glaring problem is the aunt's presence. Sam would notify her at every step. The fact that she exists is an exit ramp for Sam to take. That diminishes the intensity of the story. If she doesn't exist, Brooke would be running away from a foster home. The police could be less than co-operative. Then Sam would feel like she's Brooke's only hope. That would raise the intensity of the second half. As for Olga Petsa, she's a little old to play a 12 year old. Brooke's young age is very important to her feelings. Otherwise, Sennott is excellent. I can see this story working, but it needs some changes.
The biggest pleasant surprise of 2023
I think the movie 'Funny People' gave me PTSD for movies about comedians. I didn't enjoy that movie much at all and I think I was worried I was going to have a similar experience with 'I Used to be Funny'. That couldn't have been further from the case though. I was glued to the screen for every minute of this film.
Rachel Sennott has been one of the most interesting actresses to watch in recent years, but this film gave her the chance to prove she can truly act in a dramatic role. And she killed it. Also I had never heard of Caleb Hearon until this week and yet now I've seen him steal the show in two films. He has a lot of charm that man.
This is a heavy film. It's gritty and raw and quite devastating at times. I loved the structure of the film, with the intersecting timelines and the mystery around what exactly happened. I will say you have to have your wits about you at times to keep on track of which timeline you are actually in.
I really enjoyed this film. I'm quite surprised to be honest to see it with only a 6.3/10 on IMDb. I feel like I must've seen something in it that others didn't. I highly recommend this one though. 9/10.
Rachel Sennott has been one of the most interesting actresses to watch in recent years, but this film gave her the chance to prove she can truly act in a dramatic role. And she killed it. Also I had never heard of Caleb Hearon until this week and yet now I've seen him steal the show in two films. He has a lot of charm that man.
This is a heavy film. It's gritty and raw and quite devastating at times. I loved the structure of the film, with the intersecting timelines and the mystery around what exactly happened. I will say you have to have your wits about you at times to keep on track of which timeline you are actually in.
I really enjoyed this film. I'm quite surprised to be honest to see it with only a 6.3/10 on IMDb. I feel like I must've seen something in it that others didn't. I highly recommend this one though. 9/10.
Brutal but mid
Powerful message and subject in this movie but the journey its a little tiresome, there is no real history here, its a basic movie, the protagonist is amazing but the rest of the cast are not very good in this, they are rookies I guess, they are not the best actors in here tbh, the way the story is told is kinda of make no sense just like this review, it's convoluted and not easy to follow but maybe im slow i don't know, the protagonist is a very funny stand up comedy artist and she is fighting some demons in this movie, and that's a very interesting thing to follow but the way its told through flashbacks it wasn't really neccesary, its hard to understand ok guys.
A profound cinematic experience
"I Used to Be Funny" is a captivating Canadian film that masterfully weaves together raw, heartbreaking moments with a surprising touch of humor. Rachel Sennott's performance shines yet again, reaffirming my unwavering admiration for her talent. As both the lead and a true force on screen, Sennott's portrayal effortlessly captures the complexities of the character's journey.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
Did you know
- TriviaDirector Ally Pankiw was dating Muna member Naomi McPherson during the production of the film, but have since broken up. Naomi is still second to the top of special thanks during credits, and two Muna songs feature during the film.
- How long is I Used to Be Funny?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Колись я була смішною
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $171,756
- Opening weekend US & Canada
- $29,499
- Jun 9, 2024
- Gross worldwide
- $171,756
- Runtime
- 1h 45m(105 min)
- Color
- Aspect ratio
- 2.00 : 1
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