American Hustle

I'd heard mixed responses about this film over the years so I had to finally give it a watch. And I'm sorry to anyone that hates this film, but I really enjoyed this one!

The first half an hour or so is quite bland I'll be honest. No obvious direction for the film to go in, I wasn't too sold on any of the characters and just generally the pace was really slow.

But the film massively picks up and it just gets better and better and more interesting with every minute that passes. The ending I thought was fantastic, it ended all the characters arc's amazingly well and had a brilliant twist involved which I didn't see coming.

The standout for me is the acting. When I saw the pretty extravagant cast lineup I was skeptical. Usually films that go all in with cast typically don't do too well. So when I saw Bale, Adams, DeNiro, Renner, Lawrence, Cooper and CK and more I was thinking just that. But this doesn't fall into that category at all! Acting from everyone was superb and a real standout, really added so much more to the characters. Just a great job overall.

But yeah, overall it's a fun, interesting watch with a little touch of subtle humour added which is always nice. 8/10 from me, would recommend.

Frankly, the movie itself does not live up to its hype. I never was fully engaged with any character even though it takes more than enough time and delivers a tedious and often painstaking pace. Honestly, it felt to me like the film dragged and that the ending would never arrive. Even though not fully engaged and not empathetic towards any character depicted, there is enough style that I somehow cared about how the story ended. Every scene seemed to me like an exercise in an acting class. It feels like a professor took a group of talented actors and gave them this over-the-top 1970's assignment. Everyone gets an "A" because they are that good but it barely felt like a coherent film to me. It's like their assignment included constant references to try and deliver a "Goodfellas" type tone without having a script to back it up. The events of the conclusion were so easy to spot that I'm sure most everyone will see it coming a mile away.

Overall, interesting but there is far less substance than I was expecting. I have to say this was a let down.

American Hustle is all about large characters, outlandish fashion and awful hair. It may tease you into thinking it's some kind of smart con- artist movie with it's (very loosely) based-on-real-events premise ("some of this actually happened", the opening credits inform us) and snappy trailer. But for all visual pizazz, this is in fact a very small movie, focusing on a small set of unique and frequently bizarre characters that just happen to cross paths amidst the ABSCAM operation in the late 70's and early 80's. Imagine if the characters from I Heart Huckabees (2004) were in fact the people who took part in the operation covered in Argo (2012), and you'll have something akin to American Hustle.

Paunchy con-artist and loan-shark Irving Rosenfeld (Christian Bale) hooks up with the beautiful Sydney (Amy Adams), an intelligent and ambitious American girl who improves Irving's scams by pretending to be an English aristocrat. When they are busted by creepy FBI agent Richie DiMaso (Bradley Cooper), they are promised leniency if they assist the Bureau in making four additional arrests. The plan is to entrap popular Mayor Carmine Polito (Jeremy Renner), who is looking to inject funds into gambling in Atlantic City, by having a friend pose as an Arab sheik looking for potential investments in America. As Irving, Richie and Sydney delve further into the sting, things start to spiral wildly out of control, as Irving's loud-mouth wife Rosalyn (Jennifer Lawrence) can't seem to keep her mouth shut, and Richie develops feelings for Sydney.

As said before, the plot plays second-fiddle to director David O. Russell's obvious fascination with this ensemble of weirdo's. Surprisingly, it's the slimy swindler at the centre of it all, Irving, that comes out of it the most recognisably human. In the opening scene, we see a shockingly bloated Bale, slapping his awful toupee across his head to cover up an embarrassing hairline. Is this the American Dream at work, a petty criminal posing as a sophisticated, honest guy? Well, no, American Hustle doesn't need to try and touch those metaphorical heights, but this is the type of person we're to spend the next two-plus hours with. An apparently successful sort of guy, covered in gold and eyes covered by tinted sunglasses, but hiding something fragile or dangerous that may soon reveal itself.

The performances are spectacular, as one would expect. Bale manages to make you actually root for his slimeball character, and Jennifer Lawrence shows that she seems able to tackle any role or character with aplomb. Cooper does a job similar to his previous work with Russell, Silver Linings Playbook (2012), but even betters that. He seems to have the uncanny ability to make you instantly know there's just something wrong with his character, and when we see him at dinner with the fiancée he clearly doesn't love or respect, his hair bunched up in tiny little rollers, there's something simply tragic about him. And Amy Adams, let loose here to reveal an unseen feistiness, wins the award for Side-Boob of the Year.

The whole thing is a rather strange experience, never really falling into a recognisable genre or taking a conventional approach to storytelling. It could only really come from the mind of David O. Russell, the only director that seems able to combine a mixture of mainstream commercial success, nominations and awards a-plenty, and independent sensibilities, never really moving away from his own vision. It's not a total success of course - Irving's admiration from the 'moral' Mayor Polito, who just wants to rejuvenate Atlantic City, seems a bit of a sympathy quick-fix, and no-one can out-Scorsese Martin Scorsese. Well, maybe Paul Thomas Anderson can. But American Hustle is a big dose of strangely endearing entertainment, that even when it outstays it's welcome towards the end still made me want to spend more time with the characters.

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The performances are the safeguard for this movie to have a very long life. I couldn't care less about the characters but I loved the actors playing them. They, the characters, make choices that are as coarse as their wardrobe. Thank God for the people wearing them .Christian Bale is absolute perfection. His character is disgusting and irresistible at the same time. brilliant performance. Amy Adams is superb and Bradley Cooper an unnerving hoot - also the brief moment with Robert de Niro is simply delicious but it is Jennifer Lawrence who made me want to see the movie again as if to confirm what I seem to remember. Yes indeed. She is spectacular. A performance of such maturity - her laughter alone belongs to one of the great ones of yesteryear. - Totally present. A character actress/star.

While "American Hustle" has some nice performances, I was very surprised how unexcited I was watching this film. After all, around Oscar time, this was THE film that all the hype seemed to be about and the movie hadn't even debuted yet!! Critics were abuzz and the film got all the major nominations--Best Picture, Best Director, all the acting awards and four other nominations! If I were to create a list of most overrated films of all time, I would include this one simply because of all this hype. No film could be as good as this hype would indicate...and it wasn't.

The movie is a HIGHLY fictionalized retelling of the Abscam affair where the FBI caught a lot of politicians on tape taking bribes. The ending, in particular, is pure Hollywood, not fact. But, instead of focusing mostly on the scam, the film tends to glamorize the characters involved in putting over this sting--the confidence people as well as the FBI.

So why was I so underwhelmed by the film? The biggest reason is that I didn't like any of the people. And, oddly, the one I liked the most was the mayor (Jeremy Renner) caught up in the scandal. Any film about Abscam, even one as fictional as this one, needs to show bad people-- this didn't bother me. But the film so glamorized them and was all about them--and this left me flat.

A few other things bothered me a bit. First, the f-word was not THAT commonly used in the 70s like it is used today. Historically, this is inaccurate, as it was used something like 27102391294 times. Second, while I liked the period music (as well as some new music by Jeff Lynne that sounded period), it was often too invasive--like a music video.

In closing, I think if the film had never been hyped, I might have enjoyed it a lot more and scored it higher.