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A cop with a connection to the criminal underworld finds his secret life exposed when he and his partner are caught stealing cocaine from a powerful drug dealer, a move that puts his son's l... Read allA cop with a connection to the criminal underworld finds his secret life exposed when he and his partner are caught stealing cocaine from a powerful drug dealer, a move that puts his son's life in jeopardy.A cop with a connection to the criminal underworld finds his secret life exposed when he and his partner are caught stealing cocaine from a powerful drug dealer, a move that puts his son's life in jeopardy.
Vincent Bersoullé
- Turc 3
- (as Vincent Bersoulet)
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Two masked cops go after some drug dealers and steal their drugs. One of them, Vincent, is injured in the ensuing fight. He's also identified by one of the criminals and witnesses. As a result, the big bad drug lord, Jose, kidnaps Vincent's son to get his drugs back. Now Vincent forcefully explains to his partner Manuel, that he needs the drugs while Manuel wants his cut and needs the money. Later Manuel meets with a crooked internal affairs cop.
Vincent retrieves the drugs and goes to Jose's lair, a giant dance club/restaurant/bar/private club for perverts and more. But he was followed by a female IA. She sees him go in the men's restroom with a bag but exit without the bag. So she goes in the men's restroom and finds the bag in the ceiling. She takes it and hides it in the women's restroom ceiling.
Vincent with just one little packet of drugs meets Jose and demands to see his son. After Jose checks the drugs and Vincent sees his son he offers to return in a few minutes with the rest of the drugs, which of course aren't there anymore. So he devises a plan and goes to the kitchen and gets the staff to fill packets with flour and put them in a bag. But by now another foreign gang has arrived demanding the drugs from Jose. The ruse works and Vincent gets his son back, but only for a while. He quickly loses his son again to the thugs.
Now with no more moves to make he has to get his son back, with Jose and his henchmen after him as well as the two IA agents and Vincent's ex-wife constantly calling him on the phone.
Nuit Blanche is quite thrilling at first. Everything up to the point where he loses his son after getting him is very exciting, timing is very important for Vincent and we are on the edge counting the seconds till the foreign drug dealers discover the ruse. Things slow down then for a bit as Vincent has no way out--no drugs, no weapon (he hid his somewhere in the club). But quickly things pick up again as he confronts the IA agents very violently and things get a little funny too as he uses some cute girl he rescued earlier from a pushy guy to hide and escape from all the people after him. Story-wise too there are several twists and turns and things aren't quite as they seem.
But, too much time is spent on the son, the ex-wife, kitchen fight scenes. Vincent running through a very crowded club gets repetitive fast. Almost the entire movie is set in the club and despite attempts to give us a variety of environments, it does get tiring after a while. Nevertheless, for a Heat-inspired French action thriller, this movie is worth watching.
Vincent retrieves the drugs and goes to Jose's lair, a giant dance club/restaurant/bar/private club for perverts and more. But he was followed by a female IA. She sees him go in the men's restroom with a bag but exit without the bag. So she goes in the men's restroom and finds the bag in the ceiling. She takes it and hides it in the women's restroom ceiling.
Vincent with just one little packet of drugs meets Jose and demands to see his son. After Jose checks the drugs and Vincent sees his son he offers to return in a few minutes with the rest of the drugs, which of course aren't there anymore. So he devises a plan and goes to the kitchen and gets the staff to fill packets with flour and put them in a bag. But by now another foreign gang has arrived demanding the drugs from Jose. The ruse works and Vincent gets his son back, but only for a while. He quickly loses his son again to the thugs.
Now with no more moves to make he has to get his son back, with Jose and his henchmen after him as well as the two IA agents and Vincent's ex-wife constantly calling him on the phone.
Nuit Blanche is quite thrilling at first. Everything up to the point where he loses his son after getting him is very exciting, timing is very important for Vincent and we are on the edge counting the seconds till the foreign drug dealers discover the ruse. Things slow down then for a bit as Vincent has no way out--no drugs, no weapon (he hid his somewhere in the club). But quickly things pick up again as he confronts the IA agents very violently and things get a little funny too as he uses some cute girl he rescued earlier from a pushy guy to hide and escape from all the people after him. Story-wise too there are several twists and turns and things aren't quite as they seem.
