Sarah Sparks is pregnant and feeling wholly ambivalent, despite her boyfriend's pure enthusiasm. A committed tech-geek, she fears she is more interested in ultrasound technology than in what... Read allSarah Sparks is pregnant and feeling wholly ambivalent, despite her boyfriend's pure enthusiasm. A committed tech-geek, she fears she is more interested in ultrasound technology than in what's being ultra-sounded. When her sister lures her to L.A. for what ends up being a terrori... Read allSarah Sparks is pregnant and feeling wholly ambivalent, despite her boyfriend's pure enthusiasm. A committed tech-geek, she fears she is more interested in ultrasound technology than in what's being ultra-sounded. When her sister lures her to L.A. for what ends up being a terrorizing baby shower, Sarah keeps her rental van and hits the road in search of the source of ... Read all
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Anyways, it's a very nicely made indie, a surprisingly good cast that follows a cliché story about that first baby thing, but the lead carries it off well and I enjoyed the trip. The Vegas idea worked well, but it always can do that when you're not sure where to go. I'm okay with the blonde girl and African American husband/lover, just seems to me it's become a cliché but again, I like all the characters.
Okay, being an old DP, I liked how it was shot for what was probably a minimal budget, angles were excellent and it was edited nicely, again for whatever the cost was.
While this baby/uncertain/who am I story has been seen before, it settles fine with me, the lead actress gives us a fresh look. I've done a few road films so I can't help going with her to locations like the Grand Canyon and again... it WORKS. I loved her shooting photos of strangers at Grand Canyon. Very revealing subplot here and it WORKS.
Dialog is good, it's simple, especially Grand Canyon. You should see Francis Coppola's Rain People which is strikingly similar, which was Coppola's second movie before Godfather.
The idea with using the kid's audio-video thing to speak to her mother works neatly, I liked it. Only thing near the end is that mom looks more like grandmother rather than mom.
A nice 72 minutes spent.
Small, Beautifully Moving Parts is a tiny, mostly insignificant film, but Anna Margaret Hollyman gives a honest performance that will hopefully spawn a successful career. This is her show and she makes this simple, straightforward material worth watching. It's an acting piece that's poorly shot, but despite being crudely made, it's never boring and a pretty sincere no budget film.
Definitely better than its low IMDb score and worth a viewing for the lead performance alone.
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Details
Box office
- Gross US & Canada
- $8,631
- Opening weekend US & Canada
- $3,087
- May 13, 2012
- Gross worldwide
- $8,631
- Runtime1 hour 13 minutes
- Color