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House of Tolerance

Original title: L'Apollonide (Souvenirs de la maison close)
  • 2011
  • Not Rated
  • 2h 2m
IMDb RATING
6.7/10
8.4K
YOUR RATING
House of Tolerance (2011)
Costume DramaPeriod DramaPsychological DramaDrama

At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.

  • Director
    • Bertrand Bonello
  • Writer
    • Bertrand Bonello
  • Stars
    • Noémie Lvovsky
    • Hafsia Herzi
    • Céline Sallette
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    8.4K
    YOUR RATING
    • Director
      • Bertrand Bonello
    • Writer
      • Bertrand Bonello
    • Stars
      • Noémie Lvovsky
      • Hafsia Herzi
      • Céline Sallette
    • 35User reviews
    • 107Critic reviews
    • 75Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 6 wins & 15 nominations total

    Photos184

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    Top cast50

    Edit
    Noémie Lvovsky
    Noémie Lvovsky
    • Marie-France
    • (as Noemie Lvovsky)
    Hafsia Herzi
    Hafsia Herzi
    • Samira
    Céline Sallette
    Céline Sallette
    • Clotilde
    • (as Celine Sallette)
    Jasmine Trinca
    Jasmine Trinca
    • Julie
    Adèle Haenel
    Adèle Haenel
    • Léa
    • (as Adele Haenel)
    Alice Barnole
    Alice Barnole
    • Madeleine
    Iliana Zabeth
    Iliana Zabeth
    • Pauline
    Judith Lou Lévy
    Judith Lou Lévy
    • Une prostituée
    • (as Judith Lou Levy)
    Pauline Jacquard
    Pauline Jacquard
    • Une prostituée
    Anaïs Thomas
    Anaïs Thomas
    • Une prostituée
    Maia Sandoz
    Maia Sandoz
    • Une prostituée
    • (as Maïa Sandoz)
    Joanna Grudzinska
    Joanna Grudzinska
    • Une prostituée
    Esther Garrel
    Esther Garrel
    • Une prostituée
    Xavier Beauvois
    Xavier Beauvois
    • Jacques - un client
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • Michaux - un client
    Jacques Nolot
    Jacques Nolot
    • Maurice - un client
    Laurent Lacotte
    Laurent Lacotte
    • Le client sadique
    Pierre Léon
    Pierre Léon
    • Un client
    • (as Pierre Leon)
    • Director
      • Bertrand Bonello
    • Writer
      • Bertrand Bonello
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews35

    6.78.3K
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    10

    Featured reviews

    9amorathe

    Dark and disturbing

    A lot of viewers criticize the film as dark, dull, disturbing, etc. In my opinion after watching this, though, I have not yet to watch or read any interviews about this film, I feel like it is the director's intent. It intended you to feel disturbed in the first place. It has the potential to make us feel that something's not right or what was happening to their lives were wrong.

    This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
    8pour_la-paix

    Serious and complex film

    This is a serious and complex film. It takes the audience out of their comfort zone. Not everyone will understand the film. The film is about women that may have no other choice but to sell their bodies, about freaks that buy their bodies, about these women's inability to pay off their so called "debt", about cruelty, about general stigma that surrounds these women. All of the women in the story's brothel are regular girls that have no one to turn to for help, but possibly each other. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons (society maybe) behind these issues.
    8srjphorton-76755

    Brothel in Paris in the early 1900s

    If you don't speak French it's somewhat difficult to follow the subtitles, but once you get the hang of it, of course it becomes easier as It usually does with foreign films.

    I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.

    Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.

    Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
    8PeterMitchell-506-564364

    I can highly tolerate this indeed.

    This is one of the best films of 2012. When it hits ex rental, this is one I'm definitely buying. It's a highly erotic period piece movie, that is ultimate viewing. It's a hypnotic film of this upper class french brothel in the last months 0f 1899. Some of our beauties are being sold to other brothels, others are leaving the business, where the remaining are facing a far worse fate, when health checks come into play, nearing the film's final. The last scene is kind of a teaser, showing what brothels are like today. The acting is bloody impressive from all, it's lavish sets, and wardrobe, adds to it's tasty viewing. We even have a sixteen year old, starting, a virgin, one of her first, double minded, about going with her. He finally does, here she ends up losing it in a champagne bath, later washing all the icky ailment off. This lass's interview with the madam that has her stripping off totally, then letting her hair loose, is very hot indeed. We do too have that one dangerous customer (it's always the quiet ones) who leaves a scarring impression on one of the prostitutes, by slitting the corners of her mouth open, where she now wears a joker kind of smile, 24-7 and has now resorted to mainly working as a housemaid. Some of the client's requests, are as you can guess, out of the ordinary, one girl pretending to be a robotic doll, where a handsome young french man comes up behind her, lifts up her dress and you know. At the the start of this somewhat bizarre scene's, where he's lying down, staring across at her, if transfixed, somewhat playing the role too, is an unforgettable image. The dialogue in subtitle is smart and original. A truly hypnotic movie experience, this is one those films that comes along every so often, a rare gem, a rare treat to the naked eyes. Highly recommended, especially for lovers of foreign erotica.
    6VickiHopkins

    Historically Accurate Portrayal of Legalized Prostitution

    This movie is a graphically shocking film about prostitution in France in a mansion of tolerance. It's French ("L'Apollonide") with English sub-titles.

    Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.

    It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.

    The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.

    The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.

    Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.

    If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      There's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
    • Goofs
      A character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
    • Crazy credits
      Dedication before end credits:  "For Charlotte"
    • Connections
      Featured in Ebert Presents: At the Movies: Episode #2.23 (2011)
    • Soundtracks
      Plaisir d'Amour
      Music by Jean-Paul-Égide Martini

      Lyrics by Jean-Pierre Claris de Florian

      Performed by Eloïse Decazes

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    FAQ

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    Details

    Edit
    • Release date
      • November 25, 2011 (United States)
    • Country of origin
      • France
    • Language
      • French
    • Also known as
      • House of Pleasures
    • Filming locations
      • Paris, France
    • Production companies
      • Les Films du Lendemain
      • My New Picture
      • Arte France Cinéma
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €4,000,000 (estimated)
    • Gross US & Canada
      • $19,327
    • Opening weekend US & Canada
      • $4,766
      • Nov 27, 2011
    • Gross worldwide
      • $1,389,920
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 2 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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