But, too much time is spent on the son, the ex-wife, kitchen fight scenes. Vincent running through a very crowded club gets repetitive fast. Almost the entire movie is set in the club and despite attempts to give us a variety of environments, it does get tiring after a while. Nevertheless, for a Heat-inspired French action thriller, this movie is worth watching.
Sleepless Night, the new French action film written and directed by Frédéric Jardin, combines all the visceral action of a film like Die Hard, with the suspense and urgency of 24. While the film itself doesn't stray too far from the standard action formula, it still manages to take us on fun ride over the course of one crazy night.
Shot almost entirely in what appears to be the largest, most labyrinthine night club in the world, Sleepless Night follows Vincent, a cop who ends up on the wrong side of the law, as he attempts to make things right, and save his kidnapped son. Caught between the gangsters that have his child, and the police that are chasing him down, Vincent needs to make his way through the crowded night club and get himself and his son to safety.
Although this is not an entirely original concept, the execution of the story is expertly done. Within the first minute of the film, we're thrown into the action, which sets the tone for the rest of the movie. It's fast paced and at times frantic, but does let us catch our breath from time to time. The fact that it also takes place over the course of one night, in one centralized location, also adds to the suspenseful nature of the film. Although the club seems to be enormous, with many back hallways and side rooms, it's also very crowded and feels claustrophobic at times, which helps accentuate the frenzy, along with the ever present thumping of the club's music.
Having the entire film take place in this club is an interesting idea, however there are several questions of logic and common sense that are raised. Mainly, the fact that there are numerous gun fights throughout the film, and no one seems to be frightened or call the police. There are also several fights that take place in very public areas, and yet everyone seems to just ignore the fact that men are being killed around them. Personally, if I'm at a club and I hear gunshots, I'm out of there, I don't care if they just started playing that Queen song I love.
Logistical problems aside, this is still a fun movie to watch. The fight scenes are very realistic looking and feel very brutal. Instead of going with meticulously choreographed punches and kicks, Jardin decided to go with a more simple approach. The men who are fighting look like there's a purpose to every punch. They are doing it out of necessity, not because it looks flashy. Vincent does everything within his power to fend off his attackers and get to his son. He uses the environment to his advantage, grabbing at anything and everything that will stop the people trying to kill him.
Sleepless Night does a lot of borrowing from Die Hard, but still manages to stand on it's own as a top notch action film. With an engaging story, and some excellent fight scenes, this is an easy recommendation for any action fan. It's also been recently announced that this film will be getting an American remake, so it's certainly worth checking out before we ruin it with our own version.
Adam FilmPulse.net
Shot almost entirely in what appears to be the largest, most labyrinthine night club in the world, Sleepless Night follows Vincent, a cop who ends up on the wrong side of the law, as he attempts to make things right, and save his kidnapped son. Caught between the gangsters that have his child, and the police that are chasing him down, Vincent needs to make his way through the crowded night club and get himself and his son to safety.
Although this is not an entirely original concept, the execution of the story is expertly done. Within the first minute of the film, we're thrown into the action, which sets the tone for the rest of the movie. It's fast paced and at times frantic, but does let us catch our breath from time to time. The fact that it also takes place over the course of one night, in one centralized location, also adds to the suspenseful nature of the film. Although the club seems to be enormous, with many back hallways and side rooms, it's also very crowded and feels claustrophobic at times, which helps accentuate the frenzy, along with the ever present thumping of the club's music.
Having the entire film take place in this club is an interesting idea, however there are several questions of logic and common sense that are raised. Mainly, the fact that there are numerous gun fights throughout the film, and no one seems to be frightened or call the police. There are also several fights that take place in very public areas, and yet everyone seems to just ignore the fact that men are being killed around them. Personally, if I'm at a club and I hear gunshots, I'm out of there, I don't care if they just started playing that Queen song I love.
Logistical problems aside, this is still a fun movie to watch. The fight scenes are very realistic looking and feel very brutal. Instead of going with meticulously choreographed punches and kicks, Jardin decided to go with a more simple approach. The men who are fighting look like there's a purpose to every punch. They are doing it out of necessity, not because it looks flashy. Vincent does everything within his power to fend off his attackers and get to his son. He uses the environment to his advantage, grabbing at anything and everything that will stop the people trying to kill him.
