Stay the Night
- 2022
- 1h 29m
IMDb RATING
6.7/10
1.2K
YOUR RATING
A failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. ... Read allA failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. Maybe they can help each other.A failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. Maybe they can help each other.
- Awards
- 3 nominations total
Derick Agyemang
- Tom
- (uncredited)
Joey Coleman
- Chris
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wanted a romance but not the saccharin formula of a Hallmark movie. Saw STAY THE NIGHT had a good score on IMDB with an Asian lead and decided to give it a try. The sights and sounds of Toronto's night life is background as they hop around from bars, restaurants, hotels and airports.
Definitely the couple have good chemistry. They meet at a low point in both their lives and through the night, they get close, share raw topics, help each other and a friendship and romance develops. The little twists and turns make you want more and that's always a good sign. At the end, each character grows a little and they're left better off than if this chance encounter had never happened and you wonder, what would happen if there was a sequel.
Definitely the couple have good chemistry. They meet at a low point in both their lives and through the night, they get close, share raw topics, help each other and a friendship and romance develops. The little twists and turns make you want more and that's always a good sign. At the end, each character grows a little and they're left better off than if this chance encounter had never happened and you wonder, what would happen if there was a sequel.
Stay the Night," in many respects, could have fallen into the trap of indie cliches, yet it steadfastly avoids this, a testament to Renuka Jeyapalan's clear vision and competent helm as both writer and director.
Technically, the film is a standout. Conor Fisher's cinematography is not merely a vehicle for narrative but a storytelling force in itself, encapsulating the biting allure of a winter cityscape with precision. This visual storytelling is complemented by an auditory landscape that is both immersive and enhancing, a collaborative success of the sound team and musical contributions from The Wilders.
In its genre - the urban nocturnal romance - "Stay the Night" excels. It's a stripped-down, almost minimalist approach to storytelling that resonates precisely because of its simplicity and authenticity. The chemistry between the leads is palpable, bringing a genuine sense of connection that transcends the screen.
The pacing is deliberate, echoing the real-time experience of a night's wander through the city. Jeyapalan avoids rushing the narrative, allowing the audience to inhabit each scene fully, much like the characters inhabit their urban environment. There's an intentional avoidance of melodrama, which in turn grounds the film in a reality that feels both relatable and intimate.
What is particularly striking is how the film communicates the essence of its setting. The cold isn't just a backdrop; it shapes the narrative, influencing the characters' interactions and the film's tone. This atmospheric use of setting is something often attempted but rarely achieved with such efficacy.
For those contemplating whether 'Stay the Night' is worthy of their time, I argue that it is a necessary watch for those interested in the current landscape of independent film. It's a quiet yet powerful reminder of how less can indeed be more, and how the nuances of human connection can be deeply felt through the cinematic lens.
Technically, the film is a standout. Conor Fisher's cinematography is not merely a vehicle for narrative but a storytelling force in itself, encapsulating the biting allure of a winter cityscape with precision. This visual storytelling is complemented by an auditory landscape that is both immersive and enhancing, a collaborative success of the sound team and musical contributions from The Wilders.
In its genre - the urban nocturnal romance - "Stay the Night" excels. It's a stripped-down, almost minimalist approach to storytelling that resonates precisely because of its simplicity and authenticity. The chemistry between the leads is palpable, bringing a genuine sense of connection that transcends the screen.
The pacing is deliberate, echoing the real-time experience of a night's wander through the city. Jeyapalan avoids rushing the narrative, allowing the audience to inhabit each scene fully, much like the characters inhabit their urban environment. There's an intentional avoidance of melodrama, which in turn grounds the film in a reality that feels both relatable and intimate.
What is particularly striking is how the film communicates the essence of its setting. The cold isn't just a backdrop; it shapes the narrative, influencing the characters' interactions and the film's tone. This atmospheric use of setting is something often attempted but rarely achieved with such efficacy.
For those contemplating whether 'Stay the Night' is worthy of their time, I argue that it is a necessary watch for those interested in the current landscape of independent film. It's a quiet yet powerful reminder of how less can indeed be more, and how the nuances of human connection can be deeply felt through the cinematic lens.
... as many romantic-dramas there are every year... few are this good any one year... it really comes unexpectedly, unfolding in a manner very true to the genre, yet in a way seeming fresh and unique... also reminding of another romance-drama from 2015 of an Asian girl and a western guy titled 'Already Tomorrow in Hong Kong' (both Andrea Bung and Jamie Chung being born to Korean immigrant parents)... search and watch, it is another very good romdram
... there's an exceptionally good review of STN from Sarah Manvel at Critic's Notebook hitting all major points of the movie... a good honest well-written-review, centering on the film-story not that of the reviewer's writing as many times happens.. "Their conversation in the bar, where Grace explains herself and Carter listens closely instead of making it all about him, is a charming masterclass in character development and interpersonal chemistry. Turns out Carter and Grace are equally intelligent and curious about the world, which is completely unexpected to both of them. That means the script's maneuvers to keep them out of bed but still together don't feel forced."
... as said in the beginning there are many romance films, most all just watched once and never again... this is not the case with this wonderful-little Canadian film.. it will go in-the-library for future viewings.
... there's an exceptionally good review of STN from Sarah Manvel at Critic's Notebook hitting all major points of the movie... a good honest well-written-review, centering on the film-story not that of the reviewer's writing as many times happens.. "Their conversation in the bar, where Grace explains herself and Carter listens closely instead of making it all about him, is a charming masterclass in character development and interpersonal chemistry. Turns out Carter and Grace are equally intelligent and curious about the world, which is completely unexpected to both of them. That means the script's maneuvers to keep them out of bed but still together don't feel forced."
... as said in the beginning there are many romance films, most all just watched once and never again... this is not the case with this wonderful-little Canadian film.. it will go in-the-library for future viewings.
Saw this last night and thought it was wonderful. So much life in these characters, which were impeccably acted. The story is simple enough to find yourself in and deep enough to really connect to these people. Everything about the movie was terrifically done: it looked great, sounded great, was beautifully shot, well acted, and the director's choices were always spot on. The theatre was filled people you could tell were having a blast, laughing in all the right places. This film will probably get buried due to poor promotion and the way the Canadian film industry works but you should do whatever you can to track it down. Can't wait for what Jeyapalan does next!
I saw a clip from this movie on tiktok actually and it reminded me a lot of Before Sunrise!! So i thought i'd give it a shot and i really liked it the music choices were great really captured the mood of the movie and chemistry was well it's out there you have to be blind to not see it. And you can clearly see their development throughout the movie step by step not rushed. Clips of Toronto running behind as the two just walk and talk👌🏻.
The ending was unexpected but probably should've guessed because it's not a regular romance movie you see everyday but a part of me wished it to be. Though if they wanted to make a sequel it would be great!!
The ending was unexpected but probably should've guessed because it's not a regular romance movie you see everyday but a part of me wished it to be. Though if they wanted to make a sequel it would be great!!
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- Runtime
- 1h 29m(89 min)
- Color
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