Cinematographer Michael Marius Pessah shot the black-and-white sequences on Fuji color film, removing the color in the transfer to create the glossy yet contrasted look.
Cinematographer Michael Marius Pessah filmed the movie using vintage Cooke lenses to help create the 'classic Hollywood' look.
Critics and the filmmakers have described the film as "post-queer" or "post-gay". Sexuality is never questioned, discussed, or editorialized in the movie.
Winner, Jury Prize, Image+Nation Montréal Film Festival.
Director Matthew Mishory has described the film's controversial narrative form as a "dream structure" (rather than a traditional narrative) befitting a complicated protagonist.