Wire Room

As I sat down to watch the 2022 action thriller "Wire Room", I must admit that I wasn't really expecting this movie to be a particular blast of a movie. Why? Well, given the recent years string of direct-to-video releases from Bruce Willis, then I didn't keep any hopes up.

However, I still opted to watch what writer Brandon Stiefer and director Matt Eskandari had to offer, on the account of "Wire Room" being a movie that I hadn't already seen. And with "Wire Room" also being the last movie to be made by Bruce Willis, of course there was an interest to see what manner of style he would wrap up his career with.

The storyline in "Wire Room", as written by Brandon Stiefer, was actually adequate enough. I mean, it wasn't the most exciting of action thrillers, but it was adequate enough for a single viewing. The storyline was pretty straight forward, if not actually generic, actually.

The acting in "Wire Room" was adequate, and especially Oliver Trevena (playing Eddie Flynn) stole the attention on the screen with his performance.

All in all, then "Wire Room" was an adequate enough movie, though you shouldn't be expecting anything over-the-top or grand here. A sort of bland farewell to acting from Bruce Willis.

My rating of "Wire Room" lands on a five out of ten stars.

The movie is made so cheaply... There is CGI everywhere, even the gunshots aren't real. The total damage throughout the whole film is one or two cardboard boxes. There are almost no explosions, definitely no car crashes, no spectacular chases. The whole movie is set in a huge skyscraper which is always empty - there are no passers by, no white collar workers, just some security guards and the Wire Room staff consisting of 3 people. Every scene with the building looks weird because it looks as if it was suddenly abandoned by everybody. The villain acts ridiculously all the time, so you can grind your teeth with frustration while watching him. The whole story is really simple and could be easily packed into a 15-minute clip. The thing that triggered me most was that in the beginning everybody acts as if it was really late, like 11 p.m., but it's bright outside, the sun is shining, it's the middle of the day. Oh, come on... I just hope Bruce Willis won't be remembered by any of these crappy films he appeared in lately.

The script is so bad, Bruce doesn't even bother to get off the couch for his scenes. He just reads his lines, collects his check, and walks away in shame.

This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.

The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.

What a bore fest of incoherent story telling. Bruce Willis truly has lost all the spark which once made his name valuable, he just regurgitates his spoon fed lines with no emotion whatsoever. The film is boring and the action sequences are somehow tedius, its the same camera shot repeated half the time. The overall story is absolutely boring as well, it's literally a guy who sits in a security room watching another guy in a house for the entire film. And top it all off, the big Bad guy, only ends up having around 30 seconds screen time. And just when you think this tedious mess is over, you are then left with an open end which means they might be planning a sequel.

While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.

Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.

Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).

What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.

Sadly, only worth viewing for Dillion and Willis.