A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.
- Awards
- 7 wins & 22 nominations total
Frédéric Pierrot
- Baloo
- (as Frederic Pierrot)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An authentic gem. A real one. Not a thriller nor a crime movie. Actually, this amazing feature reminds me Xavier Beauvois' LE PETIT LIEUTENANT, released in 2005. The real picture, poignant, terrific life of the daily procedural life of cops. Here, it is the child protection squad; a bunch of men and women who fight against child molesters, people who sometimes rape their own children !!! Policemen and women who have to face the ugliness, the most disgusting side of the real life. In this film, you cry, laugh, feel your heart under pressure when watching this wonderful performance given by the actors, so close to reality. Yes, the characters, and not only the cops, look real ones. A powerful, vivid movie that may give you the feeling to be hit by an express train.
The ending is really awful, but I won't tell you more. Go and see this masterpiece. Now!!!
The ending is really awful, but I won't tell you more. Go and see this masterpiece. Now!!!
7OJT
Polisse is a documentary style feature film, which follows French police working with child molestation and abuse. We're follow them in a film without a plot, only everyday life and troubles, and through dinners and bar escapades. The cases and the language is really rough stuff, and this is obviously not for everyone. If you're easily offended, keep away.
We're given no explanation, just follow what happens as a fly on the wall. So is the director here, Maiwenn, which uses a small tourist camera, taking pictures all the time. Strange, and looking quite unprofessional, but then she is originally an actor. We're looking at actors, but this is all based upon real life, we're told, at least.
We see some horrific cases of them unveiling child abuse of different kinds, and when they talk in their spare time, the language is very graphic. Maybe this is a work hazard, still I find it strange that these grown ups talk low life language, using all kinds of sexual words when they seem to have a normal conversation. It might be right, but maybe this feels too much for an ordinary viewer. At least I thought so, and I'm not easily offended.
Two more things irritate. First of all Maiwenn, photographing everywhere with her old camera. She looks lame doing this, and ruins the impression of this as a serious movie. Sue's like a misfit, or bimbo in this film. She's acting, and I don't understand her mission in this. But being writer and director, she obviously needed a role as actor as well. With better professional help, the film would have been way better. Still there's lots of stuff which will hit you hard here.
The police acting like this in their spare time makes us also questioning their motives as well as their credibility and them being real professionals, though we really down to earth understand they are well qualified personnel. But from time to other you really wonder...
Interesting, and nice try, but still the film has some troubles impossible to disregard.
The second main problem is we never follow out the interesting things which we see. It's all small fragments. We don't get to know people. Instead we get longer pieces of non-important dancing at night clubs and ridiculous discussions. Still this is interesting, and worth to watch. Just expect to be annoyed, insulted, chocked, bored and disgusted every other minute.
We're given no explanation, just follow what happens as a fly on the wall. So is the director here, Maiwenn, which uses a small tourist camera, taking pictures all the time. Strange, and looking quite unprofessional, but then she is originally an actor. We're looking at actors, but this is all based upon real life, we're told, at least.
We see some horrific cases of them unveiling child abuse of different kinds, and when they talk in their spare time, the language is very graphic. Maybe this is a work hazard, still I find it strange that these grown ups talk low life language, using all kinds of sexual words when they seem to have a normal conversation. It might be right, but maybe this feels too much for an ordinary viewer. At least I thought so, and I'm not easily offended.
Two more things irritate. First of all Maiwenn, photographing everywhere with her old camera. She looks lame doing this, and ruins the impression of this as a serious movie. Sue's like a misfit, or bimbo in this film. She's acting, and I don't understand her mission in this. But being writer and director, she obviously needed a role as actor as well. With better professional help, the film would have been way better. Still there's lots of stuff which will hit you hard here.
The police acting like this in their spare time makes us also questioning their motives as well as their credibility and them being real professionals, though we really down to earth understand they are well qualified personnel. But from time to other you really wonder...
Interesting, and nice try, but still the film has some troubles impossible to disregard.
