Civil War

The title is "Civil War" but that's the closest you're gonna get to an actual Civil War during this movie.

This is sort of a low rent version of Apocalypse Now. The characters are going on a mission to reach the White House. And along the way they wind up in several violent misadventures.

But Apocalypse Now fleshed out the target - Colonel Kurtz. In this story, we have no idea who the President is psychologically and why others want to kill him. So the underlying motivation driving the protagonist is completely lacking.

Moreover, during the course of what is supposedly a war, some of the characters engage in teenage antics that undermine the seriousness of their plight.

As many other commentators have stated - this movie is disjointed. If you're expecting to see a Civil War, DON'T watch this movie. There ain't one in there.

I had high hopes for this movie as Alex Garland rarely disappoints,. But its a very shallow script like a six part mini series where the action scenes have been edited into a movie. There is no explanation of why there is a civil war, who is fighting who, what the outcome is or anything else that might cast some light on the situation. We just follow some unimportant characters through some hairy experiences. The movie should have been a mini series with a credible story line and a lot more characters elucidating the factions and their motivations. A week after watching it I had forgotten it! Don't waste your time.

There tend to be two groups of people who dislike this movie:

• Those who were expecting a movie about war.

• Those who were expecting a movie about politics.

This movie isn't about war or politics at all, it's an adventure story about a group of war photographers. Very little is ever discussed or explained about the war itself, how it started, nor the political affiliations of those involved. The story is mostly about the photographers and how the journey affects them as people.

Through various misadventures the viewer begins to piece together a rough picture of how the conflict is going, but it's never really the focus of the story. If you go in expecting every question to be answered, you've missed the point of the movie. If you were bored by (or entirely ignored) the characters' conversations, and only paid attention when there was killing going on, you REALLY missed the point of the movie.

Overall, I found this to be a very moving film, with compelling performances by all the leads and a superb script. This movie succeeds at what it sets out to accomplish, though what it accomplishes might not be to every viewer's taste.

Civil War isn't science fiction-it's speculative reality drawn from the headlines we scroll past every day. Alex Garland has crafted something rare: a war film without glorification, a dystopia without excess. What unfolds is a portrait of America not as it might be, but as it nearly is-fractured by polarization, eroded by propaganda, and abandoned by leadership more concerned with loyalty than legitimacy.

Through the lens of war journalists (played with haunting restraint by Kirsten Dunst and Cailee Spaeny), we traverse a country in pieces-some cities crumbling, others clinging to an eerie normalcy. The genius lies in the nuance: this isn't red vs. Blue, good vs. Evil. It's chaos as governance, ideology as identity, and cruelty as currency.

For those watching recent history with a furrowed brow, Civil War lands like a flare in the darkness. It doesn't tell us what to think-it forces us to ask how close we already are. And in doing so, it becomes not just a film, but a quiet, urgent warning.

Watch it while it's still fiction.

B. Mitchell / J. Vail.

There is a good movie to be made about the polarisation and aggression of US politics leading to civil war. This was not it. Uses a grossly undeveloped political scenario as an excuse to show us routine, gratuitous violence and contrived relationships. Casting an actress who looks 14 as a 23 year old was a big mistake and pushing her from wide eyed innocence through a ridiculous, unbelievable journey to awakening ambition via horror was crudely handled. Taking photos of people while they suffer and die is obscene and the pain and gore of violence was trivialised, not dignified by this sad movie.