User reviews

This movie kind of reminds me of The Art of Getting By, but the main character was not as likable or accessible. Most of the time, I though he was annoying and affected. Many of the scenes rang false and the accompanying dialogue seemed to be written by a first-year psychologist student. However, the saving grace is the second-half of the film. Once the life-coach aspect comes into play, the movie improves dramatically. The main character's scenes with Lucy Lu felt real and not like the psycho-analysis that permeated the first-half of the movie. I really enjoyed the scenes in Washington and they really captured the claustrophobic feeling of the main character. Finally seeing what happened made the main character more sympathetic and less insufferable. Decent film

Before I get to what I think about "Someday This Pain Will Be Useful to You", I have gotta point out something that really irritates me. In the IMDb summary, it talks about 'James as he works through his life at the therapy sessions'. These are NOT therapy sessions and as a trained psychotherapist, it irritates me when untrained folks do what they call 'therapy'. A life coach is NOT a therapist. Now I am not against life coaches--if you want one, fine. But in this movie a seriously depressed and suicidal young man goes to a life coach instead of seeking appropriate mental health treatment--and the life coach was WAY over her head and very unprofessional for ignoring this. Badly written and a bit irresponsible if you ask me.

As for the movie itself, this film reminds me of a couple other Marcia Gay Harden films I've seen lately--wonderfully acted yet with a script that seems incomplete or at least in need of a re-write. Now this does NOT mean I didn't like the film--it was worth it overall--even with its flaws (such as an ill-defined plot and an ending that seemed ridiculously simplistic). The acting and characters were that good. In particular, Toby Regbo (who is credited very low in the cast even though he's CLEARLY the lead) did a great job with the part he was given. Interesting and involving but the parts don't exactly work together to form a pleasing whole. See the film and see what you think.

If you're like me, the phrase "coming of age story" is about as exciting as the phrase "nature documentary about corn". That said, this coming of age story ranks among the best I've seen and kept me interested from start to finish.

At its heart is the familiar story of a teenage loner who's much too wise for his own good, living in NYC and simultaneously battling a dysfunctional family and the malaise of life. The book "Catcher in the Rye" comes to mind as do the films "The Squid and the Whale", "Igby Goes Down" and "City Island" (yeah for someone who doesn't like coming of age stories, I sure manage to see a lot of them). All follow the same basic structure: we observe a few days in the life of a troubled teen, seeing different vignettes that are not necessarily related to each other but give us insight into the character's isolation from family & society.

What sets this apart from the others is the masterfully suspenseful way it's told. That is, even though there is no traditional plot line, the film leads us on with anticipation of events to come. How is this done? Well, for one it starts with a scene of the boy standing on a rooftop ledge preparing to jump to his death. How's that for a hook? It keeps us guessing throughout with references to "what happened in DC" - an episode which is not explained until near the end of the film. Dramatic lighting & cinematography also augment the tension in a subtle way. In this way, the film presents a gnawing mystery which should keep you interested despite the lack of traditional action.

Two other things kept my interest going, the first is the playful sense of humor (seeing the absurdity of peoples' actions contrasted with the calm exasperation of the main character--sorta like you'd find in an 80s John Cusack comedy). The second is the acting of the main character himself. The 17-year-old hero James (played by actor Toby Regbo) is a very colorful character. Though his emotions are muted and his interactions with other characters are equally suppressed, we still manage to get close to him somehow. Perhaps it's because of his expressive face even when he's not expressing emotions. Maybe it's just his body language. Or maybe it's the way he connects with his little dog. For whatever reason, I felt instantly connected with him even though my own life has nothing in common with his.

Great supporting performances by every other character, most of whom play comedic oddballs or such extreme caricatures that you can't help but laugh at their every expression. The father (Peter Gallagher) had me laughing, and Aubrey Plaza (though a very small role) had me in stitches with her signature weirdness.

If you like slightly satirical films about real life, and if you don't require car chases, shootouts and sex scenes, then this is a good one. I would also add if you like films set in NYC this has some great scenery and nostalgic locations. Even if you aren't thrilled at coming of age stories, this one is worth your time, as are the others I've mentioned. "Someday This Pain" bears a slight resemblance to my favorite coming of age flick "Archie's Final Project" about a troubled teen who wants to film his suicide for a high school film class.

Now if someone could just make a nature documentary on corn so interesting, my life will be complete.

Someday this pain will be useful to you – Trash It (D) Well this is as bad as its name, a rich teenager finding meaning for his life and hating what he has is ridiculous. Even in the end we don't see finding him any meaning of his life which makes it even more badly. The director somehow manages to nab brilliant ensemble but even their performances couldn't save this lousy script. Toby Regbo was amazing in "Mr.Nobody" so I was really excited to see this but here he is just another Looney wandering in the streets of New York. Deborah Ann Woll is amazing beautiful as always. Marcia Gay Harden, Lucy Liu and Stephen long etc are good in their parts. On the whole, its waste of money and time, better to watch Toby Regbo is Mr.Nobody and Deborah Ann Woll again in True Blood.

This movie was one of those that managed to get really really close to me, and sometimes it even touched me deep. But that may be just all because I feel personally so connected I can relate nearly identical to the main actor's character thoughts, doubts, emotions and soul, except for the two facts I am twice as old and, unlike him, know what love feels like. Damn, the are so many scenes, dialoge I would myself already have put into a book which I never wrote because im so lazy and forgetful - to watch the movie made me feel so good, and happy to see there are now and then some inspired and talented filmmakers and actors out there who can shine. Love this flick. 9 out of 10 my rating *********

To all of those people out there commenting on how bad the acting was or how poorly the script was written or how there was no plot to the movie. You. Are. Wrong. As someone who read, and absolutely loved, the book I would like to say how much it meant to me that someone else enjoyed this book enough to craft it into a movie. When I first found this piece I was incredibly moved by it. Having gone through trials and tribulations as James had, finding someone out there, even fictional, who had experiences similar to my own was a godsend. I'd been there. I knew the pain of not belonging and the pressure to do so. I'd had those same hopeless thoughts. This book, if not saved than severely changed my life. So to all of you ragging on this movie because of its "flaws", you don't understand the message behind it, and I feel extremely sorry for you.