The second main problem is we never follow out the interesting things which we see. It's all small fragments. We don't get to know people. Instead we get longer pieces of non-important dancing at night clubs and ridiculous discussions. Still this is interesting, and worth to watch. Just expect to be annoyed, insulted, chocked, bored and disgusted every other minute.
What an excellent film!
Full of good dialogue that feels real and down to earth it was not surprising to hear Maiwenn say (at the Sydney Film Festival Q&A) she had spent time with the real CPU. The reality of the emotions and the truthfulness of the situations this team faced was evident and really made the difference to this film.
What stops the review getting full marks is the films tendency to let some of the less interesting scenes play for too long. Oddly it's also the love story she included to make the film seem less bleak and Maiwenn's own character that become unnecessary and make the movie overburdened and run a little too long.
The cast is absolutely fantastic and engaging. Their relationships heartfelt and natural; you would think they had been playing this together for years.
This is a movie of the tougher, grimy side of a city. It presents the human behaviours we shudder to believe exist. And yet, handled so superbly, you will not feel wrung out or overwhelmed. It's a terrific movie that will have you talking for a long time.
Full of good dialogue that feels real and down to earth it was not surprising to hear Maiwenn say (at the Sydney Film Festival Q&A) she had spent time with the real CPU. The reality of the emotions and the truthfulness of the situations this team faced was evident and really made the difference to this film.
What stops the review getting full marks is the films tendency to let some of the less interesting scenes play for too long. Oddly it's also the love story she included to make the film seem less bleak and Maiwenn's own character that become unnecessary and make the movie overburdened and run a little too long.
The cast is absolutely fantastic and engaging. Their relationships heartfelt and natural; you would think they had been playing this together for years.
This is a movie of the tougher, grimy side of a city. It presents the human behaviours we shudder to believe exist. And yet, handled so superbly, you will not feel wrung out or overwhelmed. It's a terrific movie that will have you talking for a long time.
I had no idea that this film had many nominations at last year's César awards (the french Oscars). I started to see it on cable and immediately got interested in the subject and the way they handle it. It's straight forward but subtle at the same time. It has a good moving pace, there's always something going on. The array of characters is very rich and even though there's no time to get more deeply into their private worlds, you get to understand that they are mere human beings doing their best at their job, which is trying to protect all "minors" from abusive situations. I specially liked the realism of the characters, you end up caring for most of them and wishing them well in their actions.
now that is a good film..too much talk in the dialog, which is famous in the french cinema and drama in general ,but this time it was well used i was not bothered by it,it's stayed real,and dealing with a true realistic problem without exaggeration, presenting it as is- i felt like as if its a reality drama ,that a hidden camera was shooting a real life events not drama,that is success,the film is deep and subtle and its emotional too,acting is very well carried out... even by the minors who were interviewed and the children,i must emphasis on" Maïwenn's" acting ,it was very calm yet deep and superb."Joey starr" was good too in some moments though he was exaggerating in anger in others but over all good acting i say if you have a chance to go watch this film, please do it s worth it really.
Did you know
- TriviaDirector Maïwenn's first idea for the title was "Police", but another film already had this name: none other than famous French director Maurice Pialat's film in 1985. Her next idea was, "Vous êtes de la police?", but it too was already a film title. One day, as her young child was learning to write, he misspelled "Police", and she saw in front of her eyes the perfect title considering the subject of her movie, with a child's writing: "Polisse".
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #1.18 (2011)
- SoundtracksL'Île aux Enfants
Music by Roger Pouly
Lyrics by Christophe Izard
Performed by Anne Germain
(p) & (c) 1974 Editions de Alouettes (catalogue Technisonor)
Avec l'aimable autorisation de Sony ATV
- How long is Polisse?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Cánh Sát Pháp
- Filming locations
- Boulevard du Palais, Paris 1, Paris, France(scene at the café)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $211,440
- Opening weekend US & Canada
- $16,568
- May 20, 2012
- Gross worldwide
- $20,601,245
- Runtime
- 2h 7m(127 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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