Love's Portrait

In this Hallmark movie we first see a group of ladies who work at a museum. They receive a painting of a lovely lady and it looks exactly, not similar, yes exactly like one of the curators. They are all puzzled and dumbfounded when she tells the others that she has never posed for such a portrait. Is it really "Love's Portrait?"

They manage to find the shipping receipt and figure out it came from Ireland. So the lady who is boss really tries to convince her that it might be fate, she should go to Ireland and figure it out. At first very reluctant, when she relents her boss presents her with the travel itinerary, airline tickets and all.

Fortunately most of the movie is filmed in Ireland with Irish actors. They make excellent use of the beautiful Irish scenery.

Though, I must remark that they cheat a bit. Hallmark movies are noted for waiting until one minute from the end for what my wife and I call "The Hallmark Kiss." Well there is one, right at one minute from the end, but that is the second one. The first one comes at about 15 minutes before the end.

Oh, well, we will forgive them. It is a suitably entertaining movie. At home, streaming on Peacock.

A truly beautiful movie in stunning Ireland. It was done so softly, so touching, unlike many Hallmark movies that just go bluntly. Don't get me wrong, it's still a predictable romance with a touch of mystery, but we all love it for this, of course, otherwise you wouldn't be here.

I must say that while the main actor was a bit rough and stiff (understandable from the context of the movie though), the lead actress is purely angelic and so so beautiful. She was so sweet and caring, like a fairy of an elf. I would be disappointed if Peter Jackson doesn't call her for the next movie. The secondary character of Saorsie was nice too with a lovely message.

All in all, it's a nice movie to spend an evening with, absolutely recommend.

This is a fairly standard quest story with some romantic fantasy thrown in. The quest is for the source and history of the painting. Lily and William spend much of the movie on a leisurely paced quest. I found it a little too leisurely.

There is a bit of obsession with a cross between finding/having a soulmate and destiny. That's the romantic fantasy part because the story seems to prove one or the other or both.

I had trouble finding much chemistry between Aubrey Reynolds and Richard McWilliams. McWilliams was restrained and William's secret (which we learn very early) keeps an invisible barrier between them.

The boss, Michelle, was over the top annoying in the beginning but quieted down at least a little after that.

This movie was mostly a miss for me. It wasn't because of Aubrey Reynolds who held her own and her looks are attractive and mysterious at the same time. My main impression of the movie is a slow shallow story which wasn't helped by the obsession with the idea of a soulmate.

But I think many, especially less right brained people than me, will love this.

This is a happily ever after type movie. If you like fairy tale like movie where there is a happy ending, then you'll probably like it.

I knew what I was getting into before watching it, and still I loved it. These days there are too many movies will a lot of tragedy, bloodshed, negativity and everyone is busy to push an agenda. This movie is not one of them.

If you are looking for a high rush of adrenaline, or want to cry at the end, then this is not the movie for you. However, if you want a relaxed time with a jolly romantic mood, then you will not be disappointed.

The acting is decent, and as far as I'm concerned, the story is original too. Although I'd not say it's a movie I'll remember forever, but it's definitely one I'm happy that I watched.

Museum curator Lily (Aubrey Reynolds) has not dated since the death of her husband. Her boss is desperate to get her back out there. The whole work family gets involved when the museum gets a portrait that looks exactly like her. They have no artist name but they do have Ireland. Postal siblings William Murphy (Richard McWilliams) and Saoirse Murphy (Kathryn McKiernan) gives her the name J. O'Brien which is not that helpful. They know the truth, but is keeping it from her.

I like the gentleness of the journey. The Irish countryside helps a lot. I would like William to have more energy. I get that his subterfuge does leave him a bit hesitant. It doesn't explain after his reveal. She really shouldn't make it all the way back to America. If he doesn't stop her at the airport, he doesn't deserve her. That's the one thing I would change.