Sleepless Night does a lot of borrowing from Die Hard, but still manages to stand on it's own as a top notch action film. With an engaging story, and some excellent fight scenes, this is an easy recommendation for any action fan. It's also been recently announced that this film will be getting an American remake, so it's certainly worth checking out before we ruin it with our own version.
Adam FilmPulse.net
When it comes to action thrillers, French cinema has put out some really good stuff over the last couple of years. This is another example of great action thriller. A ride you want to take if you like movies with a high suspense level. It actually impressed Americans that much, that they made a remake of this one.
You can assume that the Remake is not as good as this, but if you don't like reading subtitles, then you might want to go check the Jamie Foxx version of this. This one is a roller-coaster that won't let you breathe. Once the action starts, there is no stopping. It's more about action and about getting things rolling. Still you got really good actors pulling things off. Sit back, watch and enjoy
You can assume that the Remake is not as good as this, but if you don't like reading subtitles, then you might want to go check the Jamie Foxx version of this. This one is a roller-coaster that won't let you breathe. Once the action starts, there is no stopping. It's more about action and about getting things rolling. Still you got really good actors pulling things off. Sit back, watch and enjoy
(2011) Sleepless Night/ Nuit blanche
(In French with English subtitles)
CRIME THRILLER/ SUSPENSE DRAMA
Co-written and directed by Frédéric Jardin, which opens with a couple of people tailing another car for the intention of stealing it's bag of dope. And of course, although they succeeded, not everything went accordingly. We soon find out later that the 2 people of Vincent (Tomer Sisley) and Manel (Laurent Stocker) who managed to steal that bag of dope at the opening, also happen to work for the French police, whose intention was to make a little extra money. But as soon as one of the 2 officers, Vincent learns that his son had been kidnapped, and is held for ransom, in exchange for the dope to be returned to the French cartels lead by night club owner, Jose Marciano (Serge Riaboukine). It becomes even more complicated when undercover officers are involved, as one of them takes the liberty by hiding that very bag that was supposed to be used for the exchange is hidden in a different spot. I like the theme, but I do not care for the execution as the movie consists of many brawls that are not too spectacular. The extra star is for it's originality and nothing else.
Co-written and directed by Frédéric Jardin, which opens with a couple of people tailing another car for the intention of stealing it's bag of dope. And of course, although they succeeded, not everything went accordingly. We soon find out later that the 2 people of Vincent (Tomer Sisley) and Manel (Laurent Stocker) who managed to steal that bag of dope at the opening, also happen to work for the French police, whose intention was to make a little extra money. But as soon as one of the 2 officers, Vincent learns that his son had been kidnapped, and is held for ransom, in exchange for the dope to be returned to the French cartels lead by night club owner, Jose Marciano (Serge Riaboukine). It becomes even more complicated when undercover officers are involved, as one of them takes the liberty by hiding that very bag that was supposed to be used for the exchange is hidden in a different spot. I like the theme, but I do not care for the execution as the movie consists of many brawls that are not too spectacular. The extra star is for it's originality and nothing else.
A very nice movie, with a perfect plot, very good actors and a big direction. An old American movie,"No Way Out", (Italian title is "Senza via di scampo") is in my opinion the most similar movie for rhythm and perfection of the plot. You can't stop to see, and you don't know never how the movie will can finish, can happen absolutely all. And the end is perfect too, a very, very nice and clever solution. The bad guys are very, very bad, there are some little moment of humor and the movie goes without a moment to stop ! Go to see and/or buy the movie if you like the crime-movies, it's surely a masterpiece of this kind! Or wait an year or less to see the remake that surely Hollywood will do very soon, even with Denzel Washington in the lead-role...
Did you know
- TriviaEnglish remake is Sleepless with Jamie Fox
- ConnectionsReferenced in Film Junk Podcast: Episode 389: Frankenweenie and End of Watch (2012)
- SoundtracksANOTHER ONE BITES THE DUST
Written by John Deacon
Performed by Queen
Licensed courtesy of QPL Productions Limited and Hollywood Records
© 1980 EMI Music Publishing Ltd. / Queen Music Ltd.
Avec l'autorisation de EMI Music Publishing France
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Truy Kích Lúc Nữa Đêm
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,500,000 (estimated)
- Gross US & Canada
- $3,358
- Opening weekend US & Canada
- $2,106
- May 13, 2012
- Gross worldwide
- $624,913
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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