Ash, who is trying to earn money to raise his 14-year-old sister and send his mother to rehab, gets caught up with an organized crime ring led by a young and charismatic Albanian immigrant.Ash, who is trying to earn money to raise his 14-year-old sister and send his mother to rehab, gets caught up with an organized crime ring led by a young and charismatic Albanian immigrant.Ash, who is trying to earn money to raise his 14-year-old sister and send his mother to rehab, gets caught up with an organized crime ring led by a young and charismatic Albanian immigrant.
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First up, this film was glamorising street crime in the way Top Boy, Adulthood et al did, but way late in the day; I was hoping this was a faded trend because this has been done over and over (the formulaic random kids in a street gang that swear too much and the Russian crime lords all set in the mean / clean streets of London #yawn)
Classics like 'The Harder They Come', where a protagonist makes a living through struggle by turning to crime, but karma gets back at him for his earlier actions are leaps and bounds over these types of dramas; you know why. Because they have an actual ability to portray a human's struggle not just mix together protagonists that could literally exist the whole production in balaclavas, vapid performances made relevant by young people speaking the mumble slang of modern Britain.
I despise how a company the size of Amazon just pushes a trend.
If any of the film crew were swamped by petty criminals on mopeds, they might have reconsidered the lame nature of trying to glamourize real-time criminality to gain social hits in this awful era of media creation.
This production was a childlike CBBC life drama made to help children try and gain an understanding of the modern world, but with the type of language that makes me think a writer asked Chat GPT to make an hour-long migraine of dialogue using as many swear words and brinkmanship of Stormzy's raw lyrics as it could.
Well done all around on style, lovely lighting and whatnot, wardrobe good, cast.. whatever, dialogue.. dry.
Just stop watching this stuff, guys; let the algorithms get to work on some classics again.
Classics like 'The Harder They Come', where a protagonist makes a living through struggle by turning to crime, but karma gets back at him for his earlier actions are leaps and bounds over these types of dramas; you know why. Because they have an actual ability to portray a human's struggle not just mix together protagonists that could literally exist the whole production in balaclavas, vapid performances made relevant by young people speaking the mumble slang of modern Britain.
I despise how a company the size of Amazon just pushes a trend.
If any of the film crew were swamped by petty criminals on mopeds, they might have reconsidered the lame nature of trying to glamourize real-time criminality to gain social hits in this awful era of media creation.
This production was a childlike CBBC life drama made to help children try and gain an understanding of the modern world, but with the type of language that makes me think a writer asked Chat GPT to make an hour-long migraine of dialogue using as many swear words and brinkmanship of Stormzy's raw lyrics as it could.
Well done all around on style, lovely lighting and whatnot, wardrobe good, cast.. whatever, dialogue.. dry.
Just stop watching this stuff, guys; let the algorithms get to work on some classics again.
Start watching at 1h and 10 mins. You won't miss nothing I promise you. No character build up, unrealistic I mean where was everybody with their mobile phones in the air, taking Instagram selfies at the rave. Haha.
3 out of 10 for the little bit you get at the end.
Should be able to post shorter reviews because I really have nothing good to say about this. So I'll give you an idea of the dialogue just to waste the last 108 characters required to complete my review.
Know' what I mean bro innit. Bro, bro, bro, bro my fam. Did I miss anything oh hang on... Bro, oh and bro. Innit!!!!!
Urghhhh.
3 out of 10 for the little bit you get at the end.
Should be able to post shorter reviews because I really have nothing good to say about this. So I'll give you an idea of the dialogue just to waste the last 108 characters required to complete my review.
Know' what I mean bro innit. Bro, bro, bro, bro my fam. Did I miss anything oh hang on... Bro, oh and bro. Innit!!!!!
Urghhhh.
"Ash" (Stephen Odubola) lives at home with his young sister and his permanently absent or stoned mother. His dream is to start a business of his own (he likes to fix things) and to get her into rehab. To that end he's mixed up with four of his mates in a snatch 'n grab scheme using mopeds to pinch mobile phones and handbags from unsuspecting folks on the street. They sell these on to "Shaz" (Jelena Gavrilovic) who happens to be the cousin of the gang's leader "Dubz" (Taz Skylar). "Ash" finds the shoebox under his bed is gradually filling up, but when he's told his mother's medical costs are likely to run to £25,000 he realises that nicking a few phones ain't going cut it. After a raid to get themselves some new transport goes awry, with one of their number a bit too handy with the spray-on acid, they are reduced to four and given a new task. Rob a jewellery store and make some proper money. When this goes tragically wrong, "Ash" and his pals "Kabz" (Mohammed Mansaray) and "Mole" (Tobias Jowett) have to persuade their briefly ostracised mate "Roach" (Craige Middleburg) to come back and help them - because their paymasters are still demanding a sackful of loot! Up until this point, the film is actually quite decent - a diverse group of life-long mates all carrying out what they reckon are victimless crimes to make some cash. Once the violent elements kick in, though, the plot really heads south. What made it a bit different is subsumed into a rather amateurishly directed affair with implausible police chases, even more unlikely robbery scenarios and just one chunk too much of bad decision making - on and off the screen. Skylar is a man with charisma, but the rest of these characters never light up the screen or the story and by the sequel-suggesting conclusion, I'd sort of lost interest. It is worth a watch with all the "life's there for the taking" stuff going on, but it'll be on the television soon enough and I'm sure it can wait til then.
Where do you even begin with this codswallop produced by Amazon? Not one interaction between any of the characters, no matter how big or small had an ounce realism. Everything was so unnatural that you might wonder if this group of supposed actors weren't just caught in a giant butterfly net on a London estate and instructed to speak a load of cringeworthy nonsense to one another in front of a camera. No one comes out of this with any credit. If you've seen one chav movie, you've seen them all. Tune in for a laugh but do be warned; viewing this drivel for any longer than 60 seconds could cause brain damage.
Know what I'm sayin' fam?
Know what I'm sayin' fam?
The film is boring and predictable, the main character is awful and stupid , some of the lesser gang members were more memorable than the lead who blunders from one crisis to another. You never really root for him or feel sorry for him, he neglects his family although the film makers are trying to make him some sort of underdog hero fighting for them. He gets many chances to sort his life out but he never does the right thing and just makes mistake after mistake , a frustrating film with no ending. Was hoping for some sort of twist but it never happens. The film is too slow and nothing really happens until the last 15 mins, it's trying to build up the characters but falls far short. Utterly forgettable and should have gone straight to streaming.
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Box office
- Gross worldwide
- $162,954
- Runtime1 hour 42 minutes
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