Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.
- Nominated for 1 BAFTA Award
- 10 nominations total
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Summary
Reviewers say 'The Sandman' series is lauded for its captivating narrative, stunning visuals, and faithful adaptation of Neil Gaiman's comic series. The show explores dark fantasy, psychological drama, and the human condition, with standout performances, especially Tom Sturridge as Dream. However, it faces criticism for uneven pacing, inconsistent writing, and deviations from the source material. Some express dissatisfaction with character portrayals and diversity representation. Despite these issues, many find the series engaging and eagerly anticipate future seasons.
Featured reviews
I can't decide between a 6 and a 7
The good:
I haven't finished the comics yet but I appreciate that the show attempts to stay close to the source material. There have been a staggering number of adaptations where writers insert their own ambitions into the project and it ends up looking nothing like the original work.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
When the Endless Ended Too Soon
As someone who has read the comics - The Absolute Sandman 1-4 and Absolute Death proudly sit on my shelf - I approached this adaptation with cautious optimism.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
Enjoyable long view
The best thing about the show is that many episodes feel like movies. So much happens with them that time seems to linger. Even with Sandman walking and talking slowly... deliberately, the show packs in a lot in 40-45 minutes.
I was sad to see that there will not be more to enjoy but what was here was very nice. The special effects and scenery were exquisite.
I was sad to see that there will not be more to enjoy but what was here was very nice. The special effects and scenery were exquisite.
Ends with a whimper
Season 1 of the show was superb - the world building was incredible; it was complex and grand, it felt rich and full of themes, and so cleverly put together. Despite the many different aspects of the world, the core plot felt focused and all the different characters introduced had relevance that somehow fed back into it. It left me excited to see how season 2 would expand on all of it.
Except then it, kind of didn't. Season 2 wanders around aimlessly for most of it. What new elements it does introduce feel superficial and trivial, and are disposed of as quickly as they are introduced. All the energy from the characters seems to have been sucked out, like they're shells of their former selves. You find yourself wondering what the point of most of what you're watching is, and I'm afraid it never gets clearer.
Season 2 also goes very heavy with LGBT themes and diversity. Season 1 had representation in an almost seamless way that never took the spotlight from the story. Season 2's (numerous) gay relationships and trans character feel shoe-horned in and contrived, attention is purposefully directed to them yet they don't organically fit into the story and so their inclusion feels clunky, forced and jarring in a way that season 1 didn't.
Overall season 2 doesn't do enough to expand on the world built in season 1. Morpheus plods along fairly pathetically and apologetically for most of the season, and the whole season feels grounded in a way that betrays the ethereal, celestial, beings and concepts that inhabit it.
8/10 for season 1, 4/10 for season 2.
Except then it, kind of didn't. Season 2 wanders around aimlessly for most of it. What new elements it does introduce feel superficial and trivial, and are disposed of as quickly as they are introduced. All the energy from the characters seems to have been sucked out, like they're shells of their former selves. You find yourself wondering what the point of most of what you're watching is, and I'm afraid it never gets clearer.
Season 2 also goes very heavy with LGBT themes and diversity. Season 1 had representation in an almost seamless way that never took the spotlight from the story. Season 2's (numerous) gay relationships and trans character feel shoe-horned in and contrived, attention is purposefully directed to them yet they don't organically fit into the story and so their inclusion feels clunky, forced and jarring in a way that season 1 didn't.
Overall season 2 doesn't do enough to expand on the world built in season 1. Morpheus plods along fairly pathetically and apologetically for most of the season, and the whole season feels grounded in a way that betrays the ethereal, celestial, beings and concepts that inhabit it.
8/10 for season 1, 4/10 for season 2.
Amazing lullaby
This show was so exciting. I've never fallen asleep during a show before. This one?? I watched it, passed out. Rewound it, passed out again. I think it's cursed-or it's a secret sleep aid and I think the plot is just a lullaby.
Great visuals, epic concept.......and the perfect cure for insomnia. :)
Great visuals, epic concept.......and the perfect cure for insomnia. :)
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaDave McKean, who created the covers for the comic series, came out of "Sandman retirement" to design the credits sequences for this series.
- Crazy creditsThe Warner Bros and DC Comics logos are formed from shifting sands.
- ConnectionsFeatured in Animat's Crazy Cartoon Cast: Geeked Week for Freaks (2021)
The Year in Posters
The Year in Posters
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Sandman: Người Cát
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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