James Cameron's story SOMEDAY THIS PAIN WILL BE USEFUL TO YOU is coming of age tale that is, at turns, funny, sad, tender, and sophisticated. As adapted for the screen by director Roberto Faenza with Cameron and Dahlia Heyman this becomes an experimental film that will delight many and confuse some. The cast is excellent and once the audience moves into the rhythm of the narrated story it is difficult not to re-live youth and pull for the lad whose story this is.

James Sveck (Toby Regbo) is a lonely young teenager who is tortured by his grossly unstable home environment and is fraught with hating people, suicidal thoughts, depression, and the preference for solitude. It is the summer before he goes off to college at Brown University and he is conflicted: his vain Lothario father (Peter Gallagher) insists that he go to college, his gallery owner mother (Marcia Gay Harden) has just returned form Las Vegas and her third failed marriage - this time to a compulsive gambler (Stephen Lang); his sister Gillian (Deborah Ann Woll) is writing her memoir and falling for an older married Polish professor; and James is working with his mother's gallery director (O'Ryan Graves), trying to make since of art, people, relationships and the chaos of the world that confuses him - the last thing he wants is to enter the college world. His mother lines him up with a Life Coach (Lucy Liu) and slowly James begins to come to grips with a past bad memory and to learn to accept who he is as someone worth living. James only loving connection to the world is his grandmother (Ellen Burstyn) and from her he learns a lot about the vagaries of life and how to cope. The story is told in the first person narration which helps give an intimate inside view of James as he works through his life at the therapy sessions which his parents insist he attend and it is in this manner that we learn about James's past and present through the stories he tells and his recounting of previous therapy sessions and the ambivalences and uncertainties of adolescence.

The film manages to balance teenage angst and relationship failures with an equal amount of drama and comedy. This is one of those films that linger in memory long after the final credits.

Grady Harp

This film was fantastic. I have almost nothing in common with the main character, but I somehow managed to connect with him in multiple ways. He embodies the tortured teen spirit that comes inevitably with an unstable home environment, and his confusion is expertly depicted through the film's witty dialogue and realistic nature. I also thoroughly enjoyed Aubrey Plaza's character; she was charming as usual and played the part very well. The cast was very well chosen and had great chemistry - each individual actor is clearly talented but when put together they are a force. I have only good things to say about this movie!

Solitude desolate me; company oppresses me.

--Fernando Pessoa

a kind of lonely, all people is just a shadow of nouns, a dispensable example setence. People occupied father, mother, friends these identify pronoun, and unable to sense anyone, expect the "I" that start every sentence, but others can't feel that "I" as well.

I used to dislike this book name, "if have to need torments and pains to be a 'better' people, then i don't want. I'm not tough enough or have any patience." The Sorrows of Young Werther, Die Leiden des jungen Werthers, in China it's translated to "the worries of young Werther"the word Leiden to angst, worries, isn't that a cruel translaion? Werthers is dead after all. It's pain, torments. And this book, tha word "pain" is more like teen angst, not too deep.

Now i feel the book name is a kind wish to James, James at seventeen is safe, he is like Marcel in In Search of Lost Time(À la recherche du temps perdu), the first half part, the pain is not done yet, bitter is his own, no objects, no responds.

But a talk between James and mother: "She turned away from the window. "I'll warp you. I'll pass all my bitterness and skepticism on to you, and you won't believe in love."

"I already don't believe in love."

"Of course you don't. How could you? You've never been in love. Or have you? Have I missed something?"

"No," I said.

"You will," she said.

"No I won't," I said.

She put her two hands on my shoulders and bent down and kissed my cheek. "You're too sweet not to fall in love. I know how sweet you are. Maybe better than anyone."

"I'm not sweet," I said."

maybe someday James would feel like Marcel that the force that circles the earth the most times in a second is not electricity, but pain. But at seventeen, he's safe.

And like the book of disquiet of Pessoa, "Because I see these people so often, they become a part of my life", for James and Holdon from the catcher in the rye, that's their solitude. People dosen't matter occupy their thoughts,

the most common between James and Holden, that their every setences start with "i don't like", but they do want to love something, just not yet.

The passion for writing this, the setence come out frist, "if you think you're another James in this world and dont have any friend, let's be friends." several years ago i frist time read this book, i surprise for i read it just as i read my own written book, and now reading Pessoa is the same feeling, marked every sentences, i wrote "James thinks people in books are real, but he didn't know me." but me in present, aware of the thought to be friends with him is a offence. We'll dislike each other after all, our life is made of reflexive verbs.

This book at the end become my blood, my anaesthetic like Pessoa's words, nothing more. And make me know my life is just a unwritten novel, i dont have to write anything.

I translated this movie, and part of the novel to Chinese. If you want, not need... i dont want to publish my translation, paper books should be sweep to garbage, and it requiring times and effort, money.

And me, "my life is not interesting", read the novel is better to know me. If someone is interesting, i'll despise him, and i dont know why i coulnt accept anyone's kindness, but heart is still revealing.

The original texts is Chinese, i translated it to English, im not good at English Writing, and i don't need to.