Anatomy of a Fall

Anatomy of a Fall is an engrossing courtroom drama that packs a miniseries' worth of story in two and a half hours. I totally see why it garnered so much acclaim from the festival circuit! It is exactly the kind of legal drama I've wanted to see for years. THIS is the standard of crime genre that all other films now have to live up to. Thoughtful, intricate and emotional. The writing is phenomenal - it takes a lot of guts to do two hours of court proceedings but wow, it's enthralling; so meticulously plotted and presented, with such intricate explorations of the complexities of relationships. It's the kind of thought-provoking procedural where the truth is never certain and the power is granted to the audience to determine its true outcome. Sandra Hüller is extraordinary in a cant-look-away performance that will grip you from beginning to end, but if I'm being honest, everyone here is incredible. It has one of the best child performances I've ever seen in a film. Even the dog put in a performance of a lifetime! Taut, suspenseful and compelling until the final moment, the film progresses like a heady puzzle that tackles the messiness of existence and the often elusive nature of truth itself. Anatomy of a Fall is truly all-around exceptional filmmaking!

It's a great movie, without a doubt. Excellently directed with the best handling of the shots and the cameras of the year. The acting of Sandra Huller and the boy (whose name I'm forgetting) are impressive, worthy of award nominations. Not in vain the actress was in two of the best movies of the year. Her handling of languages and how she makes each dialogue credible is fascinating.

It's a hard and pure trial movie, in my opinion it has 2-25 minutes left over and I lack a soundtrack. In the end it leaves me wanting more because I was expecting a plot twist that would surprise. For the rest, highly recommended.

Courtroom-based dramas aren't all created equal. Chances are you can think of a few timeless ones that stand the test of time (perhaps 'To Kill a Mockingbird,' 'A Few Good Men,' 'The Pelican Brief'). In Justine Triet's 'Anatomy of a Fall,' we can get to see the French judicial system on display in a tale of the struggle to decide when it's difficult to see the truth through a forest of hearsay.

There are a few aspects of 'Fall' that hold the audience's attention more so than other films in this genre. The way the story unfolds from the initial events to the verdict and aftermath is riveting, which makes it easy to understand how it earned an Oscar for best original screenplay. The performance of Sandra Hüller is exceptional, as she convincingly plays a conflicted writer who loves her half-blind son, Daniel (Milo Machado-Graner), yet must defend herself against an accusation of murder.

There are a few scenes in 'Fall' that are masterclass, including the recreation of an argument between Hüller and her onscreen husband, Samuel Maleski (Samuel Theis). This scene is intense, agonizing and feels completely authentic, and both actors deliver A+ work. Machado-Graner also does a superb job across the board, including an emotional testimony as a witness in the trial. Oh, and anyone who watches this movie will never be able to think of 50 Cent's "P. I. M. P." the same way again.

For such a simple premise, 'Anatomy of a Fall' manages to showcase the complexity of human nature and the importance of seeing both sides of a situation.

A lonely chalet in the French Alps. A dead man laying in the snow in front of it. Apparently he fell out of the third floor window under the roof.

Was it an accident? Suicide? Or a murderess attack? Whoever expects a conventional crime thriller with a final simple solution will be badly disappointed by this complex psychological drama about a female author fighting for her independence, dignity and her own truth in the courtroom, where she stands under suspicion to have killed her husband. But beware: truth has different aspects and different sides, depending on whoever tries to catch it. It comes in disguises, often invisible, always subjective.

In the end it's up to the viewer to make up his own mind about the case. While the investigation is unfolded Triets movie proudly walks in the footsteps of Ingmar Bergman, a classic analyst of complicated couple relationships and she truly succeeds in doing so.

There are so many things I got from this after watching it. So many subtle little thing that throw shade over both characters, thus showing such complex humans with flaws and virtues.

Technically it does not stand out but it's servicable for the themes and story. Was this the perfect long-game psychological crime? That last scene speaks volumes. The last courtroom scene with the kid was devestating and conclusive, even if that lawyer tried to flip it. Even him knew the conclusion at that moment. It was cathartic.

It was a very devastating and powerful film. I would very much like to see it again so I can absorb that excellent dialogue all